Tag Archives: tan

Candidates Round 13: Gukesh Leads Before Last Round, Tan A Draw Away From Winning Women’s – Chess.com

  1. Candidates Round 13: Gukesh Leads Before Last Round, Tan A Draw Away From Winning Women’s Chess.com
  2. Chess Candidates 2024 Highlights: 17-year-old Gukesh takes sole lead after defeating Alireza; Vaishali wins 4th in a row The Indian Express
  3. FIDE Candidates 2024: Gukesh takes sole lead after Round 13; one win away from World Championship ESPN India
  4. Chess Candidates 2024, Round 13 Highlights: Gukesh beats Firouzja to become sole leader; Vaishali wins vs Tingjie; Pragg loses to Caruana; Vidit, Humpy games end in draw Sportstar
  5. Candidates R13: Gukesh beats Firoujza, enters final round as sole leader Chess News | ChessBase

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Tan France Says He Didn’t Advocate For Bobby Berk’s ‘Queer Eye’ Replacement: ‘My Former Colleague Getting Fired Had Nothing to Do With Me’ – Variety

  1. Tan France Says He Didn’t Advocate For Bobby Berk’s ‘Queer Eye’ Replacement: ‘My Former Colleague Getting Fired Had Nothing to Do With Me’ Variety
  2. Tan France Denies He Tried to Replace Bobby Berk with Jeremiah Brent on ‘Queer Eye’ PEOPLE
  3. Tan France Addresses ‘Queer Eye’ Allegations Over Bobby Berk Departure Hollywood Reporter
  4. Tan France denies campaigning to replace Bobby Berk on ‘Queen Eye’ Entertainment Weekly News
  5. ‘Queer Eye’ star Tan France denies campaigning to get Bobby Berk ‘fired’ and replaced by Jeremiah Brent after feud Page Six

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Former President Obama quips about infamous tan suit during portrait unveiling

And, Obama joked at the unveiling Wednesday, no tan suit.

“We’re not looking for a gestural moment,” McCurdy said in an interview recently with the White House Historical Association, which acquires and funds official portraits of presidents and first ladies. “We’re looking for a more meditative or transcendent moment.”

Wearing a black suit, white shirt and a light gray tie with his hands in his pockets, Obama looks out from the canvas at the viewer with an enigmatic expression. Nothing else disrupts the composition.

“What I love about Robert’s work is that he paints people exactly the way they are, for better or worse. He captures every wrinkle on your face, every crease in your shirt,” Obama said during Wednesday’s ceremony. “You’ll note that he refused to hide any of my gray hairs. Refused my request to make my ears smaller. He also talked me out of wearing a tan suit, by the way.”

“It feels like you’re face-to-face, forming a connection,” Obama went on. “That appealed to me, in part because presidents so often get air brushed. They even take on a mythical status, especially after you’ve gone, and people forget all the stuff they didn’t like about you.”

After the initial photo was taken from which McCurdy painted, the former President had no say in the final portrait, according to the artist.

“It is part of my process that the sitter doesn’t get to say anything about how the painting looks. They’re completely outside the process,” he said. “He was open to that and accepting of that process, so he never saw the images that we worked from.”

Former first lady Michelle Obama was equally hands off with her final portrait after posing for photographs with her portraitist, New York-based artist Sharon Sprung, in the White House.

“I felt this trust come from her, that you do your thing, I do my thing, I’m going to trust you with your thing, and I think portraiture works better sometimes like that. That she didn’t contribute that much other than present herself,” Sprung told the historical association.

Like her husband’s, Michelle Obama’s portrait is painted in a distinctive style that breaks a mold of the more traditional portraits hung in the White House. Wearing a powder blue off-the-shoulder gown designed by Jason Wu, she sits on a sofa from the White House Red Room, posing against a terra-cotta backdrop. Like the former President, she stares directly out of the frame at the viewer.

“Your work is phenomenal, but it was your essence, your soul, the way you saw me, the way we interacted, and it shows in this beautiful work,” Michelle Obama said during the unveiling ceremony.

The paintings are historic in another way: They capture the first Black president and first lady.

“They do look different. But I also don’t think that it needs to be explained to people. I think people seem to get it,” McCurdy said.

When the Obamas selected artists for earlier portraits hung at the National Portrait Gallery in Washington, they selected Black painters — Kehinde Wiley and Amy Sherald — who at that point were still emerging into the field.

The painters behind the official White House portraits are both are established artists. McCurdy, whose signature is hyper-photorealistic paintings set against white backdrops, has painted Jeff Bezos, Nelson Mandela, the Dalai Lama and Jane Goodall, among others.

Sprung has had a long career in figurative painting, including paintings for Congress, and has a connection to past-White House portraits: When she was younger, she developed an artistic relationship with Aaron Shikler, who painted iconic White House portraits of John F. Kennedy, Jackie Kennedy and Nancy Reagan.

“I don’t want it to look like it was done in 2013, or whatever. I want it to look like it was done in this time and place,” Sprung said in a video with the White House Historical Association.

The process of selecting the artists began when the Obamas were still in the White House, including in-person interviews in the Oval Office. Thelma Golden, director and chief curator of The Studio Museum in Harlem, sat in on Sprung’s interview with the couple.

Then-President Obama and McCurdy discussed the painting process, including releasing control of the final product to the artist and the connection between viewer and subject that he aims for in each of his paintings.

“I think that directness really appealed to him,” McCurdy said.

When Sprung visited the Oval Office during the Obamas’ time in the White House for a conversation about the portrait, she brought with her some preliminary drawings of the then-first lady to give the couple a sense of her direction.

“He picked a couple that he liked, and she picked a couple that she liked, which were very different in mood. And I found that really fascinating, but it gave me a sense of both of them,” Sprung said.

McCurdy begins his process by taking about 100 photographs of his subject against a white backdrop. After selecting just one to paint from, the rest of the images are destroyed and a 12-18 month process of painting begins.

All Obama had to do, McCurdy said, was hold his mark and not move.

“He did an excellent job of that,” McCurdy said. The former President was “charming” and “very present,” he said.

When Sprung arrived to the White House for a sitting with Michelle Obama, she decided to leave her paints behind — “I didn’t want to leave my mark” — but instead photographed her and chatted as the Obamas’ dogs were barking on the lawn.

“I had them move furniture from the Red Room to the Blue Room because the light was better,” she explained in an interview with the White House Historical Association.

Sprung is shorter than Michelle Obama; her initial plan to paint the first lady standing up — akin to official portraits of Jaqueline Kennedy and Nancy Reagan — ended up shifting when she realized she was looking up at her rather than being at her level.

“I was going to do her standing to give it a certain dignity — but she doesn’t need dignity. She has so much dignity that I decided to do it sitting,” Sprung said.

As McCurdy toiled on his portrait of President Obama, it became a challenge to keep the project under total wraps. He doesn’t work with assistants, but those who helped print the photographs or happened to walk into his studio were sworn to secrecy.

He also didn’t have any additional sittings with the former President. Instead, over the course of the 18-month painting process, the subject became less a person and more a project.

“They become after a year, a year and a half, it becomes more of an object in a way, like a technical issue. I don’t feel like I’m really getting to know them as I work with them on the canvas,” he said.

For Sprung, Michelle Obama’s portrait was the longest she’d ever worked on one painting: Eight months.

“I worked on it day and night. And I said good morning to her, and I said good night to her,” she said. The most difficult detail, Sprung said, was not in her face or hands or any part of her body, but her dress.

McCurdy’s challenge was in creating a moment “where there’s no time,” he said.

“There’s no before, no after. As if that moment would be the same across a long, like a bell ringing just continues to ring. And it’s a way of locking the viewer into the moment,” he said.

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Serena Williams’ return to Wimbledon ends with dramatic defeat against Harmony Tan

Williams, watched on by her family in the stands, lost a tight first set before leveling the match in the second on Centre Court, the site of seven of her 23 grand slam singles titles.

She was a break up in the third, but Tan showed her resilience by fighting back to take a thrilling final set in a nail-biting tie break.

Asked if it was the final Wimbledon match of her decorated career, Williams said that was a question she “can’t answer.”

“Who knows where I’ll pop up?” she added.

Williams played her first competitive matches for close to a year at Eastbourne last week, partnering with Ons Jabeur in the doubles event. The pair reached the semifinals, but had to withdraw after Jabeur sustained a knee injury.

On Tuesday, she made her long-awaited return to singles, one year on from retiring in her last first-round match at Wimbledon.

Momentum shifted between the two players over the course of the three-hour, 11-minute encounter — first in Tan’s favor as she edged the first set, then towards Williams as she rallied in the second.

It looked as if the 40-year-old Williams would prevail in the deciding set as she served for the win, but the memorable return wasn’t to be.

Tan broke back at 5-5, and despite failing to convert a match point at 6-5, made no mistake when she had a second chance in the tie break.

Ranked No. 115 in the world, Tan was playing in her first match in the main draw of Wimbledon and ninth across all grand slams.

“When I saw the draw, I was really scared,” she said after the match. “It’s Serena Williams — she’s a legend. I was like, ‘Oh my god, how can I play?’ And if I can win one game or two games, it’s really good for me.”

Under the lights of Centre Court, Tan comfortably did more than that — triumphing against one of the greatest athletes sport has ever seen.

“For my first Wimbledon — it’s wow. Just wow,” she added, struggling to find the words to capture her emotions.

It remains unclear whether this was Williams’ final outing at Wimbledon. Asked to sum up her legacy at the tournament, she was succinct, if understated.

“I think I’m pretty solid on the grass,” she said. “Maybe not today, but pretty solid out there.”

Nadal, Swiatek advance

In Tuesday’s earlier games on Centre Court, there were victories for this year’s French Open champions Rafael Nadal and Iga Swiatek.

Nadal, a two-time winner at Wimbledon, survived a scare to beat Francisco Cerundolo 6-4 6-3 3-6 6-4 as he begun his pursuit of a 23rd grand slam title, while Swiatek recorded her 36th consecutive win by beating Jana Fett 6-0 6-3.

Nadal, who missed last year’s tournament due to injury, received a warm reception on Centre Court, where he was sternly tested by Argentina’s Cerundolo.

The Spaniard looked on course for a routine win when he was 2-0 and a break up in the third set, but the free-swinging Cerundolo fought back with a double break to take the set.

The match looked to be heading for a decider when the world No. 41 broke in the fourth, only for Nadal to save his best until last and seal the win with a double break.

Swiatek, meanwhile, dominated the first set against Fett in her first match since the French Open, but had to overcome a tough period in the second when Fett came close to securing a double break.

The top seed recovered from the shaky start to the set and rattled off five games in a row, increasing her winning run to 36 matches.

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Serena Williams’ return to Wimbledon ends with dramatic defeat against Harmony Tan

Williams, watched on by her family in the stands, lost a tight first set before leveling the match in the second on Centre Court, the site of seven of her 23 grand slam singles titles.

She was a break up in the third, but Tan showed her resilience by fighting back to take a thrilling final set in a nail-biting tie break.

Asked if it was the final singles match of her long, illustrious career, Williams said that was a question she “can’t answer.”

“Who knows where I’ll pop up?” she added.

Williams played her first competitive matches for close to a year at Eastbourne last week, partnering with Ons Jabeur in the doubles event. The pair reached the semifinals, but had to withdraw after Jabeur sustained a knee injury.

On Tuesday, she made her long-awaited return to singles, one year on from retiring in her last first-round match at Wimbledon.

Momentum shifted between the two players over the course of the three-hour, 10-minute encounter — first in Tan’s favor as she edged the first set, then towards Williams as she rallied in the second.

It looked as if the 40-year-old Williams would prevail in the deciding set as she served for the win, but the memorable return wasn’t to be.

Tan broke back at 5-5, and despite failing to convert a match point at 6-5, made no mistake when she had a second chance in the tie break.

Ranked No. 115 in the world, Tan was playing in her first match in the main draw of Wimbledon and ninth across all grand slams.

“When I saw the draw, I was really scared,” she said after the match. “It’s Serena Williams — she’s a legend. I was like, ‘Oh my god, how can I play?’ And if I can win one game or two games, it’s really good for me.”

Under the lights of Centre Court, Tan comfortably did more than that — triumphing against one of the greatest athletes sport has ever seen.

“For my first Wimbledon — it’s wow. Just wow,” she added, struggling to find the words to capture her emotions.

It remains unclear whether this was Williams’ final outing at Wimbledon. Asked to sum up her legacy at the tournament, she was succinct, if understated.

“I think I’m pretty solid on the grass,” she said. “Maybe not today, but pretty solid out there.”

Nadal, Swiatek advance

In Tuesday’s earlier games on Centre Court, there were victories for this year’s French Open champions Rafael Nadal and Iga Swiatek.

Nadal, a two-time winner at Wimbledon, survived a scare to beat Francisco Cerundolo 6-4 6-3 3-6 6-4 as he begun his pursuit of a 23rd grand slam title, while Swiatek recorded her 36th consecutive win by beating Jana Fett 6-0 6-3.

Nadal, who missed last year’s tournament due to injury, received a warm reception on Centre Court, where he was sternly tested by Argentina’s Cerundolo.

The Spaniard looked on course for a routine win when he was 2-0 and a break up in the third set, but the free-swinging Cerundolo fought back with a double break to take the set.

The match looked to be heading for a decider when the world No. 41 broke in the fourth, only for Nadal to save his best until last and seal the win with a double break.

Swiatek, meanwhile, dominated the first set against Fett in her first match since the French Open, but had to overcome a tough period in the second when Fett came close to securing a double break.

The top seed recovered from the shaky start to the set and rattled off five games in a row, increasing her winning run to 36 matches.

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Corinne Tan is American Girl’s first Chinese American ‘Girl of the Year’

The popular doll manufacturer unveiled Corinne Tan, a Chinese American skier, as its 2022 Girl of the Year on Thursday. “Girl of the Year” dolls, which were introduced in 2001, differ from other American Girl dolls by being based on modern characters with contemporary stories, rather than characters linked to different periods of American history.

“We created Corinne to be a positive role model our fans can look up to and learn from as we all work toward a world where everyone is treated fairly and with respect,” said Jamie Cygielman, general manager of American Girl, in a statement.
American Girl has released other Asian American dolls in the past, including Ivy Ling — a doll eventually discontinued from its historic line. More modern characters have included Jess, the biracial Japanese American “Girl of the Year” doll in 2006 — but Corinne is the first Chinese American “Girl of the Year,” the company confirmed.

To develop Corinne, American Girl enlisted children’s author Wendy Wan-Long Shang to create two books on the character, “Corinne” and “Corinne to the Rescue.” Shang said she hopes others see themselves in the new doll.

“What I really hope is that there is some part of Corinne’s story that makes readers feel seen, whether it’s because they are Asian American, or because they’re part of a blended family, or because they love skiing,” Shang said in a statement. “I think when readers feel seen, they realize that they matter and their experiences matter, and that they are meant to be the stars of their own stories!”

The Corinne doll, plus a book, retails for $110, with other accessories also available for purchase.

The release of the Corinne doll comes after more than a year of public hate crimes against Asian Americans and Pacific Islanders. Just last month, a man attacked a 61-year-old Asian woman with a rock, an incident that the New York Police Department’s Hate Crimes Task Force is now investigating.
Though anti-Asian incidents occurred before Covid-19 struck, the pandemic led to a rise of public hate crimes against Asian Americans and Pacific Islanders. Between March 19, 2020 and September 30, 2021, more than 10,000 incidents against Asian American were reported to Stop Hate AAPI, which began tracking acts of racism and discrimination against Asian Americans during the pandemic.

As part of this year’s launch, American Girl also announced it would partner with AAPI Youth Rising, a nonprofit made up of young people raising awareness about xenophobia against Asian Americans. The company said it donated $25,000 to their cause.

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Crown Digital’s Keith Tan has 3 tips for starting your own business

When former wealth manager Keith Tan gave up his finance job in 2015, he was scarcely aware of the entrepreneurial journey that lay ahead.

What started as plans to launch a chain of coffee shops soon turned into a technology company with aims to improve efficiencies in the food and beverage industry.

Six years on, the company’s debut product, automated coffee robot Ella, is already serving up lattes and cappuccinos at select train stations in Tokyo, Japan. There are similar plans for his native Singapore in 2022.

But the path to success involved “a lot of learnings,” the Crown Digital CEO told CNBC Make It, sharing his best advice for other would-be founders.

1. Evaluate rigorously

First of all, it’s important to “rigorously evaluate your ideas,” and ensure that they serve a purpose.

In Tan’s case, when he designed Ella in 2018, it was not for sheer novelty. Rather, he wanted to find a real solution to the manpower shortages that afflicted his coffee shop and other food and beverage outlets.

You need to back it up with a business model that’s sustainable.

Keith Tan

founder and CEO, Crown Digital

A fully autonomous robot that could serve coffee around the clock would provide that solution, he reasoned. So he and his team set to work creating the product.

“There was no point building robots for the sake of it,” he said. “You need to back it up with a business model that’s sustainable.”

2. Sell your idea

Next, you need to get buy-in for your ideas, whether it be from co-founders, investors, employees or customers.

“You need to sell the idea well and be passionate about it,” Tan said.

Singapore’s first robotic barista, Ella, is created by internet of things start-up Crown Digital.

Crown Digital

That wasn’t always easy, especially in the early days of a business, said Tan, recalling the difficulty of attracting staff and investors when he first launched Crown Digital. Still, it’s important to have confidence in your idea and be able to convey that to others.

“This is a robot company doing coffee. It’s a hard sell,” he said. “You need to have that hustle to sell that first idea and build that team.”

3. Find partners

Thirdly, it’s vital to find partners who can help elevate your business and develop it to the next level.

For Tan, that meant teaming up with transport operators like Japan’s JR East railway company and Singapore’s SMRT subway network to make his product available to more consumers.

You can’t do everything yourself. But if you can influence your partners to help you, that helps a lot.

Keith Tan

founder and CEO, Crown Digital

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White supremacy, with a tan

Some political myths refuse to die despite all evidence the contrary. Here’s another:

That year has been depicted as “a countdown to the White apocalypse,” and “dreadful” news for White supremacists.” Two commentators even predicted the US “White majority will soon disappear forever.” It’s now taken as a given that the “Browning of America” will lead to the erosion of White supremacy.

I used to believe those predictions. Now I have a different conclusion:

Don’t ever underestimate White supremacy’s ability to adapt.

The assumption that more racial diversity equals more racial equality is a dangerous myth. Racial diversity can function as a cloaking device, concealing the most powerful forms of White supremacy while giving the appearance of racial progress.

Racism will likely be just as entrenched in a browner America as it is now. It will still be White supremacy, with a tan.

My personal stake in a multiracial America

I don’t like raising such a pessimistic scenario, in part for personal reasons. I want to believe my country is on the verge of this Brown New World where there will be such a rich gumbo of skin hues, hair textures and racially ambiguous people that racism will lose its sting.

My family is a symbol of these demographic changes.

My mother is Irish; my father was Black. My wife is an immigrant from Central America with a biracial mother and a White “Ladino” father who was Jewish and Castilian. My stepmother is Chilean, and half of my siblings are Afro-Latino.

I have one relative with blonde hair and blue eyes who moves through the world as a young White man, but he’s really Afro-Latino. And I have another Black relative who went to court to argue that he was White (he lost). The 2020 Census could have used my family portrait for a poster.

There is a yearning embedded in my DNA that a demographic tide will overtake White supremacy — the belief that White people are superior and they should maintain political, social and economic power over other races.

This yearning is not driven by some wish that people of color will someday rule over Whites. It’s a hope for a more just America, a hope that we can somehow escape the tribalism that tore other countries apart.

That hope was captured by one of the savviest commentators on race in America, in a passage I can’t seem to forget. After President Obama was re-elected in 2012, David Simon, creator of the HBO series “The Wire,” wrote:

“America will soon belong to the men and women — white and black and Latino and Asian, Christian and Jew and Muslim and atheist, gay and straight — who can walk into a room and accept with real comfort the sensation that they are in a world of certain difference, that there are no real majorities, only pluralities and coalitions.”

Simon added that “this may be the last [presidential] election in which anyone but a fool tries to play — on a national level, at least — the cards of racial exclusion, of immigrant fear…”

We know what happened next: Donald Trump was elected president. White supremacists marched in Charlottesville. Rioters waved Confederate flags during the Jan. 6 insurrection at the US Capitol. The list goes on.

It turns out that the reports of White supremacy’s demise were exaggerated.

Whiteness is elastic

White supremacy isn’t just more resilient than many assume. It’s also elastic.

Consider how Whiteness has been defined. It’s a prime example of how White supremacy adapts.

The census suggests that White Americans will be a minority by 2045, but as several commentators have already noted, that date can easily be postponed. Whiteness isn’t a fixed identity; it’s like taffy — it expands to accommodate new members, if they have the right look.

In books like “How The Irish Became White” and “Working Toward Whiteness,” scholars have argued that the definition of Whiteness has expanded to include Irish, Italian and Jewish people — groups that once weren’t considered fully White in the US.

The US has broadened its definition of White people throughout history enough to maintain power over Black, Asian and Latino people, writes political scientist Justin Gest in a recent essay, “What the ‘Majority Minority’ Shift Really Means for America.”

“Through a historical lens, being white in America today is like belonging to a once-exclusive social club that had to loosen its membership criteria to stay afloat,” Gest writes.

Why do so many racial groups gravitate toward Whiteness? The answer is both pragmatic and psychological.

It’s due to a racial hierarchy that places Whiter-looking people at the top and darker-skinned people at the bottom of the socio-economic ladder.

“Sometimes looking White puts money directly into your pockets,” says Tanya K. Hernandez, author of the forthcoming book “Racial Innocence: Unmasking Latino Anti-Black Bias and The Struggle for Equality.”

“You get access to jobs, opportunities and being viewed as competent. But there’s also a psychological benefit, that feeling of having enhanced status, of being part of Whiteness.”

This racial hierarchy is the foundation of White supremacy. Europeans created it around 500 years ago to justify slavery and colonialism. This hierarchy is where we get the modern conception of race — how a person’s inherent worth, intelligence or attractiveness can be determined by the pigmentation of their skin.

For those who fret about the “disappearing White majority,” I say look at history:

The numbers and types of people who are defined as White may change, but the status and power that comes with being White has remained the same.

The future of Whiteness could rest with Latinos

It’s a hard truth for me to accept, because I see that racial hierarchy at work within my family.

I have young male relatives who appear to the world as Black, and one who appears as White. They might as well live in different universes.

One is an artistic teenager with curly blonde hair, blue eyes and pale skin who is already more physically imposing than most men. I call him an “Undercover Brother.”

When a classmate tried unsuccessfully to get him suspended by accusing him of bullying her, I surprised myself by telling my wife: “Thank God he looks White.”

If the same accusation had been made against a darker relative of mine, the outcome may have been different.

My relative is a proud Afro-Latino. His mother teaches him about his heritage. But I wonder when he becomes an adult — and competes for jobs and deals with the police — whether will he come to the same conclusion I did: “Thank God I look White.”

Someday he may even mark “White” on his census forms. Other Latino Americans have already made that same choice. This is another way that Whiteness preserves its dominance.

In the 2010 Census, for example, researchers discovered that some 1.2 million Americans who had identified as “Hispanic, Latino or Spanish origin” a decade earlier had changed their race from “some other race” to “white.”
“The data also call into question whether America is destined to become a so-called minority-majority nation, where whites represent a minority of the nation’s population,” said the The New York Times. “Those projections assume that Hispanics aren’t white, but if Hispanics ultimately identify as white Americans, then whites will remain the majority for the foreseeable future.”
That number, however, plunged in the 2020 census. It revealed a drastic drop in the number of Latinos or Hispanics who identify as White. That drop may be due to Black Lives Matter protests and former President Trump’s well-documented hostility to non-White immigrants and his administration’s unsuccessful attempt to reduce the count of Latinos by manipulating the 2020 Census.

The future of Whiteness in America may rest with Latino people.

It could go either way. A study suggests that Latino identity fades across successive generations as immigrant connections fade away. If large numbers of Latino people identify as White in the future, Whiteness will expand. The enhanced status and socio-economic benefits that come from identifying as White will be too tempting for many to ignore.

Racism in unexpected places

The link between Whiteness and status is already a reality in some Latin American countries.

In places like Brazil and Cuba, mixed-race people and interracial marriages are common. Latin Americans tend to think of themselves not in terms of race, but nationality.

Yet discrimination against darker-skinned and indigenous people is common there and many other Latin American countries. There’s still a widespread belief that the Whiter a person looks, the better it is for them.

These countries offer proof that a country can have a large and expanding population of Black, brown and multiracial people — and still be governed by the same racial hierarchy that gave us slavery and colonialism.

Consider Brazil. It is home to more people of African heritage than any country outside Africa, and roughly 40% of Brazilians identify as mixed race.
But many Brazilians’ economic and educational prospects are still shaped by colorism — the notion that a person’s inherent worth is determined by their skin color, according to an article in Foreign Policy that looked at the country’s racial landscape. Some 80% of the country’s one-percenters are white, the article said.
“Today, Brazilians see themselves as falling across a spectrum of skin colors with a dizzying assortment of names: burnt white, brown, dark nut, light nut, black, and copper,” Cleuci De Oliveira wrote in the article. “What ultimately binds these definitions together is an awareness that the less ‘black’ a person looks, the better.”
In a recent twist, the percentage of Brazilians who identify as Black or mixed race has risen slightly because of affirmative action policies and because they identify with the racial protests in the US that followed the murder of George Floyd.

Cuba also has a complex history with race. Racism is often described as a relic of capitalism in the communist country. Hernandez, the author, says the country’s late ruler, Fidel Castro, outlawed racial discrimination and political parties built along racial lines.

But while racism is banned by law in Cuba, it is “alive on the streets.” The country’s Afro-Cuban population is still locked out of most elite circles, which are dominated by Anglo-looking Cubans.
“What you have is a very highly educated Afro-Cuban population and yet there’s a glass ceiling,” says Hernandez, who is also a professor at the Fordham University School of Law in New York City. “There’s still a penalty for Blackness where it can only reach so high.”

What’s happened in some Latin American countries can easily happen in the United States. There will be cosmetic changes in our racial makeup — more Black, brown and multiracial people. But the dominant group will remain White people, however they may be defined by 2045.

We will have arrived at one what one sociologist calls the “Latin-Americanization of race” in the US. There will be more, not less, racial inequality in the US because people will cite the nation’s growing diversity to “drown out” those voices of darker-skinned people still fighting for racial justice, says

Eduardo Bonilla-Silva, author of “Racism without Racists: Color-Blind Racism and the Persistence of Racial Inequality in America.”

“The apparent blessing of ‘not seeing race’ will become a curse for those struggling for racial justice in years to come, Bonilla-Silva wrote.

You can no longer fight racism if everyone believes their country has moved past race.

Multiracial people will not save America

Some people pin their hopes for a more racially tolerant future on multiracial people. That issue hits even closer to home for me.

I’m old enough to remember when biracial children were treated as objects of pity — confused “mixed nuts,” accepted by neither Black nor White people. That belief is where we get the “tragic mulatto” myth reflected in Hollywood movies like “Imitation of Life.”

The tragic mulatto, however, has been transformed into what I call the “magic mulatto.” Being biracial is now cool. People like Barack Obama, Vice President Kamala Harris, golfer Tiger Woods and director Jordan Peele are now seen as inspirational figures.

We’re often described as the vanguard of a new racial order in which interracial couples and their children will chip away at White supremacy until it collapses.

Sheryll Cashin, author of “Loving: Interracial Intimacy in America and the Threat to White Supremacy,” once said that people who pursue interracial relationships “are our greatest hope for racial understanding” because they encourage white Americans to empathize with other races.

“Eventually, a critical mass of white people will accept the loss of the centrality of whiteness,” Cashin wrote in a New York Times essay. “When enough whites can accept being one voice among many in a robust democracy, politics in America could finally become functional.”

But the explosive growth of Americans who now identify as multiracial could also be used to reinforce racial inequality.

How? It depends on how we check the box.

During his first term in office, President Obama made headlines when he marked his race as “African-American” on the 2010 Census.

He could have checked “some other race” because his mother was White, but there are political ramifications for marking “Black” on Census and other forms.

Racial classification numbers are a great tool for uncovering the hidden hand of White supremacy: systemic racism.

These numbers are used to enforce civil rights laws, track discrimination and protect voting rights.

The US Justice Department, for example, relied on racial classification statistics in its 2015 report to detail how the city government in Ferguson, Missouri, systematically violated the constitutional rights of its Black residents. Police subjected Black citizens in Ferguson to a disproportionate share of unwarranted traffic stops, arrests and “use of force” incidents, the report found.

This pattern of racial discrimination would not have been uncovered, though, if federal officials didn’t have records for the number of Blacks in Ferguson.

“The Census is not an invitation to express yourself,” Hernandez says. “That race data is central to enforcing our civil rights laws.”

There has long been a debate in the multiracial community, though, about how we express ourselves. Some say we shouldn’t confine our choice to the Black box but should instead select “some other race” — or even White.

That debate erupted at the dinner table with my father one day. When I told him that I define myself as Black, he dropped his fork in anger and raised his voice.

“When you say you’re Black, you deny your mother,” he said.

I didn’t know how to explain to my father that if more multiracial people with a Black parent checked the “some other race” box, it could make it easier for institutions to conceal racism.

It’s a tricky subject, because some multiracial people feel torn between their loyalty to a parent and to a race.

How we check the box, though, can shield White supremacy instead of dismantling its power.

What real racial progress would look like

Here’s the hard truth we must face about the future: We may live someday in an America where there are no racial majorities, but Whiteness can still reign supreme.

Nothing will change, though, unless we go after the racial hierarchy that makes Whiteness such an exclusive club.

That requires radical change. It would involve uprooting systemic racism embedded in our public schools, neighborhoods and justice system. It would involve a more equitable sharing of power and resources — not out of White guilt or compulsion but out of the knowledge that “We all do better when we all do better.”
It will ultimately require that we discard the modern notion of race, the biological fiction that there is something called a “Black person” or a “White person” or an “Asian person.”

The modern concept of race has been used too long to enslave and exploit. As Audre Lorde, the poet and activist, once said, “The master’s tools will never dismantle the master’s house.”

We can’t get there, though, if we continue to underestimate the resilience of White supremacy. It is a shapeshifter that can adapt to any environment.

It survived a revolution whose leaders declared “all men are created equal,” a Civil War, the civil rights movement, several “racial reckonings,” and the nation’s first Black president. It keeps on keeping on.

The US may indeed become a majority minority country around 2045. We may become a rainbow nation of varying racial identities, skin tones and interracial unions.

But if we don’t dismantle the racial hierarchy that gives status and power to Whiteness, this new version of America won’t really be new.

It’ll be just another updated version of White supremacy — with a tan.

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Camila Cabello responds to fan upset over ‘white man with terrible spray tan’ in Fallon performance

Camila Cabello has come under fire after including an overly spray-tanned dancer in the premiere performance of her single Don’t Go Yet on Jimmy Fallon, which aired Friday.

And the 24-year-old Cuban-American singer addressed the growing backlash by sharing a message with her Twitter following, which was composed on the notes app on her iPhone, on Saturday afternoon.

Camila attempted to explain that the dancer Dylan Pearce ‘was just supposed to be a white man with a terrible spray tan’ and not an attempt at brown face.

Backlash: Camila Cabello has come under fire after including an overly spray-tanned dancer in the premiere performance of her single Don’t Go Yet on Jimmy Fallon, which aired Friday (pictured)

‘We purposely tried to pull together a multicultural group of performers, the expectation was not that everyone in the performance needed to be Latin,’ Cabello continued.

‘There are white people, African-American people, Latin people etc. and so the point wasn’t to try to make everyone look Latin either. There are a lot of people in the performance who are not.

‘The point was to try to make each person look like an over the top 80’s character just like in the video, including a white dude with a terrible orange spray tan,’ Camila concluded, along with a heart emoji.

Addressing the issue: And the 24-year-old Cuban-American singer addressed the growing backlash by sharing a message with her Twitter following, which was composed on the notes app on her iPhone, on Saturday afternoon

Unintended: Camila attempted to explain that the dancer Dylan Pearce ‘was just supposed to be a white man with a terrible spray tan’ and not an attempt at brown face 

Nevertheless, many fans on Twitter were not satisfied, with one user writing, ‘This is not an apology, it wasn’t OK and offended a lot of people! There was no need for it.’

Other users concerned with claims of cultural appropriation commented that ‘this is not making sense’ or ‘this is becoming even more confusing’.

The performance on The Tonight Show starring Jimmy Fallon, which aired on Friday, showcased Camila among several gaudily dressed dancers, who indeed called to mind her recently released music video for the track. 

Nevertheless, many fans on Twitter were not satisfied, with one user writing: ‘This is not an apology, it wasn’t OK and offended a lot of people! There was no need for it’

The video for Don’t Go Yet, off the Havana starlet’s upcoming third studio album Familia, premiered on Thursday, and looked very much like rejected scenes from a 1980s-era Almodóvar film.  

This week, CC took to social media to share her first single of 2021, along with the music video directed by Philippa Price and Pilar Zeta.

‘#DontGoYet is the first song from my next album, Familia. This album was inspired by two things: family & food. Your family by blood, but also your chosen family. Who you want to sit at the dinner table, get wine-drunk, & dance in the living room with,’ Camila posted for her roughly 12.3 million followers on Twitter.

New music: Cabello released a video for her new song Don’t Go Yet on Thursday from her upcoming third studio album Familia

She added: ‘To me, those are the moments that make me glad to be alive, those moments of collective joy & true vulnerability & connection with other people. I hope you enjoy it & I hope it inspires many wine drunk kitchen dance parties for you & your familia.’

The music video available on YouTube opened with Camila driving solo in a convertible and changing the station on the car radio.

The video then changed to a stop motion animation style as a toy-like version of the car drove up a dirt road to a big home.

Camila back in live action rang the door bell and was warmly greeted into a lively, colorful party that featured some of her actual family members, including her father, sister and cousin.

Bollywood style: The singer took to social media to share her first single of 2021 along with the music video directed by Philippa Price and Pilar Zeta

Family first: ‘#DontGoYet is the first song from my next album, Familia. This album was inspired by two things: family & food. Your family by blood, but also your chosen family. Who you want to sit at the dinner table, get wine-drunk, & dance in the living room with,’ Camila posted for her roughly 12.3 million followers on Twitter 

Bold looks: The former Fifth Harmony member wore bright makeup in the music video

Not yet: The music video for Don’t Go Yet was directed by Philippa Price and Pilar Zeta

Good times: Camila back in live action rang the door bell and was warmly greeted into a lively, colorful party that featured some of her actual family members, including her father, sister and cousin

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