Tag Archives: VII

Final Fantasy VII Remake’s Yuffie DLC will be two chapters long, confirmed

The mystery is coming together

So Final Fantasy VII Remake Intergrade instantly shot up on my 2021 radar.

Yeah, some parts of it are a bummer, like the PS5-specific requirement. And not everyone has one of those! Seeing as they’re basically unicorn pieces of hardware. But for those that do, we have more Final Fantasy VII Remake to enjoy sooner than later (whenever Part 2 decides to actually come out).

To that end, folks are champing at the bit for more Yuffie DLC info, and we got it. As spotted on Game Watch (via Nibel), the Yuffice DLC bit will take place across two chapters. Yuffie will also be able to use “ninja-like” abilities outside of combat, and she will be accompanied by her companion, Sonon; who is a “warrior who studied under Yuffie’s father Godo.”

Both of the latter factoids were intimated in the trailer, but it’s nice to see it spelled out. The chapter part is especially useful, so we have our expectations in check when this actually launches later this year. For reference, the base game was roughly 18 chapters, though the length of those varied some.

FFVII Remake Intergrade [Game Watch via Nibel]

 

 



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Prince Charles visits his father Prince Philip at King Edward VII hospital

An emotional Prince of Wales arrived at King Edward VII’s hospital in London to visit his father the Duke of Edinburgh this afternoon.   

Prince Charles arrived at the back of the London hospital at around 3.30pm where Philip, the 99-year-old husband of Queen Elizabeth, has been since Tuesday. He is expected to remain in hospital until next week.

His son, 72, was pictured wearing a face mask as he walked from his car into the hospital.

Today is Philip’s fifth day in the private facility in London and comes as the fallout from the news about Harry and Meghan’s departure from working royal life continues.

He is understood to have been aware the announcement on Harry and Meghan was due to be released yesterday.

The Duke of Edinburgh had been expected to be discharged after a few days but is expected to remain in hospital for ‘observation and rest’ throughout the weekend and into next week. 

Charles was pictured arriving at the hospital that is currently only considering visitors in ‘exceptional circumstances’ due to the Covid pandemic. 

It is understood the prince made a 100-mile journey from his home in Highgrove, Gloucestershire, to the hospital in central London. 

An emotional Prince Charles leaves King Edward VII hospital at around 4pm, half an hour after arriving to visit his father Prince Philip

The Prince of Wales has arrived at King Edward VII’s hospital in London to visit his father the Duke of Edinburgh

Prince Charles arrived at the back of the London hospital where Philip, the 99-year-old husband of his mother Queen Elizabeth, has been since Tuesday

Prince Charles left the hospital shortly before 4pm, half an hour after arriving. He is the first member of the royal family to visit Philip during the duke’s four-night stay in hospital.

It is thought Charles had not seen his father since before Christmas because of the nationwide coronavirus restrictions, with the duke staying at Windsor Castle.

His visit to the hospital to see his father comes a day after he appeared alongside his wife the Duchess of Cornwall in a video message to urge ethnic minorities ignore fake news and get their Covid jabs.

Prince Charles, 72, who along with the Duchess of Cornwall, 73, has had his first coronavirus jab, told of his concern about the ‘variable uptake’ among black and Asian Britons. 

Philip, 99, was described as being in ‘good spirits’ after he walked unaided into King Edward VII Hospital on Tuesday evening on the advice of his doctor.

A Royal source said: ‘Following consultation with his doctor he is likely to remain in hospital for observation and rest over the weekend and into next week. As we have said previously the doctor is acting with an abundance of caution. The Duke remains in good spirits.’ 

The Queen had told him of Meghan and Harry’s decision to not return as working members of the Royal Family and the statement she was going to release on the development.

Philip, pictured above in 2013, is expected to remain in hospital until next week. He was admitted on Tuesday after feeling unwell

Prince Charles wore a grey suit and blue tie and was pictured being flanked by a protection officer as he got out of his car

The Prince wore a disposable face mask to visit his father, who is due to celebrate his 100th birthday in June

Prince Charles left the hospital shortly before 4pm, half an hour after arriving. He is the first member of the royal family to visit Philip during the duke’s four-night stay in hospital

Philip and Harry had always shared a close bond but a recent book suggested he had been left bewildered by his decision to walk away from the Royal Family.

Ingrid Seward, author of Prince Philip Revealed, said the Duke of Edinburgh ‘walked away’ from the situation after feeling that his advice was being ignored.

Seward’s book said: ‘For Philip, whose entire existence has been based on a devotion to doing his duty, it appeared that his grandson had abdicated his for the sake of his marriage to an American divorcee in much the same way as Edward VIII gave up his crown to marry Wallis Simpson in 1936.’

It had been claimed on Friday Harry was self-isolating at home in Montecito, California, so he can fly back to Britain at short notice if Philip’s condition worsens, but the Palace’s announcement appears to have thrown this into some doubt.

Harry, who lives in a £11million mansion with his pregnant wife Meghan and son Archie, was also said to have arranged to fly by private jet at short notice if needed.

He would be tested for coronavirus before leaving the US and upon arriving in Britain – and it is not clear if Meghan would travel, reported the Daily Mirror.

The Prince was driven to the hospital in a Tesla electric car before he was seen walking into the back of the facility

Prince Charles sat in the front seat of his car and was wearing a disposable coronavirus face mask. He is believed to be the first person to have visited Prince Philip since he arrived in hospital on Tuesday

Harry would also be exempt from having to quarantine in a hotel for ten days after arriving, if the UK adds the US to its ‘red list’ of countries as is being discussed.

Members of the Royal Family do not have to isolate in a hotel upon arriving from ‘red list’ countries due to special dispensation, similar to diplomatic immunity.

A spokesman for Harry was contacted for comment by MailOnline. On Wednesday, Buckingham Palace said admitting Philip to hospital was a ‘precautionary measure’.

There were no reports yesterday or on Thursday of visitors arriving at the exclusive hospital which is on a quiet street in Marylebone, but Philip is known for his ‘no fuss’ attitude.

Philip, who turns 100 on June 10, is in hospital for an undisclosed reason, although it is not coronavirus-related and it was a non-emergency admission.

It is understood a doctor was called after Philip felt unwell for a short period and he was taken to hospital by car, where he walked in unaided.

Philip has been spending the latest lockdown with the Queen, 94, at Windsor Castle and last month they both received Covid vaccinations. 

The Queen and Prince Philip look at a wedding anniversary card given to them by their great grandchildren George, Charlotte and Louis, in the Oak Room at Windsor Castle last November

Harry and Meghan released this picture on Sunday to accompany a pregnancy announcement

Philip was reported last year to be unconcerned about becoming a centenarian. 

But sources say his view has modified and he is rather reluctantly looking forward to reaching the milestone. 

As the nation hoped for his swift recovery, royal author Penny Junor joked yesterday that hospital staff probably would not want Philip on their shift due to his aversion to people making a fuss.

She told BBC Breakfast: ‘He can be quite blunt and I think if he felt people were fussing over him he could be quite outspoken about that. 

‘This is a man who doesn’t want any fuss made of his 100th birthday, so the fact he’s in hospital and getting some fuss made of him will really irritate him.’

Is this Britain’s bravest traffic warden? Prince Philip’s royal protection officers’ Range Rover gets a parking ticket 

A ticket-happy official outside the hospital where Philip is being treated tried to lay claim to the title of Britain’s bravest traffic warden last week.

As the Duke remained inside, royal protection officers found their Range Rover had been given a fixed penalty notice.

The fine was attached to the windscreen after it was left on double yellow lines as the protection officers went inside for ‘a couple of hours’, a witness said. 

When they emerged, one of the officers removed the ticket and the car was moved. 

A parking warden putting a ticket on a royal protection officer’s vehicle on a yellow line outside King Edward VII Hospital yesterday

Buckingham Palace said on Wednesday: ‘His Royal Highness the Duke of Edinburgh was admitted to King Edward VII’s Hospital in London on Tuesday evening.

‘The Duke’s admission is a precautionary measure, on the advice of His Royal Highness’s doctor, after feeling unwell. The Duke is expected to remain in hospital for a few days of observation and rest.’

It is understood the decision to admit Philip was taken with an ‘abundance’ of caution.

Philip was last in hospital in December 2019, when he spent four nights at King Edward VII being treated for a ‘pre-existing condition’ before being discharged on Christmas Eve.

He retired from public duties in 2017 but made a rare public appearance at Windsor last July 2020 for the official handover of his role as Colonel-in-Chief of The Rifles to his daughter-in-law Camilla.  

Meanwhile a ticket-happy official outside the hospital tried to lay claim to the title of Britain’s bravest traffic warden yesterday.

As Philip remained inside, royal protection officers found their Range Rover given a fixed penalty notice.

The fine was attached to the windscreen after it was left on double yellow lines as the protection officers went inside for ‘a couple of hours’, a witness said. 

When they emerged, one of the officers removed the ticket and the car was moved.   

Prince Charles spoke on Thursday at a British Asian Trust’s (BAT) webinar: ‘Covid-19 Vaccine – Facts for the BAME Community’ – as his father spent his third day at London’s King Edward VII hospital after falling ill.

After his address, the BAT aired the preview of an advert featuring celebrities including the comedians Romesh Ranganathan and Meera Syal. The clip was then broadcast on TV on Thursday evening. 

Charles, the royal founding patron of the British Asian Trust, said: ‘Recently I fear we have reached a most sobering milestone in this seemingly interminable campaign as we marked the tragic loss of 100,000 souls.

‘It is clear that the virus has affected all parts of the country, and all parts of society.

‘But it is also clear that there are particular challenges faced in particular sections of our society, especially in some ethnic minority communities.

‘What saddens me even further is to hear that those challenges are being made even worse by the variable uptake of the vaccines, which finally offers a way out of the suffering of the past year.’

Charles continued: ‘The production of the vaccines in such an incredibly short time scale must rank as one of the greatest scientific achievements of our time.

‘It has been the result of tremendous international cooperation, generous financial investment by nations and private companies and represents an unprecedented and super human effort by our medical experts.

‘Therefore it is surely a tragedy that the benefits of such an extraordinary achievement should not be experienced by everybody.

‘Which is why I am so very grateful for all those who have come together here today to help ensure people of whatever background are enabled to take up the vaccine.’

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How Final Fantasy VII Remake legitimizes sexuality and gender identity

In Final Fantasy VII, spiky-haired protagonist Cloud Strife fights countless battles. But when he arrives in the red-light district called Wall Market, he faces what might be his greatest challenge: cross-dressing. To rescue his childhood friend and ally Tifa Lockhart from a seedy old slumlord, Cloud infiltrates an adults-only establishment called the Honey Bee Inn. The catch: to get to her, he must go undercover as a woman.

In the original 1997 version of FFVII, Cloud’s drag transformation is played for laughs. Undertones of queer panic and derision punctuate nearly every character interaction while he’s dressed in a frilly, lavender frock. The audience is supposed to guffaw at this warrior clad in women’s clothing, tamping down any inherent issues of sexual identity and expression that could be attached to the scene. Final Fantasy VII, while heartfelt, dramatic, and in many ways beautiful, was never what could be interpreted as “in tune” with its sexual side.

Nearly 25 years later, Final Fantasy VII Remake flipped the script. A narrative that was once eager to mock Cloud’s dalliances in drag, and which turned a blind eye to the sexual implications of the situation, has morphed. In Remake, this scene blossoms into a brilliant and daring piece of media that encourages the exploration and freedom of one’s sexual identity. It also legitimizes both the cisgender and queer desires that certain characters harbor.

That doesn’t mean Final Fantasy VII Remake has added explicit sex scenes in the vein of The Witcher 3 or that it needed more mature content in the first place. But now, instead of pointing and laughing at Cloud in a dress or pretending its heroines are too innocent to go after what they want, Final Fantasy VII Remake paves the way for more sexual awakenings. Though plenty of games that came after Final Fantasy VII were quick to add in this type of content, it’s refreshing to see a classic coming around in this fashion, even if it took an agonizingly long time.

A classy kind of brothel

The remake’s greatest change in this regard happens in the Honey Bee Inn itself. The locale has been retconned significantly, doing away with the outdated, seedy vision of what society believes a brothel should be. The Inn is now a sophisticated nightclub meant only for VIPs, operating under the watchful eye of Andrea Rhodea, a flamboyant, queer-coded man with a flair for the dramatic. The staff, clad in racy bee costumes, puts on elaborate dance numbers nightly, and Rhodea ends up challenging Cloud to a dance-off in return for a makeover that will enable Cloud to go after Tifa.

Rhodea is immediately flirtatious with Cloud as he leads the soldier onto a brand-new battlefield: the dance floor. Incredibly, Cloud engages in a raunchy dance-off with Rhodea to a bombastic EDM number. The two bob and weave inches away from each other, bodies pulsating and shimmying to the beat. They move effortlessly in sync, Cloud shaking his rump and running calloused hands along his body just as Rhodea does across from him.

It’s a sexually charged scene unlike anything we’ve seen from the Final Fantasy series to this point. Before you ever see him in a dress, it becomes clear that this version of Cloud is willing and unafraid to bust out of his comfort zone to explore the pleasures that the Honey Bee Inn has to offer.

They don’t see a man in a dress to point and laugh at. He’s just hot, and everyone knows it.

Following the jaw-dropping scene, we’re treated to a montage of enthusiastic staff working their magic on Cloud, applying a full face of makeup and what appear to be hair extensions, giving him a flaxen mullet with braids. “You were born for this,” an attendant tells Cloud, who is clad in a gorgeous dress, before revealing him to the audience in attendance. Companion Aerith Gainsborough, who is front and center for the show, claps her hands and stares at Cloud in awe. She’s practically breathless.

Rhodea twirls Cloud around in a series of waltz-like moves, remarking that, when it comes to true beauty, gender doesn’t apply. Cloud is left to play the traditionally “feminine” role here, held a hair’s breadth from Rhodea’s face. In this moment, Cloud isn’t a punchline to some elaborate setup. He’s a showstopper, decked out in the finest garments Wall Market has to offer and oozing effortless sexuality. He’s a bombshell. For once, Final Fantasy subtly indicates that there’s absolutely nothing wrong with exploring that, even if Cloud is still coming to terms with this newfound side of himself.

Upon exiting the Honey Bee Inn, the citizens of Midgar are surprisingly open-minded and appreciative of Cloud’s appearance. They don’t see a man in a dress to point and laugh at. He’s just hot, and everyone knows it.

In contrast to the original game, the message here is much more empowering: you can be yourself and express your sexuality and gender identity any way you like, and that doesn’t make you a joke. It’s a scene that feels impossible to walk away from without feeling empowered to go out and be the best version of yourself, regardless of your sexuality or gender identity.

Madam M and Ms. Rasberry

The remake’s changes come through clearly in other character interactions as well. Take Madam M, one of a trio of advisors to the slumlord Cloud is seeking while dressed as a woman. She runs a Wall Market massage parlor while moonlighting as a judge at the Corneo Colosseum fight club, where she helps enlist Cloud and Aerith to afford a makeover for the flower girl to the tune of 1,000,000 gil. Her main bread and butter, however, is hand massages—the kind that have you howling with pleasure (or pain, if you don’t pay the prices she commands for a good one.)

Madam M’s hand massages, while outwardly innocuous, are obviously meant as sexual innuendo. It’s a brash move from the developers, poking fun at the idea of this savvy and brash Madam being a sex worker. She’s portrayed as a whip-smart, shrewd businesswoman and nothing less than a reputable titan of her industry. She commands respect from the two men that round out the Don Corneo trio and strikes fear into the hearts of clients who don’t pay (while her paying clients always end up satisfied).

It’s an important message that society would do well to internalize today: sex work is real work. Madam M may or may not be performing additional services beyond simple massages, but what she does provide is obviously a joking analogue that gives the audience permission to laugh while taking in the larger point. She’s a boss with a highly specialized trade, nothing more. Most importantly, she knows what she’s worth.

This appreciation for sexuality and outspoken women extends to Jessie Rasberry. In her limited role in the PlayStation original, Jessie is permitted to flirt openly with Cloud, making it clear she harbors feelings for the new Avalanche recruit. In the remake, though, Jessie’s character has room to breathe as an effervescent young woman. She makes her intentions known at every possible turn: unashamed, unbothered, and unafraid of what others may think, in stark comparison to the narrative that women should be quiet and demure. So many JRPG protagonists are shy, skittish heroines who get flustered over holding hands. Jessie, on the other hand, isn’t afraid to show that she wants to get physical with Cloud.

Cloud jokingly refers to Jessie as “desperate” for repeatedly asking him over to her place. When they return to Jessie’s home in the slums and Cloud declines to stay the night, Jessie tries to get him to agree to come back the next night. It’s heavily implied that, in addition to “making a mean pizza,” she’s interested in getting closer to Cloud, noting that her roommates should all be out for “a while.”

Despite the object of her affections’ icy reception, Jessie remains undeterred. She repeatedly makes advances toward Cloud throughout the entirety of the game, never pausing to wonder what the other travelers think of her crush. She’s set her sights on the guy she wants, and she’s going after him. It’s refreshing to see a woman pursue a romantic interest with such “masculine” persistence, even when rebuffed several times over. Jessie’s a woman who’s afraid of being seen as a damsel in distress, even if she’s hurting. It’s a telling character trait, but it ends up being an empowering one as well.

Will they or won’t they?

Then there’s the complicated relationship between Cloud and Tifa. Within the love quadrilateral quietly brewing among Cloud, Tifa, Aerith, and Jessie throughout Final Fantasy VII Remake, none of the relationships feel as immediate as the one between Tifa and Cloud.

Tifa never misses the chance to remind Cloud that he promised as a child to come save her if she were ever in trouble. The remake version of Cloud happily obliges her when she brings this up, treating Tifa with a kind of tenderness that wasn’t seen in the original game (save for a few quiet scenes).

This implies strong feelings between the two that have never been made more explicit, and it helps make the pair’s relationship feel more mature than ever.

In the remake, there’s an undercurrent of burgeoning sexual tension between the pair that was barely allowed to shine through in the original game. Tifa’s body language reflects a young woman yearning for her lover’s physical touch, while Cloud remains reticent. A kiss (or something more) constantly feels like it’s only moments away.

In one scene, the pair shares a room together for a brief moment, Tifa speaking to Cloud from the door of a tiny apartment while he remains completely clothed on a creaky old bed. The desire can practically be felt through the screen. It’s as if Cloud knows he won’t be able to help himself, so he stays on the bed, never making a move toward Tifa.

Several similar moments are woven throughout the remade narrative, many of which Tifa instigates herself. Though she’s not as aggressive as Jessie in her advances, it’s clear Tifa has been given the agency this time around to make sure Cloud knows how she feels. As the remake’s narrative progresses in planned future releases, it seems clear Tifa could make the most of an opportunity to truly act on those feelings, whether that means a night of passion or the kiss fans have been waiting for since viewing the original game’s credits.

The passage of time

With these additions and more strewn throughout Final Fantasy VII Remake, it’s plain to see how the story has grown with its players over the years. There was always room to inject more believable human moments, emotions, and sexuality. Seeing the creators behind this larger-than-life remake project coming to terms with how they could express these changes has been an incredibly gratifying experience, and it’s chock-full of lessons the gaming industry as a whole could learn from.

There’s a constant struggle when it comes to giving video games the space and affirmation they need to explore more adult themes so they can break the “childish toys” image that still hampers the industry. Final Fantasy VII Remake offered more than enough ammunition for the cause. If this is the attitude we can expect from the next installment and going forward, this beloved RPG series looks like it has nowhere to go but up.

Listing image by Square Enix

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