Tag Archives: Tarantino

Quentin Tarantino randomly declares Once Upon A Time’s Rick Dalton died today – The A.V. Club

  1. Quentin Tarantino randomly declares Once Upon A Time’s Rick Dalton died today The A.V. Club
  2. Quentin Tarantino says Once Upon a Time in Hollywood’s Rick Dalton has died Entertainment Weekly News
  3. Quentin Tarantino Announces The ‘Death’ Of Leonardo DiCaprio’s Once Upon A Time In Hollywood Character CinemaBlend
  4. ‘Once Upon A Time…In Hollywood’ Star Rick Dalton Is Dead, Quentin Tarantino Says Deadline
  5. Leonardo DiCaprio’s ‘Once Upon a Time… in Hollywood’ Character Dies at 90, Quentin Tarantino Podcast Proclaims Yahoo Entertainment
  6. View Full Coverage on Google News

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‘Once Upon A Time…In Hollywood’ Star Rick Dalton Is Dead, Quentin Tarantino Says – Deadline

  1. ‘Once Upon A Time…In Hollywood’ Star Rick Dalton Is Dead, Quentin Tarantino Says Deadline
  2. Quentin Tarantino says Once Upon a Time in Hollywood’s Rick Dalton has died Entertainment Weekly News
  3. Leonardo DiCaprio’s ‘Once Upon a Time… in Hollywood’ Character Dies at 90, Quentin Tarantino Podcast Proclaims Yahoo Entertainment
  4. Quentin Tarantino randomly declares Once Upon A Time’s Rick Dalton died today The A.V. Club
  5. Rick Dalton Dead: ‘Once Upon a Time in Hollywood’ Character Was 90 IndieWire
  6. View Full Coverage on Google News

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‘Once Upon A Time…In Hollywood’ Star Rick Dalton Is Dead, Quentin Tarantino Says – Deadline

  1. ‘Once Upon A Time…In Hollywood’ Star Rick Dalton Is Dead, Quentin Tarantino Says Deadline
  2. Quentin Tarantino says Once Upon a Time in Hollywood’s Rick Dalton has died Entertainment Weekly News
  3. Leonardo DiCaprio’s ‘Once Upon a Time… in Hollywood’ Character Dies at 90, Quentin Tarantino Podcast Proclaims Yahoo Entertainment
  4. Quentin Tarantino randomly declares Once Upon A Time’s Rick Dalton died today The A.V. Club
  5. Quentin Tarantino Announces The ‘Death’ Of Leonardo DiCaprio’s Once Upon A Time In Hollywood Character CinemaBlend
  6. View Full Coverage on Google News

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Quentin Tarantino reveals why his movies don’t show sex: ‘It’s a pain’ – Fox News

  1. Quentin Tarantino reveals why his movies don’t show sex: ‘It’s a pain’ Fox News
  2. Quentin Tarantino Explains Why He Doesn’t Do Sex Scenes In His Movies msnNOW
  3. “It’s a pain to shoot s*x scenes, everyone is very tense”: Quentin Tarantino is Not a Fan of Including Intimate Scenes in His Movies Unless It’s Essential to His Story FandomWire
  4. Tarantino reveals why he avoids sex scenes in his films Marca English
  5. Quentin Tarantino Explains Why He Doesn’t Like Including Sex Scenes in His Movies | Movies, Quentin Tarantino Just Jared
  6. View Full Coverage on Google News

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A Resurfaced Clip Shows Anthony Mackie Agreeing With Quentin Tarantino on “The Death of the Movie Star”

In the midst of all the press Quentin Tarantino received over his comments on the decline of movie stars due to the “Marvel-ization of Hollywood”, a clip of Anthony Mackie sharing similar sentiments with Tarantino has surfaced.

Mackie, who stars as Sam Wilson, the one who Steve Rogers passes on his Captain America mantle to in the MCU, spoke about the state of the film industry at the 2018 London Comic-Con. Yahoo! Entertainment has resurfaced the clip that shows the longtime Marvel actor share a candid opinion on how superheroes like those from Marvel, have led to the “death of the movie star.”

In the interview, Macke can be heard saying, “There are no movie stars anymore. Like, Anthony Mackie isn’t a movie star. The Falcon is a movie star. And that’s what’s weird. It used to be with Tom Cruise and Will Smith and Stallone and Schwarzenegger, when you went to the movies, you went to see the Stallone movie. You went to see the Schwarzenegger movie. Now you go see: X-Men. So the evolution of the super hero has meant the death of the movie star.” He continued to add that nowadays many of the classic films like Goonies or The Thing, would not be made today because Hollywood now caters to “16-year-olds and China.” He continues in the clip, “It’s just a different time now. [Hollywood makes] movies for specific audiences as opposed to just making good movies. And that’s why people stopped going to the movies, because most of the movies suck.”

While this interview was from 2018, it appears that it still holds in today’s era of film.

In other entertainment news, watch Joseph Sikora, Terrence J. and T.I. in the new Fear trailer.

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Quentin Tarantino Denies Kanye Claims He Stole ‘Django Unchained’ Plot – Deadline

Quentin Tarantino is setting the record straight on Kanye West’s claims that the director stole his idea for the plot for his Oscar-winning film Django Unchained.

West made the claim in an interview earlier this week with Piers Morgan, telling Morgan he pitched a similar slavery idea to Tarantino when the two met to talk about the rapper’s 2005 Gold Digger music video.

“There’s no truth to the idea that Kanye West came up with the idea of Django. And then he told it to me and I go, ‘Hey, wow, that’s a really great idea, let me take Kanye’s idea and make Django Unchained out of it.” OK that didn’t happen,” Tarantino told Kimmel.

Tarantino acknowledged, “He [West] did have an idea for a video, and I do think it was for the Gold Digger video, that he would be a slave. And the whole thing was the slave narrative, where he’s the slave, and he’s singing “Gold Digger.” And it was very funny. It was a really, really funny idea.”

Kimmel then questioned, “A funny slave video?”

 ‘It was meant to be ironic,” Tarantino clarified. “And it’s like a huge musical. I mean, like no expenses spared with him in this slave rag outfit, doing everything. And then that was also part of the part of the pushback on it.”

In the end, the music video for “Gold Digger” didn’t go with the idea West alleged he had. Django Unchained is a 2012 revisionist Western film about a freed slave (Foxx) who teams up with a bounty hunter (Christoph Waltz) to free his wife from a slavery.

You can watch Tarantino’s interview with Kimmel above.



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Quentin Tarantino in Talks to Direct FX’s ‘Justified’ Revival

Quentin Tarantino is in early talks to helm one or two episodes of “Justified: City of Primeval,” the limited series revival of the FX drama starring Timothy Olyphant, Variety has confirmed.

The “Justified” revival was ordered in January, with Olyphant set to reprise his role as U.S. Marshal Raylan Givens. The new series is inspired by Elmore Leonard’s novel “City Primeval: High Noon in Detroit.” Leonard created the character of Givens, who is featured in several of his books including “Fire in the Hole,” which “Justified” was based upon.

Tarantino and Olyphant worked together on the director’s most recent film, “Once Upon a Time in Hollywood,” with Olyphant playing James Stacy. Tarantino is also a known fan of Leonard’s work, having adapted his novel “Rum Punch” into his 1997 film “Jackie Brown” and optioning a few more of the author’s titles.

According to the show’s logline, “Justified: City Primeval” “picks up with Givens eight years after he left Kentucky behind. He now lives in Miami, a walking anachronism balancing his life as a U.S. Marshal and part-time father of a 14-year-old girl. His hair is grayer, his hat is dirtier, and the road in front of him is suddenly a lot shorter than the road behind.”

Dave Andron and Michael Dinner will serve as writers, showrunners and executive producers on the show, with Dinner tapped for directing duties. Olyphant is executive producing as well, along with “Justified” creator Graham Yost, Sarah Timberman and Carl Beverly, Peter Leonard, Taylor Elmore, and Chris Provenzano, with Elmore and Provenzano also writing for the show. Walter Mosley is consulting producer, while V.J. Boyd, Eisa Davis and Ingrid Escajeda are writers. The series will be produced by Sony Pictures Television and FX Productions.

Deadline Hollywood was the first to report the news.

Michael Schneider contributed to this report.



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Quentin Tarantino Sued for an Upcoming Auction of Pulp Fiction NFTs – Bitcoin News

Quentin Tarantino, the acclaimed film director, is being sued by Miramax, a Hollywood film producer and distributing company, due to the auction of a series of NFTs related to “Pulp Fiction,” one of the director’s most popular films. The conflict lies in the interpretation that Miramax makes from the initial contract between the parts, arguing that the sale of NFTs does not constitute a publication of any part of the script.

Miramax Sues Quentin Tarantino

Miramax, the Hollywood movie company, sued Quentin Tarantino, the acclaimed film director, for the upcoming auction of a series of Pulp Fiction-themed NFT’s. Tarantino announced it would auction a series of never before seen items of the film in the form of NFTs, including the famous “royale with cheese” handwritten screenplay scene. The auction would utilize a blockchain called the Secret Network, which would allow the content of these NFTs to be secret until the sale of the item.

Miramax affirms that while Tarantino has the rights to any print publication of the script, NFTs are not part of this. The lawsuit states:

The proposed sale of a few original script pages or scenes as an NFT is a one-time transaction, which does not constitute publication, and in any event does not fall within the intended meaning of ‘print publication’ or ‘screenplay publication.

The lawsuit further explains that the right to sell any NFTs is owned and controlled by Miramax.

Tarantino Fights Back

Bryan Freedman, Tarantino’s attorney, challenged the validity of Miramax’s claims, stating that the director had the right to sell “NFTs of his hand-written script for Pulp Fiction and this ham-fisted attempt to prevent him from doing so will fail.” Williams also stressed that the reveal of the details of Miramax’s contract with Tarantino will tarnish the reputation of the company. This means that Tarantino is planning to fight back these allegations in court.

This is one of the first high-profile cases that involve NFTs and Hollywood productions going to court. Many other celebrities and artists have already issued and published NFT drops to take advantage of the NFT craze that ensued earlier this year to open new and alternative sources of revenue. In this sense, Miramax attorney Bart Williams stated that Tarantino’s announcement dilutes the value of the Pulp Fiction IP.

Williams stated:

This one-off effort devalues the NFT rights to ‘Pulp Fiction,’ which Miramax intends to maximize through a strategic, comprehensive approach.

What do you think about the Quentin Tarantino vs. Miramax legal battle? Tell us in the comments section below.

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Miramax sues Quentin Tarantino over planned ‘Pulp Fiction’ NFTs

LOS ANGELES — Hollywood studio Miramax sued director Quentin Tarantino on Tuesday over his plans to sell digital collectibles based on his 1994 film “Pulp Fiction.”

Tarantino recently announced that he will sell a series of unique non-fungible tokens, or NFTs, based on his handwritten screenplay for the 1995 Palme d’Or winner, a movie described by the Cannes film festival as a set of “dime-store stories set in lowlife LA.”

A website for the NFT sales says they will include a digital version of the film’s profane and “iconic ‘Royale with Cheese’ scene,” as well as a recording of Tarantino revealing “secrets” about the project.

The lawsuit by Miramax, which produced the film and is owned by Bein Media Group and ViacomCBS, alleges that Tarantino also plans to sell NFTs of page scans and digital film props.

Tarantino’s attorney, Brian Freedman, said in a statement to NBC News on Wednesday, “Miramax is wrong — plain and simple.”

“Quentin Tarantino’s contract is clear: he has the right to sell NFTs of his hand-written script for ‘Pulp Fiction’ and this ham-fisted attempt to prevent him from doing so will fail,” Freedman said. “But Miramax’s callous decision to disclose confidential information about its filmmakers’ contracts and compensation will irreparably tarnish its reputation long after this case is dismissed.”

According to the suit, which seeks unspecified damages, a lawyer responded to Miramax’s Nov. 4 cease-and-desist letter by saying Tarantino holds reserved rights to print publication of the script.

Miramax argued in the suit that print publication and NFTs are not the same.

“The proposed sale of a few original script pages or scenes as an NFT is a one-time transaction, which does not constitute publication, and in any event does not fall within the intended meaning of ‘print publication’ or ‘screenplay publication,'” the suit says. “The right to sell NFTs of such excerpts of any version of the screenplay to Pulp Fiction is owned and controlled by Miramax.”

In the suit, which was filed in federal court in Los Angeles, Miramax argues that Tarantino essentially signed away rights to “all media” for “Pulp Fiction” in perpetuity when the film was under development in 1993.

“Miramax holds the rights needed to develop, market, and sell NFTs relating to its deep film library,” the suit says.

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Brian Cox SLAMS Johnny Depp as ‘overrated’ and Quentin Tarantino as ‘all surface’ in new memoir

Succession star Brian Cox is not holding back as he calls out some of his least-liked Hollywood faces in a fiery new memoir – that would make his character Logan Roy proud. 

The 75-year-old actor lists a number of A-listers he doesn’t think measure up to their reputations, including Johnny Depp and Quentin Tarantino, according to excerpts from his book Putting The Rabbit In The Hat shared on Thursday by The Big Issue.

The acting legend does not seem to be worried about his famous friends taking offense, and he shared that he won’t be surprised if he does not ‘hear from some people again.’

In one section of his memoir, Cox recounts how he turned down the role of the Governor in Depp’s Pirates Of The Caribbean, which eventually went to Jonathan Pryce.

Telling it like it is: Brian Cox, 75, is flush with criticisms of Johnny Depp, Quentin Tarantino and others in his memoir Putting A Rabbit In The Hat, which was excerpted by The Big Issue; seen in 2019 in London

Cox seethes about how ‘overrated’ he finds Depp.

‘Personable though I’m sure he is, is so overblown, so overrated,’ Cox complained.

‘I mean, Edward Scissorhands. Let’s face it, if you come on with hands like that and pale, scarred-face makeup, you don’t have to do anything. And he didn’t,’ he writes.

The Manhunter actor also got in a dig about Depp’s more recent, less-acclaimed work.

‘And subsequently, he’s done even less,’ he added.

Dodged a bullet: ‘Personable though I’m sure he is, is so overblown, so overrated,’ Cox complained of Depp, whom he almost worked with on Pirates Of The Caribbean; seen October 19 in Belgrade, Serbia

Ouch! ‘I mean, Edward Scissorhands. Let’s face it, if you come on with hands like that and pale, scarred-face makeup, you don’t have to do anything. And he didn’t,’ he writes

Cox also had harsh words for Once Upon A Time In Hollywood writer and director Quentin Tarantino.

‘I find his work meretricious. It’s all surface. Plot mechanics in place of depth. Style where there should be substance. I walked out of Pulp Fiction,’ he shared.

Considering his dislike for Tarantino’s style, Cox has never worked for the filmmaker, though he wouldn’t necessarily be opposed to the paycheck if the opportunity ever presented itself. 

‘That said, if the phone rang, I’d do it,’ he added.

Cox was even more lacerating when it came to action star Steven Seagal, whom he acted opposite on his 1996 police thriller The Glimmer Man.

He didn’t care for Seagal’s ‘studied serenity,’ which he though just came off as ‘ludicrous.’

‘Steven Seagal is as ludicrous in real life as he appears on screen,’ he writes. ‘He radiates a studied serenity, as though he’s on a higher plane to the rest of us, and while he’s certainly on a different plane, no doubt about that, it’s probably not a higher one.’

Not a fan: Cox writes that Quentin Tarantino is ‘all surface’ and ‘style where there should be substance,’ adding that he ‘walked out of Pulp Fiction’; seen in October 19 in Rome

Even beloved figures like David Bowie couldn’t escape Cox’s barbs.

The two appeared together on the British military series Redcap in the 1960s, where the future music icon’s acting didn’t impress him.

‘A skinny kid, and not a particularly good actor. He made a better pop star, that much is for certain,’ he said of Bowie.

Cox was mixed on Michael Caine, as he applauded his brand but bemoaned his lack of range. 

‘I wouldn’t describe Michael as my favorite, but he’s Michael Caine,’ he writes. ‘An institution. And being an institution will always beat having range.’

His costar Edward Norton, whom he appeared with in Spike Lee’s modern masterpiece 25th Hour, got called out for being presumptuous.

‘He’s a nice lad but a bit of a pain in the a** because he fancies himself as a writer-director,’ he quipped.

Stick to music: Cox and David Bowie appeared on the 1960s British military show Redcaps, and he called him  ‘a skinny kid, and not a particularly good actor,’ though he thought he was a better pop star; seen in 2010 in NYC

Limited range: The Succession star admitted Michael Caine had a strong brand, but said that ‘being an institution will always beat having range’; Cox is seen on Succession

Cox also has some harsh words about his acting colleagues Gary Oldman, Daniel Day-Lewis and John Hurt, and Michael Gambon is a frequent target of criticism, according to The Big Issue.

But the Scottish actor isn’t just out to settle scores, and he includes some praise for other actors who have inspired him. 

Keanu Reeves appears to have won him over as he matured, and Cox calls him a ‘seeker’ who has ‘actually become rather good over the years.’ 

Alan Rickman received some of the warmest words of any of his contemporaries that Cox mentioned.

He calls the Harry Potter actor ‘one of the sweetest, kindest, nicest and most incredibly smart men I’ve ever met.’

‘Prior to acting he’d been a graphic designer and he brought the considered, laser-like precision of that profession to his work,’ he adds.

Improving with age: Rare praise was directed at Keanu Reeves, whom he said had ‘actually become rather good over the years’; seen in 2019 in LA

Respect: Alan Rickman received some of the warmest words of any of his contemporaries. Cox calls him ‘one of the sweetest, kindest, nicest and most incredibly smart men I’ve ever met’; Rickman seen in 2003 in London

Cox also applauded Morgan Freeman, calling him an ‘absolute gentleman’ after he kept his cool during a difficult shoot.

He said the Unforgiven star was ‘being the very epitome of Morgan Freeman. The Morgan Freeman you would hope to meet. The Morgan Freeman you encounter in your dreams.’

Cox admitted to the publication that none of his closest friends had had a chance to read his memoir yet, and he expected it would upset some of them. 

‘I’m expecting probably never to hear from some people again. But that’s the way it goes,’ he said nonchalantly.

Burned bridges: Cox said he expected ‘probably never to hear from’ some of his friends after he didn’t hold back in his memoir; pictured on Succession 

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