Tag Archives: Shang-Chi

Losing In Marvel Snap? Ditch These Cards ASAP!

Image: Marvel / Second Dinner / Kotaku

If you, like me John Walker, are still fathoming your way through the lower echelons of Marvel Snap, there’s a good chance there are cards you’re clinging on to because they were working so well for you. However, you’re now starting to lose more often, wondering what went wrong. The answer is: Kill your darlings.

With the help of my colleague Zack Zwiezen—who has been playing the game for some time now—we’ve come up with a list of cards that you might want to cut from your decks.

Now, let’s be clear: Neither of us is saying these cards are totally useless, or that keeping them in your deck is always a bad idea. It’s just, they’re the ones that felt so good early on that you might not have been able to bring yourself to acknowledge their weaknesses, and are holding you back from experimenting with more interesting combinations. Be bold, be brave, and let these babies go.

And remember you can always add them back later if you experiment too much and end up with a stinker deck! Anyway, let’s start cutting some cards!

Quicksilver

Image: Marvel / Second Dinner / Kotaku

As Kotaku has previously broken down, Quicksilver was developer Second Dinner’s brilliant solution to entirely removing the concept of mulligans from their deckbuilding card game. Guaranteeing a 1-cost card in your hand at the start of every game ensures you can always play in the first round, every time, and add 2 power to the board right away. Which, at first, felt vital. Except, the more you play, the more you realize that being able to play in the first round isn’t actually all that important.

Chances are, you’re not going to be placing down anything game-changing that first turn. And indeed by not playing in round one, you fend off other 1-cost cards like Elektra. You can even obnoxiously opt out of playing a 1-cost you might have in your hand in Round 1, just so you can play two of them more tactically in Round 2. Again, for example, Elektra!

And, as we’ll get to below, decks that opt for as many 1-cost cards as possible will get increasingly weak as you climb the ranks, meaning Quicksilver’s lack of any further abilities quickly makes him more of a burden than a boon.

Uatu

Image: Marvel / Second Dinner / Kotaku

When you first stumble upon Uatu, he feels like a secret hack, a card offering you special insight unavailable to anyone yet to find him. His ability to show you the properties of unrevealed locations feels like something that lets you plan ahead and make psychic moves your opponent can’t predict. And, to some extent, on some level, he sort of does.

Except, that won’t happen nearly often enough to justify Uatu taking up a valuable slot in your 12-card deck. The issue lies in the number of conditions that need to be right for him to actually prove helpful. Rather obviously, you need the luck of drawing him early enough to work. Unless you get him in the first or second round, Uatu’s ability is pretty useless. Secondly, you need to be playing a game with locations where prior knowledge is actually of use.

So many locations have properties where foreknowledge is of very little value. Finding out that when it reveals you’ll get a random card added to your hand, a random card taken from it, or a 12-power card added to both sides…it’s very rare that this will be vital information to you. Yes, there are absolutely circumstances where it’s great, where knowing each card will get 5+ power when played there means you can load up and dominate where your opponent might not know to. But does that happen frequently enough for Uatu to remain a vital card? Really, no.

Hulk

Image: Marvel / Second Dinner / Kotaku

This one is hard. But listen: There are better and more interesting ways for a big finish. Hulk’s there from the start to give you that satisfaction of playing a ridiculous 12-power card on those Pool 1 bots. But he’s baby food, and you’re ready for solids.

Sure, you’ve nothing else in your deck that offers that much power. It’s simple logic. But Hulk’s simplicity is the issue. Using up all your energy in Round 6 on one card that does nothing other than add a bunch of power means you’re missing out on much more fun big finishes. Never mind that Shang-Chi, available from Collection Level 222, can obliterate him with his “Destroy all enemy cards at this location that have 9 or more Power.”

But there are so many cards that do more interesting things in the final round, especially if you have a themed deck. The trick is whether or not your Hulk is serving a specific purpose, or just there because the number is big. But consider cards like Odin, who adds 8 power, but also refires all the On Reveal abilities of the other cards at the location. That means you can see White Tiger putting out another 7-power card onto another location, bringing her total contribution to 15, while at the same time retriggering Gamora’s additional +5 power if the opponent plays a card there. That puts Gamora up to a total of 17, even without taking into account a possible third card at the location, just playing Odin has increased our power by 20. Take that, Hulk.

America Chavez

Image: Marvel / Second Dinner / Kotaku

When you first get this card you might be excited. America is a 6-cost/9-power card that always shows up on turn six, which is usually the last turn of most Marvel Snap games. And yeah, it’s nice knowing a powerful 9-power card is definitely going to show up at the end of your match. But this also means she’s not hanging around in your hand, meaning she can’t get buffed or randomly tossed into the field early on. This may or may not be a problem depending on the deck you’re running; if your entire deck is constructed around her showing up at the end, that’s one thing. But consider the options carefully.

While adding 9-power at the end of a match can be useful, you’ll quickly encounter games as you rank up where 9-power just isn’t enough to win back a zone or lock something down. Sometimes, you may even want to trick your opponent into thinking you’re going to play a big card, only to make a more modest play on a zone that you can win with a smaller number without invoking the wrath of Shang. And unlike the Hulk who is very strong, America is only sort of strong. In a specific deck built around buffing, she can work, but there are better 6 and even 5-cost cards to swap in instead.

Domino

Image: Marvel / Second Dinner / Kotaku

Let’s just toss this on here too, while we are talking about America Chavez and Quicksilver. Like those cards, Domino has a unique ability that means she is guaranteed to end up in your hand on turn two. And as a 2-cost/3-power, she seems useful as a follow-up to Quicksilver on turn one. And early on, you can definitely win with Domino. But eventually, you’ll need to get over these cards.

It’s hard, I know, but while giving them up means you give up the consistency of always knowing what’s coming on turns one, two, and six, you are also giving up three slots in your small 12-card deck to characters with no other purpose. They don’t buff, boost, move, kill, destroy, or do anything useful like that. Again, in certain decks, these cards can be useful. But there are just so many better cards that you could use instead of Domino, Quicksilver, and America. Say goodbye to consistency and hello to chaos. It’s the Marvel Snap way.

Mantis

Image: Marvel / Second Dinner / Kotaku

Mantis, like the other Guardians of the Galaxy-related characters, has a reveal ability that pops when your opponent plays a card in that location on the same turn it’s played. But unlike Gamora, Star-Lord, or Rocket, Mantis doesn’t get a power boost, instead drawing a card from the opposing player’s deck. This is fun and chaotic, which we support! Snap is more fun when things are hard to predict and wild. But this becomes far less useful in most situations pretty quickly, unless you happen to be running a deck predicated on amassing as many cards as possible. For example, a Devil Dinosaur deck could use Mantis at the start. But otherwise, she may not be useful to you if it’s not an intentional choice.

The number of times people play Mantis, get a card, and then never use that card because it doesn’t sync up with their deck’s synergy is high. And that’s if your opponent plays a card that turn and you guess the location right. If you don’t do that, then Mantis is a crappy 1-cost/2-power paperweight just begging to be killed by Elektra or worse, left there with no way for you to remove it, taking up valuable real estate. So, yeah, ditch Mantis. And if you are screaming “Well, she is a part of my Zoo Deck!” right now, here’s more bad news…

Zoo Decks

Image: Marvel / Second Dinner / Kotaku

The “Zoo Deck” was certainly one of the most popular meta decks of Snap’s early days, but in the face of the more common addition of Killmonger to players’ decks, it’s now proving a liability.

A Zoo Deck is a community-given name for decks that put together a lot of low-cost cards, especially 1-cost cards, which often have animal art on them. (Not often enough to justify the name, but that’s the name they’ve gotten anyway.) Advocates celebrate that they allow you to play multiple cards in later rounds, surprising players who rely on hefty 5 and 6-cost cards, like some sort of cheeky rascal scampering between the angry giant’s legs. Except, because of Killmonger, they’re pretty much useless.

Killmonger does appear to be an incredible OP card, although he can only be picked up by players who’ve reached Collection Level 462. At just 3-cost, with 3 power, it’s a card that can be played from round 3 onward, and devastatingly takes out every single 1-cost card from the board. Yours and theirs. And people in Pool 2 are reporting seeing it showing up a lot. The effects are brutal. Oh, and Zoo Decks can also get beat badly by a Scorpion, which lowers the attack power of all the cards in your hand by one, which can easily cost you a close match when most 1-cost cards are low in power. So yeah, Zoo Decks are fun…but not worth it later on.

 

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Eternals buries Dune at the weekend box office

Eternals
Photo: Marvel Studios

Apparently there’s still some juice in this Marvel Cinematic Universe thing, huh? Who could’ve seen that coming? In case you can’t tell, this is sarcasm. After all, Shang-Chi And The Legend Of The Ten Rings stands as one of the most successful movies of this nightmare pandemic era we’ll be living in forever, so it seems like Marvel movies are still going to be big no matter what—provided you don’t release them day-and-date on Disney+, which (at least for a Marvel movie) is a bit of a box office killer.

But we’re not talking about Shang-Chi here, we’re talking about Chloé Zhao’s Eternals, which opened to an impressive $71 million this weekend. Possibly indicating that reviews (and global pandemics) don’t really matter to Marvel fans when it comes to opening weekends, the movie is on pace to make a ton of cash both domestically and globally.

That $71 million take is also more than enough to utterly destroy all of the competition, with Dune dropping to second in its third week with only $7.6 million. It’s made nearly $84 million, so it’s doing okay, but it probably won’t catch No Time To Die and Venom: Let There Be Carnage (which made $6 million and $4 million, respectively, bringing them to $143 million and $197 million). That parenthetical means that, yes, this is yet another week where we get to hem and haw about whether or not a second movie will cross $200 million this year. It should, but who knows?!

Moving down the list, Wes Anderson’s The French Dispatch is actually moving up the list, expanding to 417 more theaters and making about the same amount of money it made last week, but that was enough to lift it from 10 to six on the charts. Halloween Kills fell hard, as you might expect since the spooky season is over, and Kristen Stewart’s Spencer debuted modestly with $2.1 million on a limited rollout.

Of course, true fans know that the real battle this week was between Antlers and Last Night In Soho, the Lewis Hamilton and Max Verstappen of box office charts (if Hamilton and Verstappen were fighting over last place). The two movies opened with the same amount of money last week, and this week they remain relatively neck-and-neck: Antlers made a cool $2 million, while Soho fell back to $1.8 million. Nothing that can’t be overcome, especially with Soho’s wider rollout, but we look forward to keeping an eye on this thrilling battle for weeks to come.

As always, this data comes from Box Office Mojo. Head over there to see a more detailed breakdown of the numbers. The full top 10 is below.

  1. Eternals
  2. Dune
  3. No Time To Die
  4. Venom: Let There Be Carnage
  5. Ron’s Gone Wrong
  6. The French Dispatch
  7. Halloween Kills
  8. Spencer
  9. Antlers
  10. Last Night In Soho

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What’s On TV, September 1: Marvel Studios: Legends on Ten Rings

Simu Liu in Shang Chi And The Legend Of The Ten Rings
Photo: Marvel Studios

Here’s what’s happening in the world of television for Wednesday, September 1. All times are Eastern.


Top pick

Marvel Studios: Legends: The Ten Rings (Disney+, 3:01 a.m.): Ahead of the Shang Chi And The Legend Of The Ten Rings theaters-only premiere on September 3, a new episode of Disney+’s documentary series Marvel Studios: Legends will take a deep dive into the Ten Rings, a notorious criminal organization from the comic books associated with The Mandarin. Legends usually acts as a refresher of the important Marvel Cinematic Universe moments, but this outing will offer insights into what to expect from the Simu Liu-led movie.

Regular coverage

Nine Perfect Strangers (Hulu, 12:01 a.m.)
What If…? (Disney+, 3:01 a.m.)
Archer (FXX, 10 p.m.):

Wild cards

How To Be A Cowboy (Netflix, 3:01 a.m.): This six-episode documentary series centers on professional bull rider Dale Brisby, who uses his expertise to train the next generation of cowboys at the Radiator Ranch in Texas. Brisby, who started his career in 1987, set up a YouTube channel to show off his skills. A ranch manager and rodeo star, he’s also already a social media sensation with a love of catchphrases. Let’s see if this will turn into the the new Tiger King.

Turning Point: 9/11 And The War On Terror (Netflix, 3:01 a.m.): Directed by Brian Knappenberger, this five-part docuseries examines America’s history as divided by before 9/11 and after. The limited series chronicles the catastrophic events of September 11, 2001, which kickstarted the long war with Afghanistan. It features interviews with former CIA members, U.S. military veterans, Afghanistan National Army soldiers, Taliban commanders, members of the Afghan government, Afghan warlords, and Afghan civilians, as well as the survivors of the 9/11 attacks themselves.

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Shang-Chi Marvel Hot Toys Figures Pics: Simu Liu, Tony Leung

Image: Marvel/Hot Toys

Here’s the one weird thing about Hot Toys toys: While the face sculpts are so accurate that people (mostly me) have speculated that dark magic is involved, they’re sculpted with completely neutral expressions. That’s fine most of the time because they’re made as collector’s items, not toys to be played with. But if you want to pose two figures together in, say, a fight scene, it’s incredibly odd to see two people who are supposed to be in some sort of emotional state have completely blank looks on their faces. Shang-Chi and Wenwu’s bodies and limbs are in the fight of their lives, but their heads are wondering what’s for dinner.


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Marvel’s Shang-Chi and the Legend of the Ten Rings – ‘Does He Look Like He Can Fight?’ Clip – IGN

  1. Marvel’s Shang-Chi and the Legend of the Ten Rings – ‘Does He Look Like He Can Fight?’ Clip IGN
  2. ‘Shang-Chi’s’ Ten Rings Logo Controversy Comes Full Circle Yahoo Entertainment
  3. “Does He Look Like He Can Fight?” Clip | Marvel Studios’ Shang-Chi and the Legend of the Ten Rings Marvel Entertainment
  4. Shang-Chi: What to know before ‘The Legend of the Ten Rings’ punches its way into theaters SYFY WIRE
  5. Simu Liu on Marvel’s Shang-Chi Audition, Martial Arts Training & Bringing Parents to the Premiere Jimmy Kimmel Live
  6. View Full Coverage on Google News

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Kevin Feige on Shang-Chi controversy, Scarlett Johansson lawsuit

Kevin Feige
Photo: Rich Fury (Getty Images)

Marvel has had an uncharacteristically tricky summer. After leaving the world with Avengers: Endgame and Spider-Man: Far From Home, it was safe to assume that their place at the top of the blockbuster entertainment heap was secure. But roughly a month after the release of their first big-screen release since Spider-Man nearly two years ago, the multi-verse is spiraling out of control. First, Scarlett Johansson sued the powerhouse for simultaneously releasing her first solo outing Black Widow in theaters and on Disney+. Then, weeks later, Disney CEO Bob Chapek referred to the upcoming Shang-Chi And The Legend Of The Ten Rings as an “interesting experiment.” Although Chapek was talking about giving Shang-Chi a 45-day exclusive theatrical release, many, including the film’s star Simu Liu, interpreted his comments as a derogatory remark about the film’s predominantly Asian cast.

Since the news of the lawsuit and Chapek’s comments broke, we’ve heard very little from Marvel Studios boss Kevin Feige, the ringleader of the MCU. However, at the premiere of Shang-Chi, Feige attempted to put out the fires.

“He is not a shy man,” Feige said about Liu’s tweet. “I think in that particular tweet you can see, and I think everyone does, a misunderstanding. It was not the intention. The proof is in the movie and we swing for the fences as we always do. With the amount of creative energy we put in and the budget, there’s no expense spared to bring this origin story to the screen.”

Over the weekend, Liu tweeted in response to Chapek, “We are not an experiment. We are the underdog; the underestimated. We are the ceiling-breakers. We are the celebration of culture and joy that will persevere after an embattled year. We are the surprise. I’m fired the f**k up to make history on September 3rd; JOIN US.”

At this point, Feige is doing damage control, understandably trying to keep attention off of this controversy and on the film he’s releasing. Anyway, Feige’s two-stepping around controversy continued as he said he’s “all for amicable solutions” when it came to the ScarJo suit. Giving a milquetoast soundbite is Feige’s superpower.

[via The Hollywood Reporter]



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Black Widow/Falcon and Winter Soldier Link: One Covid Change

Natasha Romanoff, on the hunt for Mephisto. Maybe.
Image: Marvel Studios

Marvel gets a lot of credit—perhaps too much credit—for the idea that its cinematic universe is meticulously laid out years in advance, a grand plan that we and it alike are pulled along with as if by inevitability more so than the planning power of a studio worth billions of dollars. But given the last 18 months and counting that the world has had, surely some of that planning has been put askew? Only a tiny bit, apparently, according to Kevin Feige.

Speaking to On The Red Carpet for the premiere of Black Widow—a film that was originally meant to kick off Marvel’s “Phase 4” plans before the pandemic saw it delayed multiple times—Feige discussed Marvel Studio’s general reaction to the impact covid-19 has had on its rollout. Beyond Black Widow, films like The Eternals and Shang-Chi have been pushed back along with the rest of Disney’s calendar for the next year or two, but the company has managed to leverage the arrival of its Disney+ shows—WandaVision, Falcon and the Winter Soldier, and the currently ongoing Loki, all of which Widow was meant to release ahead of—to fill the gap between its movie releases.

But that’s relatively minor shuffling, all things considered. It’s only really Widow’s delayed release that’s largely changed what we knew to expect out of Marvel’s post-Endgame catalogue so far, and according to Feige, all that’s largely impacted is the early reveal of one connection between the movie and the Disney+ shows. “There’s also an Easter egg that originally was going to appear first in Black Widow, and then show up in Falcon and the Winter Soldier, and because of the pandemic—it’s the only thing within our Phase 4 that was twisted a little bit,” Feige explained. “So for fans that watched Falcon and the Winter Soldier, there’s something waiting for them as an Easter egg in this film.”

That Easter egg had already been reported by Vanity Fair to have been the arrival of Julia Louis-Dreyfus’ Valentina Allegra de Fontaine. She’s a character from the comics with links to a whole Rolodex’s worth of the publisher’s spy-fi secret organizations—from SHIELD to Hydra (she was, for a time, the owner of the Madame Hydra mantle), to perhaps most likely connected to Black Widow itself, the former Soviet spy cell Leviathan (which previously appeared in Agent Carter). Given that de Fontaine’s plans are still relatively nebulous to us as an audience, outside of the fact that we know she’s teamed up with Wyatt Russell’s John Walker, aka the U.S. Agent, in the present, meeting her in Falcon before Widow likely doesn’t have all that much of an impact. Perhaps the fact that Feige claims it’s the only major reshuffle in the studio’s plans for Phase 4 makes it all the more impressive.


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