Tag Archives: The Sopranos

David Chase, Sopranos stars post their tributes to Tony “Paulie Walnuts” Sirico

Tony Sirico, Steve Van Zandt, and Michael Imperioli in 2005
Photo: Evan Agostini (Getty Images)

Tony Sirico died yesterday, prompting an outpouring of tributes from fans and former co-workers alike—and especially from The Sopranos, where he played mobster Paulie Walnuts across all six seasons of the HBO show.

Said mourners today include series creator David Chase, who (per THR) issued a statement today recognizing what Sirico—who spent years in and out of prison before turning to the world of acting—brought to the part of the temperamental, frequently hilarious Paulie:

Tony was a jewel. The way Buddhists refer to a jewelsupernatural and a master. But certainly not a Zen master. He was so uproarious, so funny, so talented. I’m very happy for him that in his mid-50s and 60s he finally learned how talented and loved he was. I was just thinking about him yesterday, strangely enough, and was reminded that he was a main reason for the success of The Sopranos. I will miss him greatly, Gennaro. As will the world.

Meanwhile, Lorraine Braco—who also appeared alongside Sirico in Martin Scorsese’s Goodfellas—wrote on Twitter, “A stand up guy who always had my back and who loved my children and my parents. I have a lifetime of memories with Tonystarting with Goodfellas to The Sopranos and way beyond but my God, did we have fun doing the Bensonhurst Spelling Bee. I hope he’s in heaven cracking everybody up now. Love you, my pal.” And see also Steve Van Zandt, who wroteRIP Tony Sirico. Legendary. Silvio’s best buddy “Paulie Walnuts” in The Sopranos, Frankie “The Fixer’s” older brother Antonino “Father Tony” Tagliano in Lilyhammer. A larger than life character on and off screen. Gonna miss you a lot my friend. Deepest condolences to the family.” These, in addition to a message yesterday from Sirico’s frequent Sopranos scene partner Michael Imperioli, who helped spread news of his death, and wrote about his own heartbreak. “I am proud to say I did a lot of my best and most fun work with my dear pal Tony. I will miss him forever. He is truly irreplaceable.”

In addition to those who worked with him, fans have continued to make their own tributes as well, sharing their favorite Paulie Walnuts quotes, and repeating many of the colorful anecdotes that surrounded Sirico—including an-oft repeated story that his major condition for accepting the role of Paulie was that the show’s writers never make him a rat. And, of course, many people have reposted one of the sweetest, strangest moments of Sirico’s career: When he and Steve Schirripa appeared on Sesame Street, briefly taking over the roles of Bert and Ernie.

Sesame Street: The Bert and Ernie Christmas Special with Tony Sirico and Steve Schirripa



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HBO says Euphoria is now its second biggest show ever

Euphoria
Photo: Eddy Chen/HBO

The concept of an HBO show has changed over the years, from genre-defining “prestige dramas” like The Sopranos, to edgy/weird comedies like Curb Your Enthusiasm, to extremely expensive movie-level spectacles like Game Of Thrones, but even as the attention garnered by the spectacles seemed to overwhelm everything else, a little show called Euphoria has been trucking along, dominating the cultural conversation with its trippy, high-stakes stories about teens and drugs and sex and Zendaya.

And now, as of last night’s season finale, Euphoria is now the second-most watched show “since 2004” on HBO, with the first being Game Of Thrones. That stat comes from HBO itself (via Variety), so there’s no explanation for that “since 2004” thing (maybe some mid-run Deadwood or Sopranos season was technically bigger but HBO doesn’t want to waste some good PR for Euphoria?), but the point is that Euphoria is huge.

So huge that Variety says the per-episode ratings are up “nearly 100 percent” from the first season, and it hit “a new series high” with the episode that aired opposite the Super Bowl earlier this month. Who would’ve thought that there’s not much crossover between the audiences for Euphoria and the Super Bowl?

It’s worth underlining that this is all coming from HBO, so it is just meaningless HBO propaganda (like when Netflix brags about how popular its original content is), but its decision to trumpet this fact does at least indicate that HBO is very happy with Euphoria. Also, speaking of meaningless things, the show is the “most-tweeted TV show of the decade (so far),” according to a separate Variety report.

If that were a thing that mattered, though, we’d all be hearing about… 9-1-1: Lone Star a lot more than we currently do. (As of this writing, it’s one of the shows that’s currently trending on Twitter and the one that lends itself best to this kind of joke. WWE Raw and The Bachelor aren’t as funny, you see.)

If you’re eager to see what this Euphoria hype is about, the second season just finished and it’s already been renewed for a third.

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‘Many Saints of Newark’ star Ray Liotta says he’s no wiseguy

From playing Henry Hill in “Goodfellas” to Aldo “Hollywood Dick” Moltisanti in “The Many Saints of Newark” — the prequel movie to “The Sopranos,” which opens Friday in theaters and on HBO Max — Ray Liotta knows a thing or two about wiseguys.

But don’t let the thuggishness fool you: In real life, he’s more of a gentle fella.

“I don’t go around beating people up,” Liotta, 66, told The Post. “I’ve never been in a fight. I avoid it at all costs.”

Still, after starring in Martin Scorsese’s 1990 classic “Goodfellas” — considered one of the best mob movies of all time — Liotta is back with “Many Saints,” which traces the roots of Tony Soprano’s rise to power. Given that “Goodfellas” inspired “The Sopranos,” playing Hollywood Dick — the grandfather of Christopher Moltisanti (Michael Imperioli) — is a kind of full-circle moment for the Union, NJ, native.

The role fulfills a long-standing desire that Liotta had to work with “Sopranos” creator David Chase, who also served as a writer and producer on “The Many Saints of Newark.” “David Chase is a special, intense talent,” he said.

In fact, Chase once pursued Liotta to play Ralphie Cifaretto on the mafia drama, but the actor passed on the role that ultimately went to Joe Pantoliano. This time, though, it was Liotta who was doing the pursuing.

Ray Liotta as Hollywood Dick (center) with Joey Diaz and John Borras in “Many Saints.”
AP

“I flew myself out, and had lunch with David and Alan [Taylor, the director],” he said, “and by the end of it they asked if I would play Hollywood Dick.”

Although his “Goodfellas” co-stars Imperioli and Lorraine Bracco appeared in “The Sopranos,” Liotta didn’t really watch the game-changing HBO series. “I had seen bits and pieces of it when it first came out,” he said. “But at that time in my life … you’re out doing things. And then I was just like, ‘I don’t know if I wanna watch it.’ ”

Nor did Liotta feel the need to go back and binge “The Sopranos” to create Hollywood Dick. “[The series] didn’t inform my decisions whatsoever of what to do. It was all in the script,” he said. “Because I didn’t watch the series, I didn’t feel like I really missed a lot of the stuff because I didn’t know what they were talking about. This movie stands alone.”

Although he wasn’t a “Sopranos” fan, Liotta was intrigued by the idea of James Gandolfini’s 22-year-old son, Michael, playing a young Tony Soprano in “Many Saints.” “That’s gotta be a trip,” he said. “What is interesting is it wasn’t like a young version of exactly what James did. It wasn’t this big, hulking Tony Soprano that we know from the series. There was an innocence to [him].”

Liotta holds court as Aldo “Hollywood Dick” Moltisanti in “The Many Saints of Newark,” along with Joey Diaz as Lino “Buddha” Bonpensiero (from left), Corey Stoll as Corrado “Junior” Soprano, Samson Moeakiola as Salvatore “Big Pussy” Bonpensiero and Billy Magnussen as Paulie “Walnuts” Gualtieri.
AP

While Liotta wasn’t able to give Gandolfini any advice — “I barely saw him at all — I never worked on the days that he worked,” he said — he still hopes to bond with the young actor about his “totally” promising career and how he dealt with the trauma of his father’s 2013 death.

“I’d love to talk to him just one-on-one,” he said. “He was the one in Italy with his dad [when he suffered a fatal heart attack], and all of a sudden something like that happens when you’re 14 years old, that’s a really innocent age.”

For his part, Liotta — who was adopted from a Newark, NJ, orphanage before moving to Union — is enjoying a career renaissance at 66. He’ll also be playing new villain Gordon Evans in the third season of the Amazon Prime drama “Hanna,” which premieres in November. And he’s also wrapped the role of Big Jim in the upcoming Apple TV+ limited series “In With the Devil,” starring Taron Egerton.

Joe Pesci and Ray Liotta in 1990’s “Goodfellas.”
©Warner Bros/Courtesy Everett C

“Yeah, I’m not complaining. But I worked for it,” he said. “I had to live through a period where things were down instead of up. I’ve definitely had an up-and-down career. But I’m extremely persistent and competitive where I just wanted to get to a certain place again.”

And he likes the fact that he can now bounce between TV and film in a way he couldn’t do in his early days. “If you were doing television [before], then maybe your career as somebody in movies was slipping,” said Liotta, who also co-starred with Jennifer Lopez in NBC’s Brooklyn cop drama “Shades of Blue” from 2016 to 2018. “It’s much more open, less snobbish.”

Whether on the big or small screen, Liotta is happy to “just keep playing pretend” well into his senior years: “I still feel extremely young, even if I am in my 60s.”

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‘The Sopranos’ was inspired by this Newark mob family

In the late 1960s, the Newark, NJ, mob was in disarray. Its leader, Anthony “Tony Boy” Boiardo, suffered from crippling ulcers. His father, family capo ­Richie “The Boot” Boiardo, nearing 80, wanted to retire, care for his garden and lounge at his gargantuan pool. But he kept getting pulled back in to help his son, who was disliked by fellow gang members. At least two of them — soldiers Angelo “Gyp” DeCarlo and ­Anthony “Little Pussy” Russo — were caught on FBI wiretaps gossiping about the likelihood of Tony Boy getting killed by one of their own. 

If this setup sounds familiar that’s because the Boiardo crime family inspired the HBO TV series “The Sopranos” and its new pre­quel movie “The Many Saints of Newark,” which drops in theaters and on HBO Max Oct. 1. The latter, set in Newark amid the 1960s race riots, tells the story of a young Tony Soprano as he began to make his bones. In the film, Tony is portrayed by the late James Gandolfini’s 22-year-old son, Michael. 

The Boiardo crime family of Newark, first led by Richie “The Boot” Boiardo (center) and then his son, Tony Boy.
Getty Images

“Sopranos” creator David Chase revealed to New Jersey Monthly in 2002 that while “90 percent of [the TV show] is made up . . . it’s patterned after this family.”

Many names and situations on “The Sopranos” and in the movie are dead ringers for real Jersey mafiosos. Riffing off Anthony “Tony Boy” Boiardo, in “Many Saints” Tony Soprano’s father is called Johnny Boy. Reality and fiction both feature thugs nicknamed Big Pussy (the true genesis of John “Big Pussy” Russo’s nickname: he was a successful cat burglar.) And real-life Tony Boy as well as TV’s Tony Soprano both suffered due to their devious lives. They were wracked by emotional maladies with physical repercussions (ulcers for Tony Boy, panic attacks for older Tony Soprano) and hired psychiatrists to cope.

While Soprano’s sessions with Lorraine Bracco’s Dr. Melfi are well known to fans, those of Tony Boy, who witnessed his first murder at 14, are less so. “Tony Boy worked with a therapist who had been a military doctor, specializing in PTSD,” Robert Linnett, author of “In the Godfather Garden: The Long Life and Times of Richie ‘The Boot’ Boiardo,” told The Post. “Tony Boy was dealing with the stress of being the Boot’s son and running a mob family, which he was ill-equipped to do.”

Tony Boy Boiardo (left) took the reins from dad Richie “The Boot,” and like TV’s Tony Soprano (right) had to hire a therapist to manage stress.
Getty Images; HBO

Like on “The Sopranos” when Tony took the reins from a jailed Corrado “Junior” Soprano, things weren’t going well for the Boiardos in the ’60s. IRS agents were investigating The Boot — nicknamed for his bootlegging prowess — and feds had begun closing in. DeCarlo was battling cancer while serving a 12-year prison sentence for numbers running. Life magazine ran an exposé on The Boot, his “brazen empire of organized crime” and 30-acre estate in Livingston, NJ, with a home described as “Transylvanian traditional.” The unwanted publicity led to kids throwing cherry bombs over the fence. Frustrated, The Boot actually took potshots at two trespassing kids. 

Weirdly, in the midst of all this, he encouraged his teenage grandchildren to patrol the grounds with long guns. “We hunted there and people thought we were bodyguards,” grandson Roger Hanos told The Post. “We kept guns close in case we saw rabbits or squirrels.” 

Before their world began to crumble, though, the Boiardos ran Newark. For decades, the clan controlled the city’s crime scene and benefited from racketeering, loan-sharking, theft, gambling and no-show jobs along with other criminal enterprises at the Port of Newark. “It was and is a candy store,” a law-enforcement source told The Post. “The Port is a magnet for criminals. We’ve highlighted 500 longshoremen getting paid a total of $417 million for work that will never get done.” 

When Richie “The Boot” (left) stepped aside, he became increasingly detached and paranoid — the same as TV boss Corrado Soprano (right).
Roger Hanos; HBO

The family’s lucrative, illicit trade started out innocently, however, with milk. 

It all began with a pre-capo Richie delivering the wholesome beverage. His family immigrated from Italy to the United States in 1901. And his parents, who adopted the boy they called Ruggerio at age 6, mostly lived on the straight and narrow, but Richie had other plans. 

Around 1915, having worked in construction and already saddled with a bust for running an illegal gambling joint, Richie, then in his 20s, secured a Newark milk route. In short order he became more than a milkman. “He had contact with households and started selling [illegal] lottery tickets to the families who also bought his milk,” ­Hanos said. “It was a simple way to make ­extra money.” 

It also solidified his criminal reputation. 

In 1920, Prohibition hit and Richie took to producing and peddling bootleg alcohol. He learned the business through a gang headed up by John and Frank Mazzocchi. By the early ’30s, The Boot assembled his own crew and dealt with the competition in classic mob style. “He executed the Mazzocchi brothers,” added Hanos, who avoided the family trade and is now retired from his job as director of human resources at a New Jersey university. “Then my grandfather became a bootlegging king of Newark.” 

John “Big Pussy” Russo (left) got the moniker by being a cat burglar, just like TV’s Sal Bonpen-Siero (right).
Roger Hanos; HBO

Over ensuing decades, The Boot made millions by being shrewd and murderous. On a wiretap, gang members laughed about The Boot hammering “a little Jew” in the head before Tony Boy shot him. But he also had seemingly legit contracting businesses that thrived via sweetheart deals from politicians who received kickbacks. 

When things got messy, The Boot had a way of destroying evidence. “You’d hear about him burning people, alive or dead. That was weird and scary,” said Linnett, referring to what went down in a large fire pit at the rear of The Boot’s property. “Usually mob guys just put a bullet to the ear. There were not many mob bosses with their own crematorium. That’s brutal.” 

However, his son, to the manor born, lacked The Boot’s cunning. Tony Boy, after a brief and unsuccessful military stint, got involved in crime in the early ’50s by working as a frontman to obtain a liquor license for his dad’s restaurant. He quickly worked his way up the ranks as a mobster, but many thugs disliked him. 

“Tony Boy was raised with a silver spoon in his mouth. He raced around in fancy cars and threatened to kill people,” said Linnett. “Little Pussy, Gyp and others resented it.” 

According to Linnett’s book, an FBI report noted, “As soon as Boiardo [The Boot] dies, his son will not have long to live.” 

Richie “The Boot” Boiardo had a large swimming pool located at his Livingston Estate. He held parties almost every weekend.
Roger Hanos

It didn’t help that Tony Boy famously screwed up. In the early ’60s, left in charge by an aging Boot, he organized a meeting that turned to mayhem. It began when he called numbers runner Pasquale “Smudgy” Antonelli to the Fremont Club in Newark for an early morning sit-down. The place was closed and Tony Boy was with Big Pussy and Jimo Calabrese, a Boiardo lieutenant and prolific killer. 

Exactly what happened next is shrouded in mystery. But it ended with Tony Boy, Big Pussy, Smudgy and Calabrese all with bullet wounds and needing medical care. Tony Boy was spirited to Florida. An associate of Smudgy was murdered a day later. Needing to clean up the mess, The Boot jetted home from an Italian vacation with his sweetheart. 

“I would say he was pissed,” Linnett said. “The innocent bartender who witnessed ­everything was killed. That was a case of The Boot’s brutality spilling over into the civilian world.” 

Throughout that decade, the family business got driven into the ground. Little Pussy, an associate named Jerry Catena and The Boot all landed behind bars on various ­charges. “My grandfather went to prison, for a little over a year, in November 1970,” said Hanos. “I felt bad about it. I drove my mother and aunt there to visit him in Leesburg State Prison. I fed his dogs and checked out his house. They let him have his own garden at Leesburg.” 

‘Sopranos’ (cast pictured above) creator David Chase says “90 percent of [‘The Sopranos’] is made up . . . [but] it’s patterned after the [Boiardo] family.”
Alamy

Tony Boy died of a heart attack in 1978, at age 60. His father passed six years later, due to heart failure at 93. By then the Boiardo crime family was skeletal, but it did not mark the end of Newark’s mob. 

“I fully believe there is an organized Newark mob,” said ex-Secret Service agent Jan Gilhooly, allowing that cameras everywhere complicate being a crook. “But organized criminals spend 24 hours a day thinking about how to steal things. The Port is still heavy in loan-sharking and gambling. Plus you now have street gangs that need to be dealt with.” 

According to the law-enforcement source, “organized crime remains alive and well. The mob had a check-cashing place [in the Newark area] through which they laundered $1 million per day. A container full of perfume got stolen [from the Port]; that was worth another million. There was a [wiretap] bug [on which gangsters] talked about NJ belonging to the Genovese family.” 

On another tap, they jawboned about something more relatable. “Guys were arguing over which ‘Sopranos’ character is based on who,” said the source, adding that the guys also appreciated the show’s realistic portrayal of their backstabbing loved ones. “Even family members will try to do you.”

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Ray Liotta reveals why he passed on role in ‘The Sopranos’

The rumor mill has swirled for quite a while that Ray Liotta was offered the lead role of Tony in “The Sopranos” and he turned it down.

However, that was never the case. Liotta, 66, explained in an interview with the Guardian that he was approached by the HBO mob drama’s creator David Chase to play a different character.

“No! I don’t know where that story came from,” Liotta said about the idea he was offered the role of Tony Soprano. “David once talked to me about playing Ralphie. But never Tony.”

But the “Shades of Blue” star said even the part of Ralphie, which was ultimately played by Joe Pantoliano, was just not in the cards for him.

“I didn’t want to do another mafia thing, and I was shooting ‘Hannibal.’ It just didn’t feel right at the time,” he said.

Liotta famously starred as Henry Hill in Martin Scorsese’s 1990 mafia crime film “Goodfellas.”

In 2001, Liotta also spoke about turning down a “Sopranos” role, the Associated Press reported, but said he’d like a guest spot.

“It was for a two-year commitment and I didn’t really want to give up that time now,” Liotta said on the “Today” show. “I would love to do a guest spot on there, do a couple of episodes. Having done ‘Goodfellas,’ it’s definitely a genre I’m familiar with.”

The New Jersey native also revealed to the Guardian why he never reunited with the Oscar-winning director.

Ray Liotta, Robert De Niro, Paul Sorvino and Joe Pesci in 1990’s “Goodfellas.”
Getty Images

“I don’t know, you’d have to ask him. But I’d love to,” Liotta remarked.

“If you got one movie that people remember, that’s great. If you got two, that’s fantastic,” he said.

But Liotta finally got his chance to star in a “Sopranos”-related project. He will next be seen in the series’ film prequel, “The Many Saints of Newark,” as the dad of Alessandro Nivola’s character Dickie Moltisanti.

“Many Saints” will feature original “Sopranos” legend James Gandolfini’s son Michael playing a young Tony in 1970s Newark, NJ. The film is out in theaters on Oct. 1 and streaming on HBO Max.

Liotta’s co-star Corey Stoll recently told Page Six that the “Field of Dreams” star had to audition for “Many Saints,” but Stoll did not have to send his audition tape to get his role of young Uncle Junior.

“I’m kind of embarrassed, even Ray Liotta had to,” Stoll, 45, said. “There are some advantages to being bald. I think that’s what it is.”

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‘Many Saints of Newark’ is a solid episode of ‘The Sopranos’

Woke up this morning, watched myself a film.

Yes, 14 years after HBO’s groundbreaking drama series “The Sopranos” aired its final episode — controversial to this day — its movie prequel “The Many Saints of Newark” premiered Wednesday in New York.

Fans packed every seat of the Beacon Theatre, and the dress code was “business.” Some ticketholders interpreted that as Tony Soprano-style tracksuits. They must’ve thought the invite said “family business.”


movie review

Running time: 120 minutes. Rated R (strong violence, pervasive language, sexual content and some nudity.) In theaters and on HBO Max Oct. 1.

Before the movie started, there was intensely moving applause for the late James Gandolfini, who died in 2013, and his 22-year-old son Michael, who’s taken the reins from his pop and is now playing young Tony Soprano.

A man up in the balcony screamed at Michael onstage, “We loved your dad!”

By the time the credits rolled, we loved his son, too.

“Many Saints of Newark,” written by genius “Sopranos” creator David Chase and directed by series stalwart Alan Taylor, had a tall order. The film needed to complement what even a Himalayan hermit could tell you was the show that changed television forever. It does. And in abandoning the tube for the big screen, the movie had to compete with mafia classics such as “Goodfellas” and “The Godfather.” Sorry, it’s just not on that same level. “Many Saints” plays like solid TV.

Michael Gandolfini makes his mark as he takes over the role of Tony Soprano from his dad James, who died in 2013, in “The Many Saints of Newark.”
GC Images

Nonetheless, the tale of how Tony Soprano’s early life led him to become the capo of the DiMeo crime family in New Jersey is smart, entertaining and brutal. Signature Chase. His blend of humor, terror, psychological complexity and oddly compelling domestic chores is alive and well here. Many characters, however, are only alive for a brief period of time.

The blood-soaked movie starts during the Newark race riots of 1967 and mostly follows Dickie Moltisanti (Alessandro Nivola), the father of Christopher (Michael Imperioli narrates a bit) and favorite uncle of Tony (first William Ludwig then Gandolfini), as his city and the mafia are dragged kicking and shooting into the modern world.

He’s part of a new generation poised to take over, along with Corrado “Junior” (Corey Stoll) and Johnny Soprano (Jon Bernthal). They clash with Harold McBrayer (Leslie Odom Jr.), a black gangster who works for Dickie but has his own grander aspirations. The best of the lot, though, is Ray Liotta as Dickie’s father Aldo. He is absolutely hysterical. Reprehensible, but hysterical.

The same is true of Vera Farmiga, who expertly plays Tony’s kvetching mother Livia. It’s fascinating, if you know the show, to watch the power hungry Livia and Junior interact with a growing Tony.

From left: Billy Magnussen, Jon Bernthal, Corey Stoll (eyeglasses), John Magaro, Ray Liotta and Alessandro Nivola play our favorite “Sopranos” characters in their younger years.
©Warner Bros/Courtesy Everett C

Unlike what you’d assume, Tony isn’t the main event. He’s more of a wide-eyed observer — aware of what the eccentric men in his family are up to but naive to the grisly details. He adores Dickie, not knowing that he’s a murdering racist with a mistress on the side. Obviously this guy rubbed off on Tony.

Gandolfini, though, nails the most important aspect of his dad’s iconic role — the shy sensitivity. In his therapy sessions on the show we learned there was more to this mafioso than a gun and a greasy white tank top. “Many Saints” adds layers upon layers to that. There is a moment in which the young Gandolfini proves his gravitas when we sense that a kid who could’ve taken a very different path — artist, writer, scientist — chooses a life of crime instead. The audience deservedly applauds it, if not the entire movie.

When you make a film out of the greatest TV show of all time, there’s bound to be a hint of disappointment. What you’re getting here is a very enjoyable mob movie that can be appreciated by anybody, but will undoubtedly be preferred by “Sopranos” fans. “The Godfather IV,” it ain’t.

No matter your nitpicks, though, you can sleep well knowing that “Many Saints of Newark” does not end with the song “Don’t Stop Believin’.”

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The Sopranos Creator David Chase on James Gandolfini’s Son Playing Tony in The Many Saints of Newark – Jimmy Kimmel Live

  1. The Sopranos Creator David Chase on James Gandolfini’s Son Playing Tony in The Many Saints of Newark Jimmy Kimmel Live
  2. David Chase On Reviving ‘Sopranos’ Spirit With ‘The Many Saints Of Newark’ And High Interest In Another Prequel Film Deadline
  3. Vera Farmiga had an awkward audition for ‘The Sopranos’: ‘Maybe I sucked’ Entertainment Weekly News
  4. Leslie Odom Jr. did not know he was auditioning for The Many Saints Of Newark during secretive casting calls The A.V. Club
  5. Terence Winter Sparks To David Chase’s Invitation To Script Another Formative Film On ‘The Sopranos’ To Follow ‘The Many Saints Of Newark’ Deadline
  6. View Full Coverage on Google News

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HBO apparently stopped James Gandolfini from doing The Office

James Gandolfini
Photo: Evan Agostini (Getty Images)

James Gandolfini has been dead for eight years, but his Sopranos co-stars are still pretty eager to share surprising stories about things he did (or didn’t do, in this case) to get very, very, very easy money. Back in April, Edie Falco revealed that she and Gandolfini both reprised their Sopranos characters for a video in 2010 that was sent to LeBron James to convince him to play for The Knicks (a video we would still very much like to see, if anyone’s sitting on it), and this week, Michael Imperioli and Steve Schirripa claimed that HBO once gave Gandolfini $3 million to turn down an offer to replace Steve Carell on The Office.

The two shared this news on an episode of their Talking Sopranos podcast (via Deadline), because everybody who was ever on a TV show now has a podcast about being on a TV show, and they told original The Office co-creator Ricky Gervais that NBC had offered Gandolfini a chance to appear on the U.S. version of the show for $4 million. Schirripa says Gandolfini was going to do it, “because he hadn’t worked and it was a number of years removed from when [The Sopranos] ended,” but because HBO apparently wanted to retain the specialness of the Sopranos legacy, it paid him not to.

Timeline-wise, this presumably would’ve taken the place of the unfairly maligned Robert California season of The Office, where James Spader came in as a cartoonishly alpha rich guy who takes over Dunder Mifflin and runs things with a decidedly un-Carell-like energy that was actually smart even though people generally seem to think it was dumb. (Anyone in the office who replaced Michael Scott would’ve become the de facto main character of the show, which wouldn’t have worked because it’s supposed to be an ensemble, but Spader’s character is so obviously different from Michael Scott and so actively disruptive to the way things normally work that the show had no choice but to steer into the skid and recognize that it had to change.)

Back on topic, there was already an episode of The Office where Michael Scott thought he was being shaken down by a mobster, when it was really just an Italian guy trying to sell him insurance, so replacing him with an Italian guy who famously played a mobster would’ve been a little redundant. (That’s also why things didn’t really work with Ed Helms’ Andy Bernard as the boss, because the show tried to give him a Jim/Pam-style romance that absolutely didn’t work and it tried to insist that he was the new Michael Scott-style main character at the expense of the larger ensemble, so it was attempting to do multiple things it had already done, but worse, rather than trying out new things like it did with Robert California.) Thank you for attending this TED Talk on why the later seasons of The Office are Actually Good.

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