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Why Are We Ignoring the Disturbing Allegations Against ‘Squid Game’ Star Lee Jung-jae?

Photo Illustration by Kelly Caminero / The Daily Beast / Getty

Lee Jung-jae took home Outstanding Lead Actor in a Drama Series at Monday night’s Emmys for his role in Netflix’s global smash Squid Game, besting the likes of Better Call Saul’s Bob Odenkirk and Succession’s Jeremy Strong and Brian Cox. In the process, he made history as the first Asian man to win the Lead Actor Emmy.

For his role as Seong Gi-hun, a divorced father and deep-in-debt gambler who’s lured into a deadly game of survival with a huge cash prize, Lee has emerged as the breakout star of Squid Game, which still ranks as Netflix’s most-watched series ever (even though he’s had a storied career in Korea for decades, including Grand Bell and Baeksang awards). Lee is arguably the most recognizable Korean actor in the world right now—and his star will rise even higher after landing a leading role in The Acolyte, an upcoming Star Wars show.

But if we’re going to use Lee to celebrate everything that’s great and different about Korean TV, we also need to acknowledge everything else he represents—including how, similar to the West, male Korean stars enjoy the benefits of an industry that bends over backward to protect and preserve their image.

In 1999, Lee was detained by Gangnam Police for driving under the influence and causing a collision with another driver, a 23-year-old woman. His blood alcohol content was 0.22 percent (in South Korea, the limit is 0.05 percent). Lee refuted the charge, claiming his manager was driving. Three years later, he was charged with the same offense.

The Most Horrifying Scene in ‘Blonde’: JFK’s Rape of Marilyn Monroe

That same year, in 1999, he and a friend drunkenly attacked another man and were charged with assault. He was charged with assault again the following year after he allegedly dragged a 22-year-old woman from a nightclub in Busan and kicked her, causing injuries that required two weeks of recovery in the hospital.

Fast-forward to 2013 where, in an interview with Vogue Korea, Lee appeared to out his friend and prominent stylist, Woo Jong-wan, soon after his suicide. Before he died, Lee claimed, “I said to [him], ‘You should stop being gay. Haven’t you been that way enough?’” He went on to describe Woo’s homosexuality as an “inconvenience.” The quotes were subsequently pulled from online versions of the interview.

Fans argue that it was so long ago that it doesn’t matter. Indeed, we should acknowledge and encourage growth if we see it. But we haven’t. Lee hasn’t wrestled with the allegations in interviews or shared any information about steps he’s taken to rehabilitate himself; instead, they’ve been all but swept under the rug. Nor do we know if this is the sum of Lee’s past. We can only judge what we see and, as you can probably tell from those quotes disappearing, what we see of Korean stars is heavily curated—by the film and TV industry, by the media, and by fans.

Much of what we see from many Korean performers is a heavily curated image that scrubs out imperfections in order to create an idealized avatar. It’s most obvious in K-pop. Groups like BTS and Oh My Girl are carefully managed by labels. Band members live in dorms, sometimes sharing rooms. Their performances are tightly controlled, both on stage and off. No improvisation; nothing unscripted. They become brands—a perpetual reality show fans can’t tear themselves away from.

This isn’t entirely unique to Korea. It is, in many ways, universal to modern-day celebrities. But whereas this kind of reputational smoothing in the West often centers on humanizing celebs, in Korea it’s about shoring up an unrealistic, aspirational ideal that cannot be compromised.

After all, when we recognize public figures as human beings, it’s easier to attach their transgressions onto them. In Korea, red flags are carefully hidden under layers of branding that can be impossible to dislodge—at least if you’re a man.

The leeway Lee has enjoyed over these reports has been compared to Johnny Depp. It’s the same kind of entrenched, manufactured image that allows Depp’s fans to completely dismiss overwhelming evidence of his abuses—or even sanction it.

So, too, do Lee’s fans casually ignore reports of his assaults and homophobia. Who cares? they ask, far more interested with the image they have helped construct over the years. This kind of violence simply doesn’t gel with the Lee Jung-jae they’ve convinced themselves they know, driven by the sprawling tendrils of misogyny that protect men in the film and TV industry across the globe.

The same misogyny that insulates Lee from these reports means that, in Korea, men can survive accusations of sexual harassment and assault while rumors of bullying can derail Seo Ye-ji’s career, or Song Ji-a wearing fake designer clothes causes her to be branded dishonest and chased off social media.

This same misogyny allows Depp to continue to gather endorsements and acting gigs while Amber Heard may never work in the industry again—and other men use her as a way to vilify their own accusers.

It’s easy for Western audiences to forget all of this while watching Korean television, losing oneself in a culture about which so many of us know precious little. But if we’re going to engage with Korean TV (and we should, it’s incredible) we need to understand that what we’re seeing is a carefully constructed fabrication of what Korea should look like, where anything that could be regarded as a blemish is censored out of shows. And its stars are similarly insulated from ideas that run contrary to Korean ideals—for instance, that one of Korea’s biggest stars might not be as clean-cut as managers, assistants, and minders want him to appear.

I want people to fall in love with Korean TV—it’s a rewarding love affair—and welcome the success of its stars in a global market. But we also must understand that beneath ostensibly feel-good stories of men like Lee Jung-jae achieving global stardom, there can be just as much darkness as there is in places like Hollywood.

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10 Splatoon 3 Players Who Are Total Hypebeasts

I wonder where Splatsville’s runway is…
Image: Nintendo

If you’ve spent any amount of time sauntering around Splatoon 3’s new hub world of Splatsville, then you’ve undoubtedly seen some of the drippiest fashion known in this city of inky chaos. No joke, the fits are so clean—and so bizarre—that I couldn’t help but chronicle the best of the best. From the ubiquity of school uniforms to the preppiest getups, I’ve collected 10 of the freshest digs I’ve seen in my time with the colorful ink ‘em up.

Read More: Everyone Cares About Splatoon 3 More Than You Think

Fashion has always been a prominent component of Splatoon, especially because the gear you dress your squid kid in directly affects your overall stats. Clothing can do things like increase your ink reserves so you can throw more paint or beef up your defenses against ink so you can tank more damage. You can find out the abilities each piece of gear bestows at the shops located within Splatsville where you can buy, upgrade, and trade in apparel using in-game money.

Cash isn’t the only way to unlock garments, though. As was the case with OG Splatoon, the threequel features Amiibo support, which is a nice way of saying that some of the best—or drippiest—clothes in the game are locked behind you owning specific Amiibo. Murch, the hot sea urchin who can order some gear at a pretty high premium, can’t help you out here.

Read More: Splatoon 3‘s Most-Hated Gun Needs To Go, Players Say

Still, the threads on display in Splatsville are incredibly eye-catching. In the slides that follow, you’ll see an eclectic mix of styles, including creepy Chuck-E-Cheese-like mascots and folks who look like Brotherhood of Steel rejects from the Fallout series. Plenty of people are reliving ‘90s-era fashion with some bold colors. And there’s this one pair of dressy shoes everyone’s wearing that you can only cop from the Inkling Girl Amiibo. It’s a bummer, but the outfits folks have put together are dope. So, let’s check out some squid drip:


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‘Stranger Things’ Season 4 Final Viewership Vs. ‘Squid Game’ Record – Deadline

Stranger Things added a few more tens of millions of hours viewed to its Season 4 tally this past week.The final viewership for the new season (Vol.1 and Vol.2 combined) is 1.352B hours in the first 28 days of release. That is the most for any English-language series on Netflix and more than twice the hours logged by the second most popular season of an English-language series on the streamer, Bridgerton 2 (656M).

After the first couple of weeks of release of Stranger Things 4 Vol.1 it became clear that Squid Game‘s record of 1.650B hours viewed in the first 28 days is untouchable. Stranger Things 4 came the closest anyone had been able to, within 298M hours of the tally for the Korean drama phenom.

For the week of July 25, romantic drama Virgin River held onto the top spot among English-language series in its first full week of release with 87.9M hours viewed.

Another Korean breakout, Extraordinary Attorney Woo, was back to #1 on the non-English side with 65.5M hours for the week; the series has been #1 in three of its four weeks to date.



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Deep-sea squid mom carries dazzling pearl-like string of eggs

Extremely rare footage of a squid mom carrying a gelatinous string of glimmering pearl-like eggs in her arms has been captured in the dark ocean depths off the coast of California. 

Researchers from Monterey Bay Aquarium Research Institute (MBARI) recently spotted the deep-sea squid (an unknown species in the genus Bathyteuthis.) around 56 miles (90 kilometers) off the coast at a depth of 4,560 feet (1,390 meters), a depth roughly three times the height of the Empire State Building. The team used a remotely operated vehicle (ROV) to capture high-definition footage of the squid and her still-developing offspring, allowing researchers to “examine the pelagic [open-water] parent in astounding detail,” MBARI representatives wrote in a description of the video (opens in new tab), which they shared July 6 on the MBARI YouTube channel.

It is extremely unusual for female squids to be seen carrying their eggs along with them; such behavior is known as brooding. “Most squids reproduce by depositing egg cases on the seafloor or releasing eggs in a gelatinous mass that drifts in open water,” and then abandon their unhatched larva to fend for themselves, researchers wrote in a statement (opens in new tab)

Sometimes “these nurturing mothers will carry the eggs until they hatch to improve their babies’ chances for survival,” the researchers wrote. But carrying eggs is also likely to be energetically expensive for the mom and increases her risk of being predated, which is why it is uncommon to see this behavior in action. 

Related: Weird-eyed strawberry squid spotted in ‘twilight zone’ off California’s coast 

A close-up of the squid mom holding onto her eggs. (Image credit: MBARI)

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This is only the second time MBARI researchers have observed this brooding behavior in Bathyteuthis squid, after first glimpsing it in 2005. Only two other species of brooding squid, both from the deep sea, have ever been spotted carrying their eggs in this way. However, the researchers suspect that “other deep-dwelling squids may also turn out to be brooders,” according to the statement. 

The overprotective mom in the video appears deceptively large alongside her tiny eggs, but in reality, her mantle — the main part of a squid’s body containing all the major organs — can only grow to a maximum length of 3 inches (7.5 centimeters), according to MBARI.

Researchers say that videos like this one show the importance of continuing to explore deeper waters. “The deep ocean is challenging to study and we only get brief glimpses into the behaviors of deep-sea animals,” the researchers wrote. “Each observation logged by our ROVs provides another piece of the puzzle and helps improve our understanding of life in the deep.”

Originally published on Live Science.

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What’s Inside The Squid Cube?

In a containment lab in Wellington, New Zealand, Kat Bolstad considered the squid cube. It was the size of a keg and had been frozen solid since January, when it was hauled up during a research trawl in fishing grounds to the east of the country. The squid cube was not a cube of squids but rather one single cube-shaped squid, whose flaccid body had been folded into a rectangular fish bin and subsequently stored in a freezer. It chilled there until June, when Bolstad, a deep-sea squid biologist at Auckland University of Technology, was ready to unbox it.

“It’s not the first squid cube,” said Bolstad, who has seen many cubes of varying sizes and species in her line of work. But it certainly was a very special squid cube, comprising the carefully pleated body of an entire giant squid, meaning a species of deep-sea squid in the family Architeuthidae. When giant giant squids are caught in research trawls, their bodies are too big to be cubed, i.e. stored whole in a standard 50-liter fish bin. Those true giants are often frozen in pieces or “whole, in a gigantic sort of sausage-shaped, very large package that has to be moved by a forklift,” Bolstad said. But this giant squid, a young female, was just small enough to fit inside the fish bin and become a cube of her own. As Bolstad described the arrangement of the squid’s body: “It was like a cat curled up for a nap inside the fish bin.”

About twice a year, Bolstad’s lab sojourns to Wellington to thaw squid cubes and other squidsicles (frozen squids that bear somewhat less resemblance to regular geometric shapes). The city is home to the marine collection facilities of the National Institute of Water and Atmospheric Research, or NIWA, which slowly accumulates and freezes creatures collected on the institute’s research cruises. Some of the squids are frozen for months before their dead flesh experiences warmth again. And the quality of the carcasses can vary a lot depending on the squid’s journey from the deep to the surface. “Sometimes you get a really beautiful one,” Bolstad said. “Sometimes it looks like somebody sneezed in a tray.”

Credit: Kat Bolstad
This large Chiroteuthis, which has exceptionally long arms, is what would be considered a “beautiful” specimen.

Successfully unboxing frozen squids can be a race against time: Bolstad’s lab and NIWA staff members have to complete their work before the flesh starts to rot. Although a single, finger-sized squid might defrost in a half-hour, larger squids can take an entire day. And a squid compacted into a cube also does not defrost evenly, running the risk that the outside of the cube could rot while the inside is still frozen solid. A few years ago, Bolstad had to thaw a squid cube of a colossal squid—a different species altogether, and the largest invertebrate on the planet—weighing more than a thousand pounds. Colossal squid tissue is more delicate than giant squid tissue, so Bolstad’s team defrosted that colossal cube in a bath of sea ice to keep the dead squid in relatively pristine condition.

This June’s squid cube was less fussy, defrosting in air overnight until the researchers returned to unfold the half-thawed cube and run water over its body to help it along. “We did have visions of it, like, unfolding and then slithering to the floor and just having a horrible disaster in the morning,” Bolstad said. But the squid cube cooperated, and the next day could be fully unrolled and restored to its tentacled, 21-foot-long glory.

The formerly cube-shaped giant squid, fully unboxed.

Scientists do not often have the chance to examine giant squids. The animals are very large and live in waters thousands of feet deep, making it fairly unpredictable when one might turn up. For a long time, scientists could only study Architeuthis from squids that were discovered dead on the shore, dead in the water, or were digested or regurgitated by sperm whales, according to a 2013 paper in the American Malacological Bulletin. Recent advances in deep-sea trawling and underwater camera systems have given scientists a little more access to the elusive giants.

Still, it’s rare to come across a giant squid that has yet to reach full size, Bolstad said. Scientists are still sleuthing out the life cycle of giant squids, a cephalopod whose babyhood is somewhat of a black box. “There’s a size below which specimens are basically unknown,” Bolstad said, adding that there are records of “fairly small” mature males. But female giant squids get much larger: Whereas a mature male might top out at around 32 feet, a mature female can grow as long as 42 feet. Mature male giant squids produce packages of sperm called spermatophores and implant them into the skin of a female giant squid. But the researchers found only tiny hints of eggs in this particular cubed squid, meaning she was an immature female who had not mated.

Curious to learn what she ate, Bolstad’s team gently slid out the squid’s nearly gallon-sized innards. This week, the researchers plan to defrost the squid’s guts—which are sadly not cube-shaped but roughly oblong—and examine what half-digested creatures and undigested microplastics might lurk inside. With any luck, they’ll find a few parasites. Many parasites in the ocean have to move through different unique hosts throughout their life cycle: After being pooped out by a fish, they might have to penetrate a snail and then perhaps a clam before being eaten by another fish. Finding a parasitic worm in a giant squid could help scientists more fully understand where the worm journeys in its weird little life.

Credit: Kat Bolstad
Another mysterious squidsicle thawed into the head and tentacles of a giant squid.

Bolstad also wanted to retrieve a tiny calcium carbonate bone called a statolith from within the squid’s head that could hold a clue to the giant squid’s lifespan—one of the many creature’s many mysteries. “The squid has this little crystal floating around inside a fluid filled chamber,” Bolstad said. “The motion of the crystals in there tells the squid about its motion and momentum and position.” Squid statoliths function like our ear canals, helping the squid balance in the water. They also have growth rings, which could theoretically help estimate the age of the squid. But even though scientists can count the growth rings, they don’t yet know how often they accumulate, Bolstad said.

But a giant squid statolith is about the third of a size of a grain of rice, making removal from a larger squid rather tricky. “It’s very difficult to cut into a frozen giant squid head,” Bolstad said. “You need it to be like in this sweet spot of partially defrosted but not too defrosted.” The crystals always occur in a fluid-filled chamber in the same general region of the squid’s head, so scientists have to take a scalpel to the area without crushing or breaking the fragile crystals. “It’s a little bit of a lottery,” she said, adding that she successfully scooped out one of the squid’s two statoliths.

Although the squid cube was perhaps the grandest squid of the frozen bunch, Bolstad’s lab thawed another significantly-sized squidsicle that turned out to be the head and arms of a truly big giant squid. Even though the partial specimen was missing the bulk of its body, the head and arms alone weighed more than the small giant squid.

While Bolstad was in the lab, NIWA asked if she could identify a tiny specimen that was collected separately. The squid, which resembled an itty-bitty burrito, was the elusive and iconic ram’s horn squid, Spirula spirula. The species gets its common name from a delicately whorled shell inside its body, which could be seen poking out from the mantle.

Credit: Kat Bolstad
The ram’s horn squid, Spirula spirula, looking quite regal in death.

This year’s squid unboxing unearthed at least 30 species that have yet to be described and named, Bolstad said. “It’s the chance to potentially open a box and really make a discovery,” she said. “To experience taking something out of a box that one or two people have seen before,” she added.

Bolstad’s lab preserved around 20 specimens to be held in the collections at the Museum of New Zealand Te Papa Tongarewa. Her lab will return to Wellington next year or even sooner to do it all over again, unwrapping bags and unboxing cubes of small giant squids, giant giant squids, and many more squids of all sizes, observing all they can before the rot sets in.

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‘Squid Game’ Reality Series Greenlit at Netflix with Open Casting Call

Netflix has greenlit “Squid Game: The Challenge,” a reality competition series based on the hit 2021 South Korean drama.

The news came from Bela Bajaria, Netflix’s head of global TV,  at the Banff World Media Festival on Tuesday. According to Netflix, “Squid Game: The Challenge” will be “the biggest reality competition series ever,” hosting the largest cast and offering the largest lump sum cash prize in reality television history as 456 players compete for $4.56 million.

Contestants will go through a series of games inspired by the original show, plus new additions, which are all intended to test their strategies, alliances and character as others are eliminated around them.

Recruitment for the series is currently open to English-language speakers from anywhere in the world.

“Squid Game took the world by storm with Director Hwang’s captivating story and iconic imagery. We’re grateful for his support as we turn the fictional world into reality in this massive competition and social experiment,” said Brandon Riegg, Netflix’s vice president of unscripted and documentary Series. “Fans of the drama series are in for a fascinating and unpredictable journey as our 456 real world contestants navigate the biggest competition series ever, full of tension and twists, with the biggest ever cash prize at the end.”

The 10-episode competition series is a co-production between Studio Lambert and The Garden, and will be filmed in the U.K. Stephen Lambert, Tim Harcourt and Toni Ireland executive produce for Studio Lambert while John Hay, Nicola Hill and Nicola Brown executive produce for The Garden.

For more information about casting, visit SquidGameCasting.com.

 



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Squid Game season 2 details shared by creator of Netflix series

Season 2 of Netflix series Squid Game has been given the (red light) green light by the streaming service — and it’s safe to say that the games have just begun…

Showrunner Hwang Dong-hyuck announced it in a statement, saying, “it took 12 years to bring the first season of Squid Game to life last year. But it took 12 days for Squid Game to become the most popular Netflix series ever. As the writer, director, and producer of Squid Game, a huge shout out to fans around the world. Thank you for watching and loving our show. “

He then went on to tease some of what we can expect from Squid Game season 2: ” And now, Gi-hun returns. The Front Man returns […] The man in the suit with ddakji might be back. You’ll also be introduced to Young-hee’s boyfriend, Cheol-su. Join us once more for a whole new round. “

Gi-hun, played by Lee Jung-jae, was one of the only surviving characters of season 1 — as he ended up winning Squid Game— which is based on a series of traditional Korean childhood games — while the rest of the participants perished in various gruesome manners in a brutal twist to the high-stakes game.

The Front Man, played by Lee Byung-hun is the sinister leader of the Masked Men who oversees the games, while “the man in the suit,” who is also known as The Salesman (Gong Yoo), frequents train stations trying to lure people into participating in the games for a lucrative cash prize.

Meanwhile, Young-hee is the name of the creepy animatronic doll that infamously led the game of Red Light, Green Light last season — so we have no doubt her boyfriend is just as bloodthirsty.

You can stream season 1 of Squid Game on Netflix now.

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Netflix confirms Squid Game’s second season is on the way

Squid Game is officially coming back to Netflix for season two. According to a message from director Hwang Dong-hyuk, the second season will see the return of Gi-hun and the mysterious Front Man. The note also states “the man in the suit with ddakji might be back,” and that we’ll also get introduced to Cheol-su, Young-hee’s boyfriend.

“It took 12 years to bring the first season of ‘Squid Game’ to life last year. But it took 12 days for ‘Squid Game’ to become the most popular Netflix series ever,” Hwang writes. “As the writer, director, and producer of ‘Squid Game,’ a huge shout out to fans around the world. Thank you for watching and loving our show… Join us once more for a whole new round.”

The renewal occurs despite the shift in Netflix’s fortunes since the show originally debuted. While Squid Game has been a massive worldwide hit, in April Netflix reported its first drop in subscribers in 10 years. That was quickly followed by layoffs and a reported tightening of production budgets practically across the board. Netflix is also focused on limiting password sharing, and has told employees it will launch ad-supported streaming by the end of this year.

The Korean series became Netflix’s biggest series ever at launch. Last year, Hwang said that he was in the “planning process” of developing season two, while Netflix co-CEO Ted Sarandos said, “the Squid Game universe has just begun.” In other words, we all pretty much knew season two was coming, but now it’s official.

It’s unclear when exactly season two will make its debut — or if it’s even finished yet. In an interview with Vanity Fair, Hwang told the outlet he could see the next season of Squid Game coming out by the end of 2023 or 2024, and will feature more diabolical games. So if you were hoping to see what sort of trouble Gi-hun gets wrapped up in next, you might have to wait a year or two.

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Rare Videos Show Captive Squid Changing Color to Hide in Plain Sight

A team of scientists in Japan captured video of squid camouflaging with their surroundings, much like octopuses and cuttlefish do. While squid in the wild are known to change color, the scientists set up an experiment to confirm this camouflage ability in a laboratory.

Like other cephalopods, squids have thousands of chromatophores—color-changing cells—under their skin. The chromatophores can swell and shrink to appear darker or brighter, allowing the animals to communicate with each other and blend in with their surroundings.

The species of oval squid the team studied, Sepioteuthis lessoniana, had never been observed doing this type of environmental camouflage. A team from the Okinawa Institute of Science and Technology Graduate University held the oval squid in captivity and witnessed the animals changing color to match their tank. The research was published last week in Scientific Reports.

“Squid usually hover in the open ocean but we wanted to find out what happens when they move a bit closer to a coral reef or if they’re chased by a predator to the ocean floor,” said Ryuta Nakajima, a biologist at University of Minnesota Duluth and the lead author of the paper, in an Okinawa Institute release. “If substrate is important for squid to avoid predation then that indicates that increases or decreases in squid populations are even more tied to the health of coral reef than we thought.”

There are a couple of reasons scientists didn’t previously know the extent to which squid color change with their environment. Squid can be difficult to raise in captivity, and, unlike octopuses and cuttlefish, squid tend to live in the open ocean, meaning there’s not much substrate to blend with.

The oval squid species the team was studying had never shown evidence of color changing with its environment. According to Michael Vecchione, an invertebrate zoologist at the Smithsonian Institution and NOAA, the “related species in the Atlantic, Sepioteuthis sepioidea [the Caribbean reef squid], has been observed a lot, and there’s been a lot of descriptions about its behavior and color patterns and so on, but it’s almost entirely based on field observations.”

“As far as I know, it’s the first of this kind [of camouflage] that’s been done in controlled laboratory conditions,” Vecchione said in a phone call.

In their natural habitat off the coast of Okinawa, the oval squid are light in color, reflecting the sunlight filtering through the ocean surface. But kept in a tank, the squid were able to imitate local surfaces.

When the researchers were cleaning the squid tank, they realized the animals’ colors were changing depending on whether they were hovering over the algae-covered side of the tank or the clean side.

The researchers then created an experiment so they could document that color change, intentionally making one side of the tank algae-covered and the other side spotless. On the algae side, the cephalopods turned a deep green, but when they swam to the clean side, they became almost translucent.

“This effect really is striking. I am still surprised that nobody has noticed this ability before us,” said Zdeněk Lajbner, a biologist at the Okinawa Institute and a co-author of the paper, in an institute release. “It shows just how little we know about these wonderful animals.”

Often overshadowed by their intelligent and patient cousins, some squid are finally divulging their secrets, at least in captivity. How these behaviors may be different in the wild is another question to explore.

7 Ways Evolution Really Nailed Animal Camouflage

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Amazing video shows how squid change colour to camouflage themselves from predators

You’ve got to be squidding me! Amazing video shows squid changing COLOUR to camouflage itself from predators for the first time – just like octopuses

  • Many cephalopods including octopuses and cuttlefish use camouflage
  • This led researchers to question whether squid also display this ability
  • While cleaning their tank, the team observedthe squid changing colours
  • When they were over algae, the squid appeared dark green, but when they were against the clean tank, they changed to a lighter shade

From chameleons to octopuses, many animals are famous for their use of camouflage to hide from predators.

Now, squid have been caught on camera employing the same techniques for the first time.

Researchers from the Okinawa Institute of Science and Technology Graduate University spotted a species of oval squid changing colour to blend in with its background when it sensed a predator might be nearby.

‘This effect really is striking. I am still surprised that nobody has noticed this ability before us,’ said Dr Zdenek Lajbner, first author of the study.

‘It shows just how little we know about these wonderful animals.’

Researchers from the Okinawa Institute of Science and Technology Graduate University spotted a species of oval squid changing colour to blend in with its background when it sensed a predator might be nearby

Camouflage in the animal kingdom 

Many animals have evolved methods of camouflage, making it hard for predators (or prey) to spot them. 

A common example is the snowshoe hare, which is a brilliant white colour to blend in with its snowy surroundings. The animal has the remarkable ability to develop a different coloured fur in the summer, to blend in with the changing terrain.

Stick insects developed a different method, changing their shape to resemble their habitat – twigs.

Octopuses can change both their colour and texture to blend in with the sea bed and rocky outcrops. 

Predators have got in on the act too, with the stripes of a tiger and the sandy hues of a lion helping them to blend in with forest and grassland, respectively.

Many cephalopods including octopuses and cuttlefish use camouflage, which led the researchers to question whether squid also display this ability.

‘Squid usually hover in the open ocean but we wanted to find out what happens when they move a bit closer to a coral reef or if they’re chased by a predator to the ocean floor,’ explained Dr Ryuta Nakajima, one of the lead researchers.

Since 2017, the researchers have been culturing a species of oval squid known locally as Shiro-ika at their research facility in Okinawa.

While cleaning their tank to remove algae, the researchers accidentally observed the squid changing colour.

When they were over the algae, the squid appeared dark green, but when they were against the clean tank, they changed to a lighter shade.

Following their initial observation, the researchers performed a controlled experiment to verify their findings.

Several squid were kept in a tank while half was cleaned, and the other half was left covered in algae.

An underwater camera was placed inside the tank, while a regular camera was suspended above it, allowing them to film the animals from two angles.

The footage confirmed their initial observations – when the squid were on the clean side, they were a light colour, but quickly became darker when they were above the algae.

While cleaning their tank to remove algae, the researchers accidentally observed the squid changing colour

When they were over the algae, the squid appeared dark green, but when they were against the clean tank, they changed to a lighter shade

While the findings are exciting, in that they mark the first time squid have been seen camouflaging, they could also have important implications for coral reefs, according to the researchers.

‘If substrate is important for squid to avoid predation then that indicates that increases or decreases in squid populations are even more tied to the health of coral reef than we thought,’ explained Dr Nakajima.

The team now hopes to study squid further to understand more about their camouflaging abilities.

Professor Jonathan Miller, senior author of the study, concluded: ‘We look forward to continuing to explore the camouflage capabilities of this species and cephalopods more generally.’

CAMOUFLAGE TECHNIQUES USED BY BOTH PLANTS AND ANIMALS

Plants may appear passive but they camouflage themselves just like animals, research has revealed.

Blending into the background helps plants protect themselves from predators and has the same benefits as the technique does to animals.

They use various crafty techniques including making themselves look like unimportant objects such as a stones.

Background matching – this involves blending with the colours of shapes of the habitat where they live.

Disruptive coloration – markings that create the appearance of false edges and boundaries, making it harder to see the true outline.

Masquerade – looking like something else; usually something a predator might ignore, such a stone or twig. 

Examples include living stones, some cacti, passion vines and mistletoes.

Decoration – accumulating material from the environment. 

For example, some coastal and dune plants get covered by sand because of their sticky glands, making them less conspicuous of shapes of the habitat where they live.



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