Tag Archives: Washington Wizards

Rui Hachimura trade is a consequence of the Wizards’ Achilles’ heel: poor drafts

Three and a half years ago, the Washington Wizards had a valuable opportunity to acquire a difference-making player. They held the ninth overall pick in the 2019 NBA Draft. With that pick, they chose Rui Hachimura with the hope of developing him into at least a solid starter they could keep for the long term.

That will not happen now. Washington traded Hachimura to the Los Angeles Lakers on Monday for guard Kendrick Nunn and three future second-round picks. The Wizards also generated a $6.3 million trade exception in the process. While Nunn, his expiring contract, the future picks and the trade exception have utility, their overall value pales in comparison to what the value of 2019’s ninth overall pick was the day it was made.

To put it bluntly: The Wizards will have wasted the opportunity that first-round choice represented if their front office doesn’t somehow flip Nunn, one or more of the incoming second-round picks or the trade exception into a steal of a trade down the line.

Hachimura’s departure would not feel so exasperating if the Wizards could point to at least one significant draft success in recent years. But the sad truth is the team has had five top-15 picks since 2018, and none of the players the team has drafted has shown yet that he will blossom into an upper-level starter in Washington.

Draft futility is the primary reason the Wizards find themselves in the predicament they face now, amid yet another mediocre season. High-performing teams with sustainable rosters tend to draft well. The worst teams consistently draft poorly.

In 2018, the Wizards selected Troy Brown Jr. 15th. They could have chosen guard Anfernee Simons instead.

In 2019, they selected Hachimura.

Cam Johnson went off the board two picks later. Tyler Herro, the 2021-22 NBA Sixth Man of the Year, went 13th. Grant Williams lasted until No. 22. Golden State drafted guard Jordan Poole 28th, and Poole is on the brink of stardom. San Antonio snagged forward Keldon Johnson 29th.

Deni Avdija, a forward Washington picked ninth in 2020, is a solid rotation player who already has made an impact defensively because of his effort, positional size and versatility. But while he has promise as a playmaker, his development on offense has stagnated. The Wizards intend to remain patient with Avdija, who only recently turned 22 years old.

Meanwhile, Tyrese Haliburton, who was drafted three picks after Avdija, has grown into a likely All-Star point guard following a trade from Sacramento to Indiana. Tyrese Maxey (drafted 21st) is a highly coveted guard with Philadelphia. Desmond Bane, the final pick of the first round, has helped Memphis become one of the best teams in the Western Conference.

In 2021, Washington drafted Corey Kispert 15th, and Kispert has met expectations as a long-range shooter and floor-spacer. But he is not a future star. To be fair, few players selected after Kispert in that draft look like future stars, either, although Quentin Grimes, Bones Hyland and Herb Jones — all drafted from No. 25 to No. 35 — have exceeded expectations, especially on the defensive end.

Of course, drafting retrospectively is 100 percent easier with the gift of hindsight. I’m not suggesting that drafting well is easy. I’m not claiming I could have done better. Anyone can identify Haliburton as a future All-Star now that he’s averaging 20.2 points and 10.2 assists this season and elevated the supposedly tanking Indiana Pacers into playoff position before he suffered elbow and knee injuries on Jan. 11.

The Wizards should not be held accountable for not hitting on all of their recent draft picks. Even the teams that draft best do not have immaculate track records. No team is perfect.

But over the last decade, Washington has been nowhere close to even below average with its drafting. Washington has not had a major draft success since it selected John Wall first overall in 2010 and Bradley Beal third overall in 2012.

Otto Porter Jr., the third pick by the Wizards in 2013, turned out to be a solid rotation player. But it’s impossible to ignore that CJ McCollum went 10th and that two-time NBA MVP Giannis Antetokounmpo went 15th.

The high-profile misses — including the sixth pick in 2011, Jan Veselý, who lasted only 162 games in the NBA before he returned to Europe — are the primary reason for the franchise’s mediocrity. The Wizards have tended to struggle to lure quality free agents, but teams that struggle in free agency attempt to compensate by acing the draft.

And now the Wizards are in danger of having another Veselý-level whiff. Johnny Davis, the 10th pick last summer after he was the Big Ten Player of the Year as a sophomore at Wisconsin, not only has been unable to earn NBA minutes but also is producing unimpressive numbers in the G League. Davis is only 20 years old, and scouts correctly point out that he had a mediocre freshman season in college before he blossomed the following year. Still, the initial returns of Davis’ play are worrisome.


Johnny Davis, the 10th pick in the 2022 NBA Draft, has struggled so far as a pro. (Yukihito Taguchi / USA Today)

Hachimura has shown some promise. He has recorded four 30-point games as a pro, including on Saturday, which turned out to be his final game with the Wizards.

His development in Washington faced several significant hurdles. An injury interrupted his rookie season. Then, the pandemic broke up his rookie season and shortened the offseason heading into his second year. Last season, he missed Washington’s first 39 games on an excused absence to attend to a personal matter following his stint playing for Japan in the Summer Olympics in Tokyo. Wizards officials could not have been more supportive of him during that difficult time. In retrospect, however, those missed games slowed his growth.

You could make the argument that Hachimura still would be with the Wizards right now if the team hadn’t traded for Kyle Kuzma in 2021 in the massive deal that sent Russell Westbrook to the Lakers. Without Kuzma in the fold, Hachimura would have received more playing time and might not have wanted to be traded.

But at the same time, it would be difficult to make the case that the Wizards ever came close to developing Hachimura’s potential on the defensive end or coaxing him out of being a selfish player on the offensive end.

That’s on Hachimura, but it’s also on the Wizards.

Team officials would argue — correctly — that they still have a chance to make good on their 2019 first-round pick, even with Hachimura now gone. Nunn’s expiring contract could make it easier for the Wizards to re-sign Kuzma in July and build out their roster without going into the luxury tax. One or more of the incoming second-round picks could provide grist for a trade or trades down the line. A trade exception worth $6.3 million is a valuable roster-construction tool.

Wizards president and general manager Tommy Sheppard, who has led the franchise’s basketball operations department since mid-2019, has specialized in converting bad contracts or bad signings into positives.

He managed to trade John Wall’s supposedly untradable salary and a future protected first-round pick to Houston for Russell Westbrook.

Indeed, the Wizards wound up trading Brown, who had been their first-round pick in 2018, to Chicago in a three-team deal that brought center Daniel Gafford to Washington.

During the offseason that followed, Sheppard flipped Westbrook’s massive salary in a creative, and massively complex, five-team trade that netted the Wizards a large number of rotation players on smaller contracts, including Kuzma and Kentavious Caldwell-Pope, and also allowed them to complete a sign-and-trade for Spencer Dinwiddie.

When the Dinwiddie addition flamed out spectacularly, Sheppard found a way to package Dinwiddie and Dāvis Bertāns to Dallas for Kristaps Porziņģis and a second-round pick. Porziņģis has played close to an All-Star level this season.

So it wouldn’t be out of the ordinary for Sheppard to find a creative use for Nunn, Nunn’s expiring contract, the incoming second-round picks or the trade exception.

But despite Sheppard’s creative trade gymnastics, the Wizards need to find ways to avoid operating from less-than-ideal positions, such as having the Wall contract on their books or Dinwiddie not meeting expectations.

It didn’t have to be this way, with the Wizards careening toward yet another mediocre season and remaining far away from contending for a conference title.

They needed to draft better, as the Hachimura trade once again demonstrated.


Related reading

Buha: How this move helps Los Angeles now and later

Harper: Lakers, Wizards swing trade for Rui Hachimura: Grades and reaction

Leroux: In Rui Hachimura trade, $18.8 million cap hold looms large for Lakers

Charania and Aldridge: Wizards trade Rui Hachimura to Lakers: Why deal makes sense for him

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(Top photo of Rui Hachimura and Dorian Finney-Smith: Tommy Gilligan / USA Today)



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Hollinger’s Showcase notebook: Suns’ $4 billion sale renews NBA expansion buzz

LAS VEGAS — Usually the G League Winter Showcase marks a beginning point for a big chunk of the NBA’s trade conversations. Even in our networked/texting/Zooming world, face time matters. Nearly every exec in the league spends at least a day here hobnobbing.

Front office members and staffers see each other at the two courts where the event is held, and perhaps at the bar at the end of a long day, too, since virtually everyone is in the same hotel. Relaxed without the prying eyes of fans around, they trade bits of information and crop up conversations. Next thing you know, there’s a three-team, eight-player deal on the table. It still takes the urgency of the trade deadline in February to actually get these conversations to the finish line, but this week is often the catalyst.

This year has felt … different. The overarching theme is that things seemed quieter than usual.

“Quiet” isn’t the same thing as “dead,” of course, and flickers of trade market life could be detected if one looked closely enough. Teams spent the week kicking the tires on Chicago’s situation. Phoenix’s exiled Jae Crowder remains a target for several contenders. Oh, and have you heard Atlanta’s John Collins is available?

Nonetheless, the cold math remains: It’s tough to have buyers without any sellers, and there just aren’t many sellers right now. That may change as we get closer to the trade deadline and more teams see their preseason hopes collide with the realities of their rosters. Right now, however, the potentially interesting sellers are either straddling .500 or, in a few cases, clinging resolutely to the delusion that they can get there. Instead of actual trade talks, we’re left speculating about guys who might, maybe, at some point, want to be traded. Fun times.

Instead, it was a different transaction that got everyone’s attention this week.

Four billion dollars? Now that got people talking. That was the valuation Mat Ishbia agreed to this week in purchasing a controlling stake of the Phoenix Suns and the WNBA’s Phoenix Mercury.

It’s one thing when the LA Clippers go for billions, but Phoenix? A growing but transplant-heavy market, with a tired arena and lots of pro and college sports competition? That’s news. In October, Forbes rated the Suns the 13th-most valuable NBA property, at a value of $2.7 billion. Ishbia went much higher than that.

The sale of the Suns and Mercury should have a big impact on NBA business in two areas. First of all, it could precipitate moves in other markets. The working presumption by many insiders is that we would see a raft of sales after the new collective bargaining agreement and next TV deal are finalized, since secure labor peace and a potential TV money bonanza would likely increase valuations. (As would expansion fees that might happen concurrently, but more on that below.)

However, economists who believe in efficient market theory would tell you this knowledge should already be baked into bidders’ valuations. The Suns’ sale seems to be a perfect example. At first glance, it seems like a wild overvaluation, but it makes a lot more sense if one is looking at the post-2026 market.

So the question becomes: What other owners might realize that they don’t need to wait and can cash out right away? Certainly, Portland comes to mind. There may be other reasons for Paul Allen’s estate to wait a while longer, but getting a price in the $3 billion to $4 billion range right now could easily trump them.

Similarly, Michael Jordan in Charlotte has been whispered about for ages as a potential seller. Though the Hornets haven’t exactly set the league afire, he bought the team for relative peanuts in 2010 (a reported net price of $175 million) and would make a mint on a sale, perhaps 10 times what he paid. New Orleans is another franchise that many insiders mention as a sale candidate, although the search for a local buyer could stymie a transaction. Those are the known knowns, in Rumsfeld-speak.

But what about the known unknowns? Are there other owners who weren’t really thinking about selling a week ago, but now might suddenly be tempted if they can get a number like $4 billion?

And whither the T’wolves? The bizarre multi-installment sale from Glen Taylor to Alex Rodriguez and Marc Lore is still creaking along toward its Dec. 31, 2023 completion date, but should anything go amiss, Taylor could seemingly make a lot more money from another buyer. Needless to say, if the new dudes so much as misplace a comma in a document, Taylor is massively incentivized to nuke the deal and start over. The valuation on that Timberwolves sale was $1.6 billion, so Taylor might make an extra billion if the team went back on the market! Fortunately, this is the Minnesota Timberwolves, so nothing crazy like that could possibly happen.

However, even that pales in comparison to the other important piece of the Suns’ sale news: what it means for expansion.


The chances of the NBA returning to Seattle keep growing. (Joe Nicholson / USA Today)

Basically, it makes it seem almost inevitable that we’ll have two new teams within the next half decade. (Not breaking any news here, but every single person I asked thinks those teams will be in Seattle and Las Vegas. My personal crusade for Bali and Kauai appears to have gained little traction.)

If you want to understand why the Phoenix sale is so important to this, do the math. The biggest obstacle to expanding from 30 teams to 32 is not a lack of available markets in which to sell tickets or pipe in local TV broadcasts. It’s because they dilute the national TV money.

The league’s national TV deal has become an increasingly large portion of teams’ budgets, and that amount is only expected to rise in the next TV deal. Adding two new franchises dilutes each one’s share of that piece by roughly 1/16, and does so in perpetuity. That would be fine if adding teams grew the TV pie proportionately, but it doesn’t, because the NBA already has more games than ESPN and TNT can possibly air. Sure, they might get slightly higher ratings in Seattle and Las Vegas than many other cities, but that’s a barely noticeable blip on a national level.

The only thing offsetting the loss of national TV money is the expansion fee, which is shared by the 30 current owners. That fee, alas, is only paid once, and not year after year, and thus needs to be many multiples of the lost annual TV revenue for the league’s owners to come out ahead — and thus, presumably, vote in favor of expansion. This is why some of my spies were pouring cold water on expansion speculation: The financial math wasn’t guaranteed to pencil out for the 30 owners.

The exact break-even point is a complex calculation based on projections of future TV revenues, future interest rates and investment returns, an estimate of the expansion fee and what economists call the discount rate for the time value of money, accounting for the fact you’d rather have your money today than 10 years from now.

Instead, let me make some grossly simplifying assumptions to walk you through the exercise. I have an economics degree and I stayed at a Holiday Inn Express last night. This should go great.

The last TV deal was $24 billion over nine years. Let’s say the next one is $75 billion over nine years, which some have estimated.

Now, for some math. (Sorry). Divide by 30 and you have each team’s share of that package ($2.5 billion). Divide that number by nine and you have each team’s annual share ($277 million). That share, in turn, is diluted 1/16 by expansion. The dilution, then, is worth about $17.3 million annually. If an owner’s financial mandarins end up with a 10 percent annual discount on future revenues (this is a quasi-reasonable ballpark), they will want the expansion fee to be at least 10 times the diluted revenue to justify a yes vote.

And that is why an expansion fee in the $4 billion to $5 billion range is so important. It’s so much easier to pencil out the owners coming out ahead than if the fee were, say, in the $3 billion to $3.5 billion range.

Which, in turn, is much easier to imagine happening if an existing franchise just sold for $4 billion. Most observers I spoke with see a Vegas team as being of similar or slightly greater value than Phoenix, and a Seattle team as being worth considerably more. Suppose, for argument’s sake, it was $4 billion for Vegas and $5 billion for Seattle. That’s an instant $300 million windfall for every owner … and a roughly 17x ratio to the diluted TV money.

Yes, my math here involves sweeping assumptions and simplifications. Nonetheless, let’s exit the financial weeds here and conclude with the big-picture takeaway from this exercise. If the expansion fees were $3 billion, it would seem like a close call for the league’s owners to approve it.

If it’s at $4 billion? It’s a no-brainer.



The Knicks’ punishment for tampering with Jalen Brunson was as tame, as expected. (Brad Penner / USA Today)

Some other thoughts from the Showcase:

That’ll show ‘em, huh?

The other hot topic in league circles was the collective eye roll at the NBA’s decision to penalize the Knicks a 2025 second-round pick for tampering in signing Jalen Brunson. As many have already noted, giving up a second-rounder to sign a max-level free agent is a trade every team in the league would make in a nanosecond. Once you’re dealing with All-Stars and max players, there is no amount of second-round picks the league could penalize a team to disincentivize them.

On the flip side, league personnel I talked to recognized the impossibility of the league’s situation. The underlying issue isn’t that the Knicks (or Sixers, for that matter) cheated the letter of the rule this summer, but that the current rules on free agency are virtually unenforceable. There is only one rule most execs really care about: Tampering with a player whose team is still playing games remains an absolutely uncrossable red line, one that should be punished with a decades-long banishment to a dank, windowless cell, containing only a bed made of carpet from the visiting locker room in Oracle Arena and a big screen TV showing games from the 1998-99 lockout year.

As for jumping the July 1 deadline on contacting free agents by a few hours (or days, or weeks) …. whatevs. There are rules written on paper about audits and commandeering phones and whatnot, but nobody wants to actually do that.

In reality, the league’s de facto policy is “just don’t embarrass us.” Which is hard to write about, because we’ve become part of the problem.

News flash: Teams have been jumping the gun on free agency for years and years and years. The news just didn’t get out nearly as fast in the past. It worked in 2012. It doesn’t in 2022.

You can see the problem: The league doesn’t want news leaking of complicated sign-and-trades mere seconds into the alleged start of free agency, nor does it want breathless coverage of back-and-forth free agent negotiations on June 26. Well, good luck with that. Unless every social media outlet simultaneously fails while cutthroat reporters throttle back to Andrea Bargnani-esque tameness, it’s virtually impossible to keep the genie bottled.


The Elam ending factored prominently in the Showcase, even if the word Elam was never mentioned.

The G League has used it in overtime all year to generally positive reviews, requiring teams to score eight points rather than playing for a specified amount of time. That change got a thumbs-up from NBA personnel I spoke to, with the consensus being that NBA overtimes are too long right now and deflate drama from the end of the fourth quarter. The target score also eliminated the chance of multiple overtimes and the crazy player minute situations they can engender. The G League staffers all love it, too.

However, using it for the entire fourth quarter generated opposite reactions. Playing a fourth quarter with a “target” of 25 points more than the leading team’s score, rather than a set time, created a host of new issues. For starters, coaches were left guessing on substitutions without a clock to indicate how long players had played (or rested).

This was particularly true in lower-scoring games, a couple of which became interminable as teams struggled to hit the target score. And this was in today’s more open, offensive era! Imagine my Grizzlies playing, say, Utah in 2016, and try to figure out how long they’d need to play for one team to get to 25.

Secondarily, the target score produced some interesting strategy of its own. If your opponent is three points away from the target score, do you foul to eliminate losing on a 3-pointer? Concede a layup to do the same? (I saw a couple of teams in this situation hug all the shooters and leave gaping holes down Main Street). What about in a one-point game? Would any ref dare call defensive three seconds?

For those reasons, the Elam ending seems much more likely to gain eventual NBA-wide adoption in overtime than in regulation. Regardless, kudos to the league for continuing to use the G League as a lab to experiment with improvements to the game.

(Top photo: Lucas Peltier / USA Today)



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NBA’s City Edition jerseys for 2022-23 are out. Here are some of their backstories

The NBA released its newest slate of City Edition jerseys, the ones teams will wear for the 2022-23 season. These uniforms, from jersey to shorts, usually carry some kind of thematic tie to the franchise’s home city.

The Athletic spoke to Jesse Alvarez, Nike’s product director of men’s basketball, to get a sense of how some of the most notable City Edition jerseys were designed and the details fans should look for when watching their teams play.


I want to start with the Spurs jersey. Can you walk me through the design and the inspiration for it?


Photo courtesy of the NBA.

The Spurs, I think, as a lot of people remember, have one of the most iconic All Star Game uniforms that we’ve done, just in the world of jersey culture. So you can see some pretty clear nods to that in terms of just the color and the vibe. That was really the focus for that one, to be able to tie that in. You asked about some of the details: I think the belt buckle ‘SA’ and the Spur logos on the belt hook was just like a really nice way to round out and add a subtle detail to highlight the All Star uniform that they’ve been synonymous with.

So I recognize the coloring for that when I’m looking at those jerseys. The Pistons ones are green, a color I don’t associate usually with Pistons colors. What happened there?

Detroit has an amazing story. One of the things about that story is St. Cecilia. So St. Cecilia is really a place where players used to go run and play pickup basketball. And so that color, the green, is inspired by the actual St. Cecilia. That, coupled with the iconic details of the short patch, you’ll actually see like a stained glass or a grab that’s inspired by the stained glass that shows up at St. Cecilia, with a 313 logo at the center of it just as a way to weave those stories together. The mantra of St. Cecilia was ‘Where stars are made, not born.’ So it just really packages that story all together to bring that to life.

GO DEEPER

Isiah. Magic. Gervin. How a Detroit church gym became the birthplace of legends

Did you guys send people there to kind of look through the gym and just walk through it?

Yeah, so we actually partner with the team, and so the team was over there. They’re sending us pictures, you name it. Anything that we needed, we got to be able to really bring that to life. Like with any uniform, really, it starts with the team. They know their fan bases the best. And so that’s where all those points of inspiration are coming from.


Photo courtesy of the NBA.

For you, do you have a favorite jersey?

You know, it’s funny, I was just telling someone it’s hard to have a favorite. Especially, they all feel like your kids. But I think, just right behind you, Chicago. I really like Chicago. I think how the municipal Y shows up in a number of different ways. And the symbology behind it, like uniting a city and how the Bulls at the center of the the Y on the side profile. I think this is a great representation of how a team is at the heart of a city. So Chicago is where I live.

I liked the color pattern on the Timberwolves one, but obviously it’s not something that’s associated with the Wolves. What is that about? What makes that unique?

One of the unique things about City Edition (jerseys) just in general, before I answer your question, is that with each story from an organization, they get to take it to wherever place they want to go. So Minnesota is known as being a creative hotspot for artists of all sorts. That (jersey) is a nod to some of the creative community. So one of the things that makes that uniform unique is that the pattern that you see in the uniform, it actually gets cut in a different way for every uniform. So every uniform is a unique one, just kind of as a way that each creative is unique in their own way. So that’s really how that story comes to life.

So you guys have like a big pattern of all these colors. Each swatch is different for each uniform?

Think about it more in in terms of when you think about how a uniform was made, each piece gets cut, so no two pieces are the same. So when they’re sewing those things together, every uniform is going to be slightly different, just like a fingerprint.


Photo courtesy of the NBA.

I know sometimes you guys collaborate not only with teams but with like certain individuals on creating the jerseys. Is there anyone notable here that helps you with the creation, with the ideation of some jerseys?

Yeah, Detroit’s a great example. Big Sean is the creative director with the Pistons, so he’s somebody who helped bring that to life. Right behind you, you have KITH with the New York Knicks. Those are those are the two teams that are top of mind. Just kind of highlight some of the names that also work with organizations to bring their city edition uniforms to life.

I was looking at the Hornets’. That’s the angriest hornet I’ve ever seen in my life.

It’s an aggressive hornet. Really cool story, I think, centered around the Mint. So one of the cool things — I’m not sure if you were able to take a look at it — but the pinstripes are actually a nod to the Mint. The Mint is, you know, the source of inspiration for that uniform. The gold lettering with the mint trim, just harkens back to the financial inspiration with the Mint being in Charlotte.


Heat City Edition jersey” width=”1022″ height=”1024″ /> Photo courtesy of the NBA.

And the last one, I heard you talking about the Heat jersey. Can you kind of walk me through that one, especially the rope on the side. That seems to be a really cool detail.

So if you’ve ever turned on a game for the Heat, you’ll see that there’s actual yellow rope that surround the cord. They use the yellow piping to be able to be inspired by that yellow rope that you will see during the game. Their concept is kind of their chapter two of their mashup that they introduced last year.

This year, they flipped the color to white and then they took different components from previous iconic elements of their identity and mash those up together to be able to have this customized look. So you’ll see elements of their Floridians, their white hot, vice versa. All those different kinds of stamps in time that have made up the Heat organization, all mashed up into one uniform.

(All photos courtesy of the NBA)



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