Tag Archives: She-Hulk

Todd McFarlane’s Spawn Movie Gets Captain America 4 Writers

Image: New Line Cinema

There is, somehow, a sequel to The Animal happening. The Simpsons takes on It in new Treehouse of Horror images. Plus, director Lee Cronin teases Evil Dead Rise, and new footage from She-Hulk and Rick and Morty. Spoilers now!

The Animal 2

Deadline reports Rob Schneider will reprise his role as Marvin Mange, the police evidence clerk whose organs were replaced with animal parts, in a wholly unexpected sequel to 2001’s The Animal at Tubi. According to the outlet, the sequel will see the character “get into an accident and have to be put together again with new animal parts,” which he’ll use to “hunt down a new uber-animal with powers far beyond his own.”


Spawn

 THR has word Scott Silver (Joker), Malcolm Spellman (Falcon and the Winter Soldier) and Matthew Mixon are writing a new script for the Spawn reboot at Blumhouse. As of this writing, Jamie Foxx is still on board to play Al Simmons/Spawn, but Jeremy Renner’s involvement as Twitch Williams remains “to be determined.”


Evil Dead Rise

Director Lee Cronin shared a new behind-the-scenes photo from Evil Dead Rise on Twitter.


Halloween Ends

Laurie distracts Michael with an exploding lasagna in a new clip from Halloween Ends.

HALLOWEEN ENDS Clip – Michael Myers Finds Laurie in the Storage Room (2022)


MK Ultra

Meanwhile, Anson Mount is having second thoughts about the CIA’s experimental mind control program in a new clip from MK Ultra.

MK Ultra | Exclusive Clip | I Don’t Like Questions


Star Trek: Picard

In response to a fan on Twitter, showrunner Terry Matalas implied he plans to kill off at least one member of The Next Generation crew in the third and final season of Star Trek: Picard.


Werewolf By Night

During a recent interview with Fandom, Michael Giacchino described the monsters in Werewolf By Night as “person[s] with a problem, who can’t solve it and needs help solving it.”

Too often, even in Marvel movies, a lot of times monsters are just used as something to kill, something to defeat. And I’m like, no, monsters are nothing but a person with a problem, who can’t solve it and needs help solving it. Everything that I loved as a kid about these [monster] films is that they were allegories for people with afflictions that need help. And I felt like that’s the point of view we need to take with this. It cannot just be about ‘Oh, there’s something different, let’s destroy it!’ There’s too much of that going on in our world these days.

I wanted to do something that was about, no, let’s peel back the layers of the onion and understand what’s behind this thing being a monster. Why is it happening? None of these monsters want to be monsters. They don’t want to go around indiscriminately killing people and destroying things. It’s just, that’s their lot in life. Everyone has a lot in life, we all have some struggles, some sort of thing that we’re struggling to solve or deal with within our own selves. And that’s where I want it to go with this story.


Star Wars: Tales of the Jedi

Disney has released a poster for Tales of the Jedi, its upcoming series of animated short films set in the Star Wars universe.


Treehouse of Horror Presents: Not It

Bloody-Disgusting has six new images from The Simpsons’ episode-length It parody, “Not It.”

Photo: Fox

Photo: Fox

Photo: Fox

Photo: Fox

Photo: Fox

Photo: Fox


American Horror Story

Spoiler TV has synopses for the first two episodes of American Horror Story’s eleventh season.

Something’s Coming

Mysterious deaths and disappearances ramp up in the city. A doctor makes a frightening discovery, and a local reporter becomes tomorrow’s headline. Written by Ryan Murphy & Brad Falchuk, directed by John J. Gray.

Thank You For Your Service

Gino grapples with his trauma. Patrick’s search takes him to dark places. A stranger contacts Hannah with a grave warning. Written by Ned Martel & Charlie Carver & Manny Coto, directed by Max Winkler.


Quantum Leap

Ben finds himself in the Wild West in the synopsis for “Salvation or Bust,” the October 17 episode of Quantum Leap.

Ben is transported back to 1898 and the rustic, frontier town of Salvation, where he must take on a deadly outlaw. Magic, Jenn and Ian face a new threat when a curious senator shows up at headquarters asking a lot of questions about the Quantum Leap program.

[Spoiler TV]


La Brea

A deadly fog envelops the Clearing in the synopsis for La Brea’s October 18 episode, “The Fog.”

When a fog falls over the Clearing, Eve leads a defense against a group of invaders, only to encounter a threat more dangerous than they’ve faced before. In 1988, Josh and Riley pursue a woman who may hold the key to stopping the impending tidal wave disaster.

[Spoiler TV]


She-Hulk: Attorney at Law

She-Hulk meets Leap-Frog and spars with Daredevil in two clips from today’s episode.

NEW LEAP FROG FIGHT SHE-HULK CLIP Episode 8 Official Clip


Rick & Morty

Dinosaurs solve all the world’s problems in a new clip from this week’s episode of Rick & Morty.

Rick and Morty | S6E6 Sneak Peek: Dinosaur Utopia | adult swim


Ghostwriter

Finally, Ghostwriter returns for a third season this October 21 on Apple TV+

Ghostwriter — Season 3 Official Trailer | Apple TV+


Banner art by Jim Cook

Want more io9 news? Check out when to expect the latest Marvel and Star Wars releases, what’s next for the DC Universe on film and TV, and everything you need to know about House of the Dragon and Lord of the Rings: The Rings of Power.

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Mark Ruffalo Defends Marvel’s Output With a Side-Eye at Star Wars

Image: Marvel Studios

While on a press tour for She-Hulk, Mark Ruffalo spoke with Metro about Marvel’s use of VFX and the enormity of the output from the studio. While he had only glowing praise for the leaps and bounds that CGI has taken over the past decade or so that he’s been involved with Marvel, he had some stronger feelings about the amount of “content” that Marvel puts out.

Ruffalo said that he’s not worried about the amount of work that Marvel releases. “I understand that these things run their course and then something else comes along. But the thing Marvel has done well is that, inside the MCU, just as they do with comic books, they let a director or an actor sort of recreate each piece to their own style, their likeness.”

A bold claim, considering that even as Marvel attempts to make in-roads into other genres with its work, there’s an overriding same-y tone and need for connection that sometimes frustratingly overrides that. And considering the new allegations about how Marvel films their movies, I don’t think that this is a very strong argument at all. Visual flair is well and good, but if you’re just offering variations on a theme is it really distinct?

Next, Ruffalo continues to dig his grave deeper by poking at the other big franchise that might be able to compete with Marvel’s output–fellow Disney megafranchise Star Wars. “If you watch a Star Wars, you’re pretty much going to get the same version of Star Wars each time… You’re always, really, in that same kind of world. But with Marvel you can have a whole different feeling even within the Marvel Universe.”

The thing is that part of me agrees with him: Star Wars does reuse the same stories and tropes, and seems to have an affinity for desert planets that I cannot truly comprehend, but to compare Marvel and Star Wars and act as if either one is superior to the other on an artistic basis of originality feels like a little bit of throwing stones in glass houses at this point. You’re playing the Hulk, sir, a character that has been adapted in largely similar ways out of the comics ever since Lou Ferrigno’s television Hulk first began airing in 1977, the same year the first Star Wars film released in theaters.

I’m not here to debate the artistic merits of Marvel vs. Star Wars, but to pretend for even a second like directors get more or less control within competing billion-dollar franchises is a fool’s errand. An aside here, but as soon as we start referring to any kind of art (even blockbuster movies) as “content” I feel as if we lose something, culturally speaking. Content feels clinical, it feels transactional in a way that makes me uncomfortable. I don’t want content, I want considerate, thoughtful work. I want people to know that this is handmade stuff, that this is done by real people doing real work. There is no such thing as Marvel content, but there is art, and if we treated these massive cultural moments with respect maybe we’d be able to change the culture.

So look, regardless of your feelings about the amount of work that any individual studio puts out, the fact that any actor is being asked to defend it might be a hint that there is, perhaps, too much out there—regardless of what fictional universe it’s from.


Want more io9 news? Check out when to expect the latest Marvel and Star Wars releases, what’s next for the DC Universe on film and TV, and everything you need to know about House of the Dragon and Lord of the Rings: The Rings of Power.

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She-Hulk’s Comic-Con trailer spoils a cameo with a better cameo

She-Hulk: Attorney At Law
Photo: Disney+, Marvel Studios

Marvel Studios spent a good chunk of its time at San Diego Comic-Con talking about Daredevil, what with Charlie Cox’s version of The Man Without Fear getting his (second) solo show in Disney+’s Daredevil: Born Again and Cox benefitting from the MCU hitting the retcon button haaaarrrrrd in a new animated series called Spider-Man: Freshman Year (where we will apparently find out that young Spidey met not only Cox’s Hornhead but new versions of Norman Osborn and Henry Osborn, plus Amadeus Cho and Nico Minoru, before the events of Captain America: Civil War).

But those aren’t the only places where Daredevil popped up this weekend: He also made a quick cameo in the new trailer for Disney+’s She-Hulk: Attorney At Law series, flipping into frame right at the end and wearing what appears to be a new costume inspired by his original black-and-yellow outfit from the comics (arguably his worst one, to be honest). The trailer cuts away before you see his face, so this could be some kind of cruel fake-out (get hyped, singular fan of D-Man!), but who else carries billy clubs and does flips like that?

Official Trailer | She-Hulk: Attorney at Law | Disney+

Anyway, the rest of the trailer leans hard into comedy, just like the first one did, with Tatiana Maslany’s Jennifer Walters bantering with her cousin Bruce Banner (Mark Ruffalo) as he trains her in the ways of the Hulk and then getting into some fish-out-of-water hijinks when she returns to New York to start a new life as a giant, green attorney. That’s where she meets various superhero-adjacent characters, like Tim Roth’s Abomination (who was in the last trailer), Benedict Wong’s Wong (from Doctor Strange!), and a group of goons who appear to be classic Marvel villains The Wrecking Crew.

That’s all fun! And the implied existence of sex in the first trailer is even more implied here! Wow! But then Daredevil shows up and that’s all we want to talk and think about. Will She-Hulk and Daredevil get to have a courtroom scene? Will this show acknowledge any events from the Netflix Daredevil show? Will we get to see an appearance from Daredevil’s incorrigible twin brother Mike Murdock (who is definitely a real person and not Matt Murdock in a hat)?

We’ll find out on August 17 when She-Hulk: Attorney At Law premieres on Disney+.

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Post-Credits Scene Reveals Disney+ Future

Loki (Sophia Di Martino) and Loki (Tom Hiddleston).
Photo: Disney

This week’s Loki season finale on Disney+ was full of twists and turns, and a very conspicuous apple. But the biggest surprise of all may have been saved for the very end.

Loki’s story isn’t over yet. Marvel revealed in the mid-credits scene of “For All Time. Always.” that the Disney+ series would be coming back for season two, making it the first Marvel Cinematic Universe show to be officially approved for more than one season. The news explains why the finale gave us far more questions than answers, ending on a cliffhanger that perhaps not even Doctor Strange in the Multiverse of Madness could solve. This reveal came after Lovecraft Country’s Jonathan Majors made his MCU debut as Kang (though not quite the Conquerer version we’ll see in the upcoming Ant-Man and the Wasp: Quantumania).

The MCU entered the realm of Disney+ television shows with two limited series, WandaVision and The Falcon and the Winter Soldier—both of which have been nominated for several awards at this year’s Emmy Awards. It was believed that the six-episode season of Loki would follow suit, with the story of Tom Hiddleston’s Loki and Sophia Di Martino’s Sylvie setting up the final puzzle pieces for Phase 4 of the MCU. This phase is set to go places, with projects like the upcoming Doctor Strange sequel, the cameo-filled Spider-Man 3: Far From Home, Disney+’s What If…?, and Quantumania taking us everywhere and everywhen in the multiverse. While that is still true (more on that in our recap later), that doesn’t mean the Time Variance Authority—or Mobius (Owen Wilson) and his lost-in-time jet ski—are going anywhere anytime soon.

Loki season two will join an ever-growing number of Disney+ shows currently in development. They include Ironheart, She-Hulk, and Ms. Marvel, which will introduce Riri Williams (Dominique Thorne), Jennifer Walters (Tatiana Maslany), and Kamala Khan (Iman Vellani) to the MCU. That’s only the tip of the iceberg for the future of the MCU—lest we forget, the Fantasic Four is coming. Hopefully, third time’s the charm on that one.

The first season of Loki ended on Wednesday. No planned production or release date for season two has been announced yet. We’ll bring you more as we know it.


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