Tag Archives: squid

‘Squid Game: The Challenge’ Trailer Has 456 Real People Risking It All for $4.56 Million; Netflix Sets Premiere Date – Variety

  1. ‘Squid Game: The Challenge’ Trailer Has 456 Real People Risking It All for $4.56 Million; Netflix Sets Premiere Date Variety
  2. ‘Squid Game: The Challenge’: Netflix Unveils Trailer & Launch Date For Reality Series With $4.56M Prize Fund Deadline
  3. Netflix Announces Premiere Date for ‘Squid Game: The Challenge’: Watch the Teaser PEOPLE
  4. Squid Game: The Challenge teaser promises creepy sets, robot doll Entertainment Weekly News
  5. ‘Squid Game: The Challenge’ Teaser Has Players Competing in Real Life for Record-Setting Cash Prize Hollywood Reporter
  6. View Full Coverage on Google News

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The ads of Superbowl 2023: from a Breaking Bad reunion to Will Ferrell in Squid Game – Guardian News

  1. The ads of Superbowl 2023: from a Breaking Bad reunion to Will Ferrell in Squid Game Guardian News
  2. Will Ferrell Channels Bridgerton, Love Is Blind and Stranger Things in Super Bowl 2023 Ad PEOPLE
  3. Will Ferrell Enters Stranger Things, Squid Game, And Bridgerton In GM’s Netflix Super Bowl Commercial /Film
  4. Will Ferrell Travels Through ‘Stranger Things,‘ ‘Bridgerton’ & ‘Squid Game’ Worlds In General Motors-Netflix Super Bowl Commercial Deadline
  5. Will Ferrell Invades Stranger Things, Squid Game & Bridgerton In Super Bowl Ad Screen Rant
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‘Absolutely sick’: Contestants say Netflix’s ‘Squid Game’ reality show was ‘cruel’ – New York Post

  1. ‘Absolutely sick’: Contestants say Netflix’s ‘Squid Game’ reality show was ‘cruel’ New York Post
  2. Inside Netflix’s ‘Squid Game’ Reality Show Disaster: ‘The Conditions Were Absolutely Inhumane’ Variety
  3. Real-Life Squid Game Contestants Claim ‘Rigged’ Reality Show Caused ‘Torment and Trauma’ Yahoo Finance
  4. Real-life Squid Game contestants brand filming conditions ‘inhumane’ Daily Mail
  5. Netflix’s Squid Game Reality Show was Reportedly an ‘Inhumane Disaster’ IGN
  6. View Full Coverage on Google News

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Read this: contestants on “inhumane” Netflix Squid Game reality show – The A.V. Club

  1. Read this: contestants on “inhumane” Netflix Squid Game reality show The A.V. Club
  2. Real-Life Squid Game Contestants Claim ‘Rigged’ Reality Show Caused ‘Torment and Trauma’ Yahoo Finance
  3. Inside Netflix’s ‘Squid Game’ Reality Show Disaster: ‘The Conditions Were Absolutely Inhumane’ Variety
  4. Netflix’s Squid Game Reality Show was Reportedly an ‘Inhumane Disaster’ IGN
  5. ‘Rigged Game’: Participants accuse ‘Squid Game’ reality competition of being fixed Yahoo News
  6. View Full Coverage on Google News

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Inside Netflix’s ‘Squid Game’ Reality Show Disaster: ‘The Conditions Were Absolutely Inhumane’ – Variety

  1. Inside Netflix’s ‘Squid Game’ Reality Show Disaster: ‘The Conditions Were Absolutely Inhumane’ Variety
  2. ‘Squid Game’ Reality Show Participants Say It Was a Rigged, Freezing Cold Disaster VICE
  3. Netflix’s ‘Squid Game’ Reality Show Was ‘Cruel’ and ‘Rigged,’ Say Contestants Rolling Stone
  4. Contestants from the upcoming Squid Game reality show claim the experience was inhumane Boing Boing
  5. Contestants Claim Netflix’s Squid Game Reality Show Was Rigged Gizmodo
  6. View Full Coverage on Google News

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‘Squid Game’ Reality Show Sees Medics Called for Frozen Players

A small number of contestants on reality show “Squid Game: The Challenge” needed medical attention on Monday after a sprawling game of “Red Light Green Light” played during Britain’s ongoing cold snap proved to be a shock to the system.

Fewer than five players are understood to have required medics on the set of the new Netflix show. While one contestant is believed to have injured their shoulder after accidentally running into a wall, others were treated for mild ailments.

The players were among 456 contestants taking part in “Red Light Green Light,” which is also known as “Statues” depending on where you grew up. In the game, you have to make it across a finish line while remaining completely still when a person who’s “it” turns around to survey the players. If you’re found to be moving, you’re out. The game was a centrepiece in “Squid Game,” where a giant, killer doll swivelled her head around and fired gunshots to eliminate players who were moving. It was the first game on the drama, and particularly effective as unsuspecting players had no idea they’d be killed off if they lost the game.

The unscripted game show, which was first announced by Bela Bajaria in June 2022, is based on the streamer’s hit 2021 Korean drama. Filmed across two studios in the U.K., producers Studio Lambert and The Garden have cast 456 contestants from around the world to compete in various challenges based on the Korean children’s games featured on the show, as well as new games. The winner receives a $4.56 million (£3.7 million) cash prize.

Netflix had the misfortune, however, of beginning production during a rare cold snap in the U.K.

On Monday, which was the show’s first day of production at Bedford’s Cardington Studios, north of London, temperatures reached a low of zero degrees Celsius. Although the game was filmed in the former airplane hangar, which is enclosed, the gigantic space was likely to be extremely chilly given the outside temperatures. While the players — many of whom aren’t used to British weather, nor the realities of TV production — are believed to have received hand warmers and thermal underwear for their day of filming, there’s no doubt the cold would have made it even more challenging.

British tabloid The Sun, which first reported the news, spoke to players who had been eliminated from the show. “Some people couldn’t move their feet because it was so cold,” the source told The Sun. “You could hear someone yell ‘medic’ and the crew would rush on. We ended up standing there for 30 minutes between takes.”

In a statement shared with Variety, a spokesperson for Netflix said: “We care deeply about the health and safety of our cast and crew, and invested in all the appropriate safety procedures. While it was very cold on set — and participants were prepared for that — any claims of serious injury are untrue.”

It’s unlikely that producers would have been able to change the show’s production schedule, especially given the vast number of contestants involved. “Red Light Green Light” is also an essential game in the schedule in order to streamline the contestants: Variety understands that only 228 contestants make it past the first hurdle and continue through to the rest of the game, meaning that Monday’s stunt would have been a key day for production.



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‘Squid Game’ star Oh Yeong-su indicted on sexual misconduct charges in South Korea: report

Oh Yeong-su, star of Netflix’s “Squid Game,” has been indicted on sexual misconduct charges in South Korea, according to reports.

The 78-year-old actor, who won a Golden Globe Award last February for his performance in the mega-hit Netflix series, was charged and released without detention in Suwon on Thursday, according to Variety.

Per the Yonghap News Agency, the Seongnam branch of the Suwon District Prosecutors Office indicted Oh for allegedly touching a woman inappropriately in mid-2017.

South Korean actor Oh Yeong-su has been indicted on sexual misconduct charges.
(Valerie Macon/AFP via Getty Images)

According to a report by the South Korean outlet, the accuser initially filed the complaint in December 2021, but authorities closed the case without charging Oh in April. 

NETFLIX ANNOUNCES ‘SQUID GAME’ WILL RETURN FOR SECOND SEASON

The case was later reopened at the request of the alleged victim, per the outlet. Oh has denied the allegations.

“I just held her hand to guide the way around the lake,” Oh said in a statement he shared with the South Korean television network, JTBC.

Oh won a Golden Globe Award for his role in the mega-hit Netflix series, “Squid Game”
(Emma McIntyre/Getty Images for Hollywood Foreign Press Association)

He continued, “I apologized because [the person] said she wouldn’t make a fuss about it, but it doesn’t mean that I admit the charges.”

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Prosecutors first revealed they had charged the actor on Friday. An official from the Suwon District Prosecutor’s Office told the AFP news agency that everything that local media reported about the case “is not factually incorrect.” 

The official did not provide further details.

Per AFP, local outlets reported that Seoul’s culture ministry stopped airing a commercial about its regulatory innovations that featured Oh after the news broke.

Oh was also nominated for outstanding supporting actor in a drama series at the 2022 Primetime Emmy Awards, but lost to “Succession” star Matthew MacFadyen.
(Chris Delmas/AFP via Getty Image)

Oh played Oh Il-nam/Player 001, the oldest participant in the survival drama’s titular deadly competition.

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He became the first South Korean actor to win a Golden Globe Award after taking home the trophy for best supporting actor in a television series, series, miniseries or television film.  

Oh was also nominated for outstanding supporting actor in a drama series at the 2022 Primetime Emmy Awards, losing to “Succession” star, Matthew MacFadyen.

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‘Squid Game’ Actor Oh Yeong-su Indicted for Sexual Misconduct

Oh Yeong-su, the Korean actor who recently won a Golden Globe for his performance in hit series “Squid Game,” has been indicted on sexual misconduct charges. He was released without detention.

Prosecutors in Suwon, near Seoul, revealed on Friday that they had charged Oh a day earlier. The 78-year-old Oh is alleged to have inappropriately touched the body of a woman in mid-2017.

The alleged victim filed a complaint against Oh in December last year. Authorities closed the case in April, but reopened it again at the victim’s request, the Yonhap news agency reports. Questioned by prosecutors, Oh denied the allegations.

In a statement Oh shared with Korean broadcaster JTBC, the actor said: “I just held her hand to guide the way around the lake. I apologized because [the person] said she wouldn’t make a fuss about it but it doesn’t mean that I admit the charges.”

The AFP news agency quoted a Suwon court official as saying that “everything reported by local media is not factually correct.”

The agency added that the Korean ministry of culture pulled a government TV commercial about regulatory innovation featuring Oh off air following the indictment.

Oh was born in 1944 in Kaesong, now part of North Korea, and moved with his family into the U.S.-controlled South after the 38th parallel became a dividing line and before the inter-Korean war.

He began acting professionally in 1967 and has spent most of his career in live theater. In 2013, he claimed to have acted in more than 200 stage productions including Korean adaptations of “A Streetcar Named Desire,” and Goethe’s “Faust.”

Prior to “Squid Game,” Oh’s best-known film role was as the old monk in Kim Ki-duk’s much-awarded “Spring, Summer, Fall, Winter… and Spring.”

In Netflix’s “Squid Game,” Oh played the oldest participant in the survival competition and appeared to be a kindly foil amid a mass of violent self-interest.

The role earned him a Golden Globe Award for best supporting actor in a series, miniseries or television film, as well as a Primetime Emmy nomination for outstanding supporting actor in a drama series.

Variety has contacted Netflix for comment but did not hear back by press time.



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How Squid and Octopus Get Their Big Brains

Summary: Neural stem cells of cephalopods act in a similar way to those of vertebrates during nervous system development.

Source: Harvard

Cephalopods — which include octopus, squid, and their cuttlefish cousins — are capable of some truly charismatic behaviors. They can quickly process information to transform shape, color, and even texture, blending in with their surroundings. They can also communicate, show signs of spatial learning, and use tools to solve problems. They’re so smart, they can even get bored.

It’s no secret what makes it possible: Cephalopods have the most complex brains of any invertebrates on the planet. What remains mysterious, however, is the process. Basically, scientists have long wondered how cephalopods get their big brains in the first place?

A Harvard lab that studies the visual system of these soft-bodied creatures — which is where two-thirds of their central processing tissue are focused — believe they’ve come close to figuring it out. The process, they say, looks surprisingly familiar.

Researchers from the FAS Center for Systems Biology describe how they used a new live-imaging technique to watch neurons being created in the embryo in almost real-time. They were then able to track those cells through the development of the nervous system in the retina. What they saw surprised them.

The neural stem cells they tracked behaved eerily similar to the way these cells behave in vertebrates during the development of their nervous system.

It suggests that vertebrates and cephalopods, despite diverging from each other 500 million years ago, not only are using similar mechanisms to make their big brains but that this process and the way the cells act, divide, and are shaped may essentially layout the blueprint required develop this kind of nervous system.

“Our conclusions were surprising because a lot of what we know about nervous system development in vertebrates has long been thought to be special to that lineage,” said Kristen Koenig, a John Harvard Distinguished Fellow and senior author of the study.

“By observing the fact that the process is very similar, what it suggested to us is that these two independently evolved very large nervous systems are using the same mechanisms to build them. What that suggests is that those mechanisms — those tools — the animals use during development may be important for building big nervous systems.”

The scientists from the Koenig Lab focused on the retina of a squid called Doryteuthis pealeii, more simply known as a type of longfin squid. The squid grow to be about a foot long and are abundant in the northwest Atlantic Ocean. As embryos the look quite adorable with big head and big eyes.

The researchers used similar techniques to those made popular to study model organisms, like fruit flies and zebrafish. They created special tools and used cutting edge microscopes that could take high resolution images every ten minutes for hours on end to see how individual cells behave. The researchers used florescent dyes to mark the cells so they could map them and track them.

This live-imaging technique allowed the team to observe stem cells called neural progenitor cells and how they are organized. The cells form a special kind of structure called a pseudostratified epithelium. Its main feature is the cells are elongated so they can be densely packed.

The researchers also saw the nucleus of these structures move up and down before and after dividing. This movement is important for keeping the tissue organized and growth continuing, they said.

It suggests that vertebrates and cephalopods, despite diverging from each other 500 million years ago, not only are using similar mechanisms to make their big brains but that this process and the way the cells act, divide, and are shaped may essentially layout the blueprint required develop this kind of nervous system. Image is in the public domain

This type of structure is universal in how vertebrate species develop their brain and eyes. Historically, it was considered one of the reasons the vertebrate nervous system could grow so large and complex. Scientists have observed examples of this type of neural epithelium in other animals, but the squid tissue they looked at in this instance was unusually similar to vertebrate tissues in its size, organization and the way the nucleus moved.

The research was led by Francesca R. Napoli and Christina M. Daly, research assistants in the Koenig Lab.

Next, the lab plans to look at how different cell types in cephalopod brains emerge. Koenig wants to determine whether they’re expressed at different times, how they decide to become one type of neuron versus another, and whether this action is similar across species.

Koenig is excited about the potential discoveries that lie ahead.

“One of the big takeaways from this type of work is just how valuable it is to study the diversity of life,” Koenig said. “By studying this diversity, you can actually really come back to fundamental ideas about even our own development and our own biomedically relevant questions. You can really speak to those questions.”

About this neuroscience research news

Author: Juan Siliezar
Source: Harvard
Contact: Juan Siliezar – Harvard
Image: The image is in the public domain

Original Research: Closed access.
“Cephalopod retinal development shows vertebrate-like mechanisms of neurogenesis” by Kristen Koenig et al. Current Biology

See also


Abstract

Cephalopod retinal development shows vertebrate-like mechanisms of neurogenesis

Highlights

  • Retinal progenitor cells in the squid undergo interkinetic nuclear migration
  • Progenitor, post-mitotic, and differentiated cells are transcriptionally defined
  • Notch signaling may regulate both retinal cell cycle and cell fate in the squid

Summary

Coleoid cephalopods, including squid, cuttlefish, and octopus, have large and complex nervous systems and high-acuity, camera-type eyes. These traits are comparable only to features that are independently evolved in the vertebrate lineage.

The size of animal nervous systems and the diversity of their constituent cell types is a result of the tight regulation of cellular proliferation and differentiation in development.

Changes in the process of development during evolution that result in a diversity of neural cell types and variable nervous system size are not well understood.

Here, we have pioneered live-imaging techniques and performed functional interrogation to show that the squid Doryteuthis pealeii utilizes mechanisms during retinal neurogenesis that are hallmarks of vertebrate processes.

We find that retinal progenitor cells in the squid undergo nuclear migration until they exit the cell cycle. We identify retinal organization corresponding to progenitor, post-mitotic, and differentiated cells.

Finally, we find that Notch signaling may regulate both retinal cell cycle and cell fate. Given the convergent evolution of elaborate visual systems in cephalopods and vertebrates, these results reveal common mechanisms that underlie the growth of highly proliferative neurogenic primordial.

This work highlights mechanisms that may alter ontogenetic allometry and contribute to the evolution of complexity and growth in animal nervous systems.

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Why Are We Ignoring the Disturbing Allegations Against ‘Squid Game’ Star Lee Jung-jae?

Lee Jung-jae took home Outstanding Lead Actor in a Drama Series at Monday night’s Emmys for his role in Netflix’s global smash Squid Game, besting the likes of Better Call Saul’s Bob Odenkirk and Succession’s Jeremy Strong and Brian Cox. In the process, he made history as the first Asian man to win the Lead Actor Emmy.

For his role as Seong Gi-hun, a divorced father and deep-in-debt gambler who’s lured into a deadly game of survival with a huge cash prize, Lee has emerged as the breakout star of Squid Game, which still ranks as Netflix’s most-watched series ever (even though he’s had a storied career in Korea for decades, including Grand Bell and Baeksang awards). Lee is arguably the most recognizable Korean actor in the world right now—and his star will rise even higher after landing a leading role in The Acolyte, an upcoming Star Wars show.

But if we’re going to use Lee to celebrate everything that’s great and different about Korean TV, we also need to acknowledge everything else he represents—including how, similar to the West, male Korean stars enjoy the benefits of an industry that bends over backward to protect and preserve their image.

In 1999, Lee was detained by Gangnam Police for driving under the influence and causing a collision with another driver, a 23-year-old woman. His blood alcohol content was 0.22 percent (in South Korea, the limit is 0.05 percent). Lee refuted the charge, claiming his manager was driving. Three years later, he was charged with the same offense.

That same year, in 1999, he and a friend drunkenly attacked another man and were charged with assault. He was charged with assault again the following year after he allegedly dragged a 22-year-old woman from a nightclub in Busan and kicked her, causing injuries that required two weeks of recovery in the hospital.

Fast-forward to 2013 where, in an interview with Vogue Korea, Lee appeared to out his friend and prominent stylist, Woo Jong-wan, soon after his suicide. Before he died, Lee claimed, “I said to [him], ‘You should stop being gay. Haven’t you been that way enough?’” He went on to describe Woo’s homosexuality as an “inconvenience.” The quotes were subsequently pulled from online versions of the interview.

Fans argue that it was so long ago that it doesn’t matter. Indeed, we should acknowledge and encourage growth if we see it. But we haven’t. Lee hasn’t wrestled with the allegations in interviews or shared any information about steps he’s taken to rehabilitate himself; instead, they’ve been all but swept under the rug. Nor do we know if this is the sum of Lee’s past. We can only judge what we see and, as you can probably tell from those quotes disappearing, what we see of Korean stars is heavily curated—by the film and TV industry, by the media, and by fans.

This isn’t entirely unique to Korea. It is, in many ways, universal to modern-day celebrities. But whereas this kind of reputational smoothing in the West often centers on humanizing celebs, in Korea it’s about shoring up an unrealistic, aspirational ideal that cannot be compromised.

After all, when we recognize public figures as human beings, it’s easier to attach their transgressions onto them. In Korea, red flags are carefully hidden under layers of branding that can be impossible to dislodge—at least if you’re a man.

The leeway Lee has enjoyed over these reports has been compared to Johnny Depp. It’s the same kind of entrenched, manufactured image that allows Depp’s fans to completely dismiss overwhelming evidence of his abuses—or even sanction it.

So, too, do Lee’s fans casually ignore reports of his assaults and homophobia. Who cares? they ask, far more interested with the image they have helped construct over the years. This kind of violence simply doesn’t gel with the Lee Jung-jae they’ve convinced themselves they know, driven by the sprawling tendrils of misogyny that protect men in the film and TV industry across the globe.

The same misogyny that insulates Lee from these reports means that, in Korea, men can survive accusations of sexual harassment and assault while rumors of bullying can derail Seo Ye-ji’s career, or Song Ji-a wearing fake designer clothes causes her to be branded dishonest and chased off social media.

The same misogyny that insulates Lee from these reports means that, in Korea, men can survive accusations of sexual harassment and assault while rumors of bullying can derail Seo Ye-ji’s career, or Song Ji-a wearing fake designer clothes causes her to be branded dishonest and chased off social media.

This same misogyny allows Depp to continue to gather endorsements and acting gigs while Amber Heard may never work in the industry again—and other men use her as a way to vilify their own accusers.

It’s easy for Western audiences to forget all of this while watching Korean television, losing oneself in a culture about which so many of us know precious little. But if we’re going to engage with Korean TV (and we should, it’s incredible) we need to understand that what we’re seeing is a carefully constructed fabrication of what Korea should look like, where anything that could be regarded as a blemish is censored out of shows. And its stars are similarly insulated from ideas that run contrary to Korean ideals—for instance, that one of Korea’s biggest stars might not be as clean-cut as managers, assistants, and minders want him to appear.

I want people to fall in love with Korean TV—it’s a rewarding love affair—and welcome the success of its stars in a global market. But we also must understand that beneath ostensibly feel-good stories of men like Lee Jung-jae achieving global stardom, there can be just as much darkness as there is in places like Hollywood.

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