Tag Archives: Scar

Streamer Who Broke Back At TwitchCon Shows Off Surgery Scar

Screenshot: Twitch

Adriana Chechik, who made headlines earlier this month after she broke her back in two places at TwitchCon, has returned to streaming with some updates—and a close look—at how her recovery has been going.

If you haven’t seen the incident, Chechik broke her back at TwitchCon after jumping into a foam pit, a seemingly-innocuous move that, thanks to the reported shallowness of the pit, resulted in her smashing her tailbone on the floor so hard that her “bones completely crushed”, fusing multiple verterbrae together and suffering “nerve damage to [her] bladder”.

Her recovery process has been rough. Here’s what she wrote on October 13 after a physical therapy session:

Tried sitting up today in PT, I would rather die than do that again. I hate this my whole body hates it. I don’t want to be tough. I don’t want to be brave I cried for a hour and the pain is so immense through all the meds im on. Idk if I can do this. I can’t explain this pain.

Chechik, now home after multiple surgeries—one which lasted for over five hours—returned to Twitch over the weekend to give further updates on the injury, its consequences and how she’s doing weeks after the accident.

In this clip, Chechik mentions how she is still out of breath doing even the simplest daily tasks, before showing off a huge scar that runs down the centre of her back:

Later while playing she says that tests conducted on her while in hospital revealed that she had been unknowingly pregnant at the time of the injury, but then lost the baby due to the surgery required on her spine:

In the wake of this and other injuries suffered at the event, neither Twitch (organisers of TwitchCon) or Kairos Media (the creative agency actually running the booth) have commented publicly.

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D23 Expo reimainging, sequel, Pixar, and more news roundup

All the Disney princesses
Photo: Olga Thompson (Walt Disney World Resort via Getty Images)

Now that another Disney+ Day has come and gone, we can get on to the meat of Disney’s big weekend: The D23 Expo, where the greatest fans in the world can get a look at the stuff they’ve already seen before but now reimagined.

Kicking off the day was Cynthia Orivio, our new Blue Fairy, who reminded the audience that there was a new version of Pinnochio currently being memory-holed on Disney+. Continuing the theme that these sorts of things were now the order of the day, Disney Studios chairman Alan Bergman took the stage to remind us that these reimaginings, such as The Lion King, Beauty And The Beast, Cinderella, and Cruella, were “iconic.” We assume he meant that the movies use “iconic imagery,” but regardless, more of these iconic reimaginings and sequels are coming down the pike.

Bergman then brought Walt Disney Studios president Sean Bailey out to take us through the upcoming ways they’re reviving old brands.

Don’t worry: Hocus Pocus 2 and Disenchanted are still coming

First up were the sequels. Hocus Pocus 2 debuts later this month, and since we already shared the trailer, we’ll move on to the other big sequel announcement: Disenchanted. Don’t get it twisted with Matt Groening’s Netflix comedy Disenchantment. This is a sequel to the wonderful Amy Adams comedy Enchanted from 2007. The whole cast is back, including Adams, Patrick Dempsey, Adele Dazeem Idina Menzel, and James Marsden. They’ve upped the ante by adding a Maya Rudolph, too. And now, there’s a trailer.

Disenchanted lands on Disney+ on November 24, 2022.

Disenchanted | Official Trailer | Disney+

Reimagining the past is Disney’s future

The presentation was done round-robin style, with Bailey shuffling VIPs on stage for about five minutes, playing a clip, and then shuffling them off. So next up, Jude Law and the cast of Peter Pan & Wendy took the stage.

Directed by David Lowery, who directed one of the best films of 2021, The Green Knight, and Disney’s delightful remake of Pete’s Dragon, Peter Pan seems a bit more stylish than the other movies announced today. It’s still filled with nostalgic images pulled straight from the Disney vault, but also a distinct visual style, location shooting, and a fish-eye lens that won’t quit. So how will this differ from literally every other revisionist Peter Pans from the last 20 years? Those got theatrical releases.

Our new Captain Hook, Jude Law, said that this version gets into the “backstory a little more” when Peter and Hook “were once friends.” But, again, it remains to be seen how this one will differentiate itself from the numerous other Peter Pans.

Perhaps the trickiest aspect of the movie is Tiger Lily, a character that hasn’t been treated with much respect by Disney in the past. Nevertheless, newcomer Alyssa Wapanatâhk said she was very “excited to have the honor” of playing Tiger Lily. “To be able to tell the story for her, that was phenomenal for me.”

Peter Pan & Wendy [sigh] hits Disney+ next year.


After pushing Peter Pan back to Neverland, Sean Bailey introduced the trailer of The Haunted Mansion and announced that Winona Rider was joining the cast. Director (and former Disneyland employee) Justin Simin also mentioned that “according to TikTok,” Jared Leto is playing the Hatbox Ghost. We await the horror stories from his fellow castmates about how hard he tried to fit into a hatbox for the role. But really, this one is for the real Hatbox heads.

“That script was funny and filled with interesting characters, but it had a little bit of like a dark edge to it,” Simin told the crowd at D23. “I just really related to it. I felt like I knew how to make it. I felt like I understood New Orleans. And, of course, I’m a fanboy. So I felt like I understood the ride, and I felt like I got a responsibility here to make sure all the little details, all the Easter eggs are there because I’m a nerd for real.”


Bailey brought out Oscar-winner Barry Jenkins for a sneak peek of Mufasa: The Lion King. Jon Favreau’s The Lion King made over a billion dollars, so that means people liked it. However, the “live action” animation in Mufasa probably won’t convert anyone turned off by the last trip to Pride Lands. Still, then again, Barry Jenkins is very good at making movies. Here’s what Barry Jenkins said about the film:

Mufasa is the origin story of one of the greatest beings in the history of the alliance. Mufasa, all caps. It’s a story told in a few different time frames. Rafiki, Timon, and Pumbaa, who we all know and love, are relating the story of Mufasa and how he came to a very beautiful, awesome, fantastic young cub. It’s a story about how Mufasa rose to royalty. We assume he was just born into his lineage. But Mufasa was actually an orphaned cub, who had to navigate the world alone. And in telling this story, we get to experience the real journey of how Mufasa found his place and the circle of life. It is pretty awesome.

I felt I had to make this movie because when I was 14, I was helping raise two nephews. And there was a VHS tape that we watched maybe 95 times in the span of 20 days. So I really knew this character. I loved him. But then as I was reading this wonderful script, I was thinking about Mufasa and why he’s great and how people become great. And it’s crazy. I am not a king, but when I make my movies, I was on stage at the Oscars with Moonlight, and I was there and five of my best friends from college were also there. And what you are learning the story is that Mufasa is who he is. He is great because of the family and the friends he has with them. And so I saw myself in that. I thought, this is a really beautiful story to tell.


For Marc Webb’s Snow White, Gal Gadot and Rachel Zegler took the stage to show some footage. There are no dwarves yet—and seeing as they were cut from the title, who knows what their role will be. Thus far, it looks similar to the other remakes, recreating the look of the animated classic. But we’ll need to see Dopey to know how scary this thing is going to look.

Similarly, Rob Marshall invited Halley Bailey on stage to show off The Little Mermaid teaser and a clip of “Part Of Your World.” It doesn’t look like all the effects are done yet, but right now, it’s reminiscent of Avatar and the “merman” commercial from Zoolander. On the other hand, Marshall did promise four new songs from Alan Menkin and Lin Manuel Miranda, so that’s something.

Pixar on Disney+

The director of The Good Dinosaur, Peter Sohn, is back, and he brought some clips and concept art for the next Pixar movie Elemental. Sohn described the film as “very personal” and that the germ of the idea came from his parents. “We immigrated to the U.S. from Korea in the early seventies,” Sohn said. “They had no money, no family, no English. But they managed to create a life in New York.”

Similarly, Elemental files a “fire family” assimilating in Element City, “where Earth, air, water, and fire are characters in our community.


More Pixar is coming in 2023 as we got a little more information on Win Or Lose, the studio’s first television series. The show stars Will Forte as the coach of a ragtag little league baseball team, the Pickles, and the week leading up to their big game. Each episode will focus on a different character’s perspective, allowing for various animation styles.

Pixar also announced two new features Elio and Inside Out 2, which we wrote about here.

Wait! Disney also has some cartoons to share

Disney Animation Studios will not be outdone. Today, they showed clips of their upcoming series Zootopia+ and Iwájú.

Zootopia+ is a six-part series that, like Win Or Lose, focuses on a different character and genre in each episode with various animation styles—some of which look really cool and others like Pixar.

On the other hand, Iwájú is a downright historic collaboration between Disney and an outside animation studio. Jennifer Lee, the Chief creative officer of Walt Disney Animation Studios, retold the story of how she had read about a Nigerian animation studio that was going to take down Disney. So she did like many Disney execs before her and bought the competition.

With the team from Kugali, Disney will premiere the futuristic sci-fi series Iwájú next year.

Finally, Lee brought out the cast from their upcoming 61st animated feature, Strange World. Jake Gyllenhaal, Dennis Quaid, Jaboukie Young-White, and Lucy Liu star in an outer space adventure about a dysfunctional group of explorers. This one comes out on November 23.

Strange World | Teaser Trailer | Walt Disney Animation Studios

“Our film is inspired by some of the great adventure stories that we grew up with,” said co-director Don Hall. “Specifically stories about a group of explorers that stumble upon a hidden world.”

What are we most excited to discover? Jaboukie Young-White’s character, Ethan Clave, which Young-White described as “the vibe master” who makes “the vibe great.”

And that’s everything from the D23 Expo Disney Animation Studios and Pixar presentation. Check back tomorrow when Disney tries to bury us under a mountain of Star Wars and Marvel announcements.

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Four weeks of war scar Russia’s economy

Russian Rouble coin is seen on a broken glass and displayed on the Russian flag in this illustration taken, February 24, 2022. REUTERS/Dado Ruvic/Illustration/File Photo

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LONDON, March 25 (Reuters) – Russia’s invasion of Ukraine on Feb. 24 sparked sweeping sanctions that ripped the country out of the global financial fabric and sent its economy reeling.

A month on, Russia’s currency has lost a large part of its value and its bonds and stocks have been ejected from indexes. Its people are experiencing economic pain that is likely to last for years to come.

Below are five charts showing how the past month has changed Russia’s economy and its global standing:

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ECONOMIC PAIN

In 2020, Russia was the world’s 11th-largest economy, according to the World Bank. But by the end of this year, it may rank no higher than No. 15, based on the end-February rouble exchange rate, according to Jim O’Neill, the former Goldman Sachs economist who coined the BRIC acronym to describe the four big emerging economies Brazil, Russia, India and China.

Recession looks inevitable. Economists polled by the central bank predicted an 8% contraction this year and for inflation to reach 20%. read more

Forecasts from economists outside Russia are even gloomier. The Institute of International Finance predicts a 15% contraction in 2022, followed by a 3% contraction in 2023.

“Altogether, our projections mean that current developments are set to wipe out the economic gains of roughly fifteen years,” the IIF said in a note.

IIF on Russia GDP

INFLATION BUSTING TURNS TO DUST

Since taking office in 2013, central bank governor Elvira Nabiullina’s biggest triumph was curbing inflation from 17% in 2015 to just above 2% in early-2018. As price pressures rose in the post-pandemic months, she defied industrialists by raising interest rates eight months straight.

Nabiullina also resisted calls in 2014-2015 for capital controls to stem outflows following the annexation of Crimea.

But those achievements have been torn to shreds in less than a month.

Annual price growth has accelerated to 14.5% and should surpass 20%, five times the target. Households’ inflation expectations for the year ahead are above 18%, an 11-year high.

While panic-buying accounts for some of this, rouble weakness may keep price pressures elevated read more .

With Russia’s reserves warchest frozen overseas, Nabiullina was forced to more than double interest rates on Feb. 28 and introduce capital controls. The central bank now expects inflation back at target only in 2024.

Russia inflation

INDEX ELIMINATION

Sanctions are forcing index providers to eject Russia from benchmarks used by investors to funnel billions of dollars into emerging markets.

JPMorgan (.JPMEGDR) and MSCI are among those that have announced they are removing Russia from their bond and stock indexes respectively (.MSCIEF).

Russia’s standing in these indexes had already taken a hit following the first set of Western sanctions in 2014 and then in 2018, following the poisoning of a former Russian spy in Britain and investigations into alleged Russian meddling in the 2016 U.S. elections.

On March 31, Russia’s weighting will be dialled to zero by nearly all major index providers.

Reuters Graphics Reuters Graphics

RATINGS RUPTURE

When Russian troops stormed into Ukraine, their country had a coveted “investment grade” credit rating with the three major agencies S&P Global, Moody’s and Fitch.

That allowed it to borrow relatively cheaply and a sovereign debt default appeared a distant prospect.

In the past four weeks, Russia has suffered the largest cuts ever made to a sovereign credit score. It is now at the bottom of the ratings ladder, flagging an imminent risk of default.

Russia’s credit rating sees largest cut ever seen globally

ROUBLE TROUBLE

A month ago, the rouble’s one-year average exchange rate sat at 74 per dollar. Trading on different platforms showed the ample liquidity and tight bid/ask spreads expected for a major emerging market currency.

All that has changed. With the central bank bereft of a large portion of it hard currency reserves, the rouble plunged to record lows of more than 120 per dollar locally. In offshore trade it fell as low as 160 to the greenback.

As liquidity dried up and bid/ask spreads widened, pricing the rouble has become haphazard. The exchange rate is yet to find a balance on- and offshore.

Reuters Graphics
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Reporting by Karin Strohecker, Sujata Rao, Rodrigo Campos and Marc Jones; Editing by Sam Holmes

Our Standards: The Thomson Reuters Trust Principles.

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A rocket will crash into the moon. It’ll leave way more than a scar.

If you don’t know the French film, you’ve likely seen its iconic imagery: In the 1902 silent movie A Trip to the Moon, a rocket smashes into the eye of the Man in the Moon.

One hundred and twenty years later, life will painfully imitate art.

Bill Gray, who tracks objects in near-moon orbits for asteroid hunters in his spare time, recently noticed a four-ton rocket booster on a collision course with the far side of the moon. It’s expected to make landfall on March 4 and will be the first-known space junk to unintentionally crash into the moon.

Traveling at an estimated 3.3 miles per second, the hunk of metal, now believed to be left over from a 2014 Chinese lunar mission (Gray originally identified it as a SpaceX rocket booster), is expected to make a crater 65-feet long — about the size of a tractor-trailer, and smash into who-knows-how-many pieces. Though NASA and the European Space Agency weren’t monitoring the high-flying space junk — hardly anyone does — they have given credibility to the findings, confirming the crash forecast. The impact will happen at 7:26 a.m. EST.

China has denied ownership of the wayward rocket, saying the Chang’e-5 T1 debris burned up in Earth’s atmosphere.

It’s hard to not imagine the “moon man” wincing from the blow. Given that it won’t be the first time a rocket has slammed into his face — or that junk has scattered on the surface — perhaps he no longer flinches. But with humanity’s growing lunar ambitions, the question is how much moon destruction, contamination, and littering is acceptable to us.


“The public kind of gets it, but we haven’t yet seen thinking about this in terms of an environmental movement.”

“The public kind of gets it, but we haven’t yet seen thinking about this in terms of an environmental movement,” said Scott Shackelford, an Indiana University professor of business and ethics, working on a framework for addressing space junk. “The closest probably was Wall-E, and frankly, that’s pretty dated at this point. I would love to see more serious scholarly attention to build on how we avoid Wall-E.” (In the animated film, the robot Wall-E spends centuries collecting garbage in a dystopian Earth wasteland.)

SEE ALSO:

China landed on the moon and found water in dirt and rocks

Apollo-era lunar roving vehicles are among the 800 known items humans have left on the moon, according to NASA.
Credit: NASA

Trash on the moon

Astronaut poop, scoops and tongs, moonquake experiments, a hammer, vomit bags, orbiters, cameras, mirrors, golf balls, cosmic ray detectors, shoes, roving vehicles, and $2 bills: In 2012, NASA published an inventory of about 800 items the agency knows were discarded or installed on the moon. The purpose wasn’t to take accountability for the U.S. mess, per se, but to keep a log of the items sprawled on the moon so they can be preserved.

That’s right: Neil Armstrong and Buzz Aldrin’s poop are historical artifacts. Some even consider them science.

The moon hasn’t been pristine for 70 years. Nations that have reached the far-flung destination have left their share of litter and blemishes, whether to lighten the load for the trip home or conduct research. Even Israel’s failed Beresheet landing three years ago left its mark, spilling dehydrated tardigrades, aka microscopic “water bears,” among its crashed cargo.

Astronaut Buzz Aldrin, lunar module pilot, stands beside an American flag placed on the moon during Apollo 11.
Credit: Bettmann / Getty Images

Discarded stuff is an inevitable part of space exploration.

“I don’t have a big problem with us leaving stuff on the moon,” said Jonathan McDowell, an astronomer at the Harvard-Smithsonian Center for Astrophysics.

His attention is on how such deep space junk could potentially impact humans and tamper with their interests, like science experiments running on the moon. Right now there isn’t a lot of lunar clutter compared to what’s circling Earth. But in 30 years, McDowell envisions moon bases and, thus, more traffic for lunar missions. That’s when garbage or errant collisions could become a serious problem, he said.

And few are watching.

The rocket on course to hit the moon

Gray, the independent astronomer who discovered the rocket’s moon-bound trajectory, is rooting for the hit. On his website, Projectpluto.com, he mused that scientists could learn from it. And, after all, if a rocket crashes into the moon, it’s not a threat to Earth.

The rocket, launched about eight years ago, is one of many left in a “chaotic” orbit, meaning its cosmic track could change in a mathematically unpredictable way. When rockets are in low-Earth orbit, not far above many satellites, they’ll stay there with a possibility to re-enter Earth’s atmosphere. If a rocket is sent farther out to a roomy orbit around the sun, on the other hand, it’ll essentially be “lost forever,” McDowell said.

An Israeli man reacts after the Beresheet spacecraft fails to land safely on the moon on April 11, 2019, in Tel Aviv, Israel.
Credit: Amir Levy / Getty Images

But if it’s dropped off in that intermediate zone between them, still orbiting Earth but far enough to get an occasional tug from the moon’s gravity, that could lead to several possible outcomes: The debris could fall back to Earth, get spit out into orbit around the sun, or bombard the moon.

Based on outer space policies and agreements, leaving a rocket in this unpredictable state — and not keeping tabs on its whereabouts — isn’t a crime.

“This is not a booboo, just to be clear. At least, not by current standards,” McDowell said. “There’s a different question of whether it should be considered a booboo. But by current sorts of best practices, it’s fine to leave your rocket in this sort of intermediate orbit.”

Environmentalism in space

The European Space Agency thinks the impending crash highlights the need for policy, not just for the space around Earth, but also the moon.

It would take international consensus to establish effective regulations, but Europe can certainly lead the way,” said Holger Krag, head of the agency’s space safety program, in a written statement.

That issue — of little oversight and accountability for space junk — is at the heart of Shackelford’s research, though he’s focused on objects closer to the planet. Since the 1980s, major space treaties have stalled. He and Jean-Frédéric Morin, professor at Université Laval in Québec, and Eytan Tepper, a Laval space governance professor, have proposed a framework to regulate debris in space. It’s a type of astro-environmentalism.

Astro-environmentalism is an outgrowth of the centuries-old green movement. It’s the idea that development in space should meet the needs of current generations without inhibiting the development goals of future generations.

At Indiana University, Shackelford is executive director of the Ostrom Workshop, which uses Nobel Prize-winning economist Elinor Ostrom’s theories on the governance of common resources to address problems. Rather than resort to top-down government control or private ownership, in so-called “polycentric governance” various groups come together to manage resources.

A section of thermal insulation tile high above Earth flies outside the Space Shuttle Columbia in January 1986.
Credit: Space Frontiers / Archive Photos / Hulton Archive/Getty Images

The Department of Defense tracks about 27,000 artificial objects near Earth that are 4 inches or larger, but many smaller pieces can’t be detected.
Credit: Philipp Igumnov / Getty Images

Real-life examples of polycentric governance are the Paris Agreement on climate change and the Arctic Council, an intergovernmental forum on Antarctica. Even the approach to the COVID-19 pandemic, though imperfect, demonstrates how local, state, and national government, along with the public and academia, can coordinate on widespread issues.

Through the workshop, Shackelford and his colleagues think they can make progress on a sizable space junk problem. The Department of Defense tracks about 27,000 artificial objects near Earth that are 4 inches or larger, but many smaller pieces can’t be detected. NASA has estimated there are about 500,000 marble-size objects that aren’t monitored.

That’s worrisome. Tiny flecks of garbage, like a screw zooming at 15,700 mph, can endanger satellites, spacecraft, and astronauts. Recent debris storms, such as when the International Space Station had to move to avoid junk from a blown-up Russian satellite, have highlighted the problem.


“The clock is ticking.”

Shackelford’s group completed the first step in their project: building a database of over 1,500 international space actors, including nations, institutions, and private companies that own or operate objects in orbit. From there, they will determine which parties are the most active and influential, and how they’re interconnected.

“Then you can figure if you get this group at the table, you can really make things happen pretty quick, even in such a complex system like this one, and even if we can’t get consensus through the UN,” he said.

The workshop will be hosting a space governance policy lab to work with non-governmental organizations and companies that want to address these astro-environmental problems. Part of that process will be looking at codes of conduct and a mechanism for graduated sanctions against bad actors.

The NELIOTA project, funded by the European Space Agency, detects a lunar impact flash on March 1, 2017.
Credit: NELIOTA / ESA

“When I first started working on this stuff almost 20 years ago now, this was pretty far-out stuff,” Shackelford said, “The clock is ticking. And generally, the international community doesn’t do a great job of acting on amorphous deadlines.”

Space experts emphasize when the rocket goes rogue Friday, it won’t be the first human-made object to leave a lunar dent. NASA deliberately targeted Apollo-era rockets at the moon to create moonquakes for surface seismometers to measure. More recently in 2006, ESA’s Smart-1 spacecraft finished its science mission, then intentionally crashed into the moon so scientists could study the event like a controlled meteoroid impact. In 2009, NASA crashed its LCROSS mission into the moon, revealing water in the debris plume.

And some even think this upcoming crash won’t be the first accidental crater — just the first people are aware of. Between the 1960s and 1980s, about 50 human-made objects were left in chaotic orbits, McDowell said. The asteroid-monitoring surveys haven’t spotted them for decades.

“If I had to put money on it,” McDowell said, “I’d guess probably five or six of them hit the moon, and we just don’t know about it.”



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Martian Labyrinth Sliced by Cliff-Like Structure Looks Like an Alien Scar

At first glance, it appears that something left a deep scar on an alien planet’s face. It’s an image you’d expect to see in a sci-fi movie, but it’s real, and it comes from our neighbor: Mars. What you’re actually looking at is a Martian cliff edge rising above the surface.

This image was taken by the Exomars Trace Gas Orbiter (TGO), a spacecraft that is currently orbiting Mars, mapping its surface and providing not only incredible pictures of it but also a complex inventory of the planet’s atmospheric gases.

The orbiter represents a collaborative project between the European Space Agency (ESA) and the Russian Roscosmos, and its goal is to help scientists trace signs of biological or geological activity and look for water-rich locations.

The orbiter does its job with the help of several scientific instruments. One of them is the Stereo Surface Imaging System (CaSSIS) camera, which the spacecraft uses to capture high-definition images of the Red Planet from 400 km (248 miles) up.

The picture that you’re seeing here (click main photo to enlarge) was taken over the eastern part of Noctis Labyrinthus, a region that features a labyrinth of valleys and plateaus. It’s located near Valles Marineris, which is the grand canyon of Mars.

The entire network stretches for around 1200 km (746 km), roughly the length of the Rhine River on Earth. It’s a fascinating place that actually looks like wood eaten by termites when viewed from above.

The cliff-like structure that appears to slice the image in the center is part of a “horst-graben system,” ESA says. It resulted from the tectonic processes that pulled the planet’s crust apart, creating raised ridges (horst) and sunken valleys (graben). There’s also rockfall nearby, as well as traces left behind on the cliff face.

Patches of linear ripples formed by the wind can also be seen on the right side of this stunning image. A few minor impact craters appear on the planet’s surface as well.

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