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A little life: Heartbreaking obituary tells story of man bullied at school for being shy, shunned as an adult – Daily Mail

  1. A little life: Heartbreaking obituary tells story of man bullied at school for being shy, shunned as an adult Daily Mail
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  6. View Full Coverage on Google News

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Lisa Marie Presley obituary: ‘I would never take back any part of who I am or where I came from’



CNN
 — 

As the only daughter of the late Elvis Presley and Priscilla Presley, singer Lisa Marie Presley spent her life in the spotlight from the start. 

And the public interest in her life — from her marriages to her private tragedies — never waned until, much like her father, she was taken too soon. 

Lisa Marie Presley died Thursday after suffering an apparent cardiac arrest. She was 54.

“Priscilla Presley and the Presley family are shocked and devastated by the tragic death of their beloved Lisa Marie,” said a statement from the family provided to CNN. “They are profoundly grateful for the support, love and prayers of everyone, and ask for privacy during this very difficult time.”

Days before her hospitalization, Lisa Marie and Priscilla Presley attended the Golden Globe Awards in support of the Baz Luhrmann film “Elvis,” starring actor Austin Butler, who picked up an award for his portrayal of the King.

Born at the height of Elvis’s fame in 1968, Lisa Marie Presley was seen as the princess to the man celebrated as “the King of rock ‘n’ roll.”

Elvis and Priscilla Presley separated in 1972 when their daughter was four years old, and she was only nine when her father died in 1977. He was 42.

Soon, she began acting out and experimenting with drugs, resulting in her mother sending her to a series of private schools, including a boarding school in Ojai. Lisa Marie Presley noted to the Los Angeles Times in 2003 that as a child, she “was kind of a loner, a melancholy and strange child.”

“I had a real self-destructive mode for a while,” she told the publication. “I never really fit into school. I didn’t really have any direction.”

She was also the eventual sole heir to Elvis’s estate, as well as his sprawling Memphis, Tennessee mansion Graceland. Her father’s mighty and ever-looming legacy didn’t, however, steer her away from her desire to pursue a career in music in her own right.

Lisa Marie Presley launched her career in 2003 with a debut studio album, “To Whom It May Concern,” which reached No. 5 on the Billboard 200 albums chart and was certified gold that summer. She wrote almost all the lyrics on the album and co-wrote every melody.

At the time, Lisa Marie Presley told Larry King that she had to “park” feelings of pressure and comparison to her legendary singer dad.

“If I had been thinking about that, worrying about that, which I kind of had for a long time I would have never done what was sort of innately in my heart, in my soul,” she said. “So I had to stop being worried about that, it was too intimidating otherwise.”

Also around the same time, Lisa Marie Presley reflected on whether her famous name was a hindrance or a help, telling Playboy that she didn’t “ask tabloids to chase me around every week.”

But, she added, she “would never take back any part of who I am or where I came from.”

“I would never want to be part of anything else,” she said. “I’m honored and proud of my family and my dad.”

That first record was followed by two additional albums, 2005’s “Now What” and “Storm & Grace” in 2012.

Parallel to her musical pursuits, Lisa Marie Presley was married four times, including to music superstar Michael Jackson and actor Nicolas Cage.

She wed musician Danny Keough in 1988, with whom she had a daughter, Riley Keough, and son Benjamin Storm Keough.

The pair divorced in May 1994, and roughly three weeks later, Lisa Marie Presley married Jackson in a ceremony that made headlines worldwide.

She noted of Jackson in a 2003 interview with ABC News and Diane Sawyer: “When he wants to lock into you, when he wants to intrigue you or capture you, or you know, whatever he wants to do with you, he can do it.” She added that she “fell into this whole, ‘You poor, sweet, misunderstood man, I’m going to save you.’ … I fell in love with him.”

Their marriage ended in January 1996.

Two years later, she wed Cage after meeting him at a party, but only stayed married to him for three months, from August to November of 2002. The divorce was finalized in 2004.

Her fourth marriage came in 2006, to her guitarist, music producer and director Michael Lockwood. The pair welcomed twins Finley Aaron Love Lockwood and Harper Vivienne Ann Lockwood in 2007. They divorced in 2016.

In 2020, Lisa Marie Presley’s son Benjamin Keough died by suicide at the age of 27. Last July, she marked the second anniversary of Keough’s death on Instagram, sharing a photo of their matching foot tattoos.

Last September, she wrote an essay for National Grief Awareness Day, in which she opened up about the loss of her son.

“My and my three daughters’ lives as we knew it were completely detonated and destroyed by his death. We live in this every. Single. Day,” she wrote. “Grief is something you will have to carry with you for the rest of your life, in spite of what certain people or our culture wants us to believe. You do not ‘get over it,’ you do not ‘move on,’ period.”

Presley also said in the essay that she found comfort in the company of people who have faced similar tragedy, adding that her daughters help keep her grounded.

“I keep going for my girls,” she wrote. “I keep going because my son made it very clear in his final moments that taking care of his little sisters and looking out for them were on the forefront of his concerns and his mind. He absolutely adored them and they him.”

Tributes to Lisa Marie Presley poured in as news of her passing spread.

“This is devastating news. Lisa had the greatest laugh of anyone I ever met. She lit up every room, and I am heartbroken,” Cage said in a statement provided by his manager Mike Nilon. “I find some solace believing she is reunited with her son Benjamin.”

Actor John Travolta wrote that he’d miss his friend “but I know I’ll see you again.”

“My love and heart goes out to Riley, Priscilla, Harper and Finley,” he wrote on Instagram.

Actress Leah Remini said she was “heartbroken over the passing of Lisa Marie Presley,” adding “Lisa did not have an easy life, as some might think.”

“May she be at peace, resting with her son and father now,” she wrote on Twitter.

– Source:
CNN
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If you don’t know how to perform CPR, watch this

“Lisa Marie’s final resting place will be at Graceland, next to her beloved son Ben,” a family representative said in a statement to CNN on Friday.



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Barbara Walters, groundbreaking TV journalist, dies at 93

Barbara Walters, the iconic TV journalist known for her interviews with presidents, world leaders and Hollywood stars, has died at the age of 93, a representative for Walters confirmed to CBS News Friday night. 

“Barbara Walters passed away peacefully in her home surrounded by loved ones. She lived her life with no regrets. She was a trailblazer not only for female journalists, but for all women,” representative Cindi Berger said in a statement. 

There was no immediate word on a cause of Walters’ death.

Walters was a familiar face on America’s television sets for more than 50 years, interviewing every president from Richard Nixon to Barack Obama and setting a standard few others could match.  

Barbara Walters attends the The Paley Center for Media’s New York Gala at the Waldorf Astoria on Feb. 16, 2011, in New York City. 

Michael N. Todaro/FilmMagic/Getty Images


Born in Boston in 1929, Walters attended Sarah Lawrence College in Bronxville, New York, according to her ABC News profile. She started in the early 1960s as a writer and researcher on NBC’s “Today” show, but became a reporter-at-large within a year, responsible for developing, writing and editing her own stories. 

It was at NBC that Walters began to develop her signature interviewing technique: questions that seemed casual but turned out to be revealing. In a 2000 interview with the Television Academy reflecting on her career, she described her process for developing those questions.

“I write questions on cards, and I write hundreds…” she said. “I write everything I can think of. I go around and I say to people, ‘What would you ask if you could? What would you ask?’ And then I boil them down and boil them down and boil them down.” 

In 1974, Walters was named the first female co-host of “Today.” Two years later, she left for ABC, where she became the first woman to co-anchor a network evening news broadcast.  

She reached spectacular heights at ABC, including arranging and conducting the first-ever joint interview with Egypt’s President Anwar Sadat and Israel’s Prime Minister Menachem Begin in November 1977 as they led their countries to a history-making peace accord.

 Barbara Walters interviews Egyptian President Anwar Sadat and Israeli Prime Minister Menachem Begin on Nov. 20, 1977. 

ABC Photo Archives via Getty Images


“It was a historic interview, and it’s one I’m very proud just to have sort of, you know, been involved with. I can’t take credit for making great history. But when people say to me, ‘Of all the interviews you’ve done, or of all the people you know…’ It’s so hard to answer them. But I usually say Anwar Sadat,” she said in the Television Academy interview, highlighting the impact Sadat’s actions had on the future of the region. 

Former CBS News anchor Dan Rather tweeted Friday that Walters was a “trailblazer and a true pro” who “outworked, out-thought, and out-hustled her competitors. She left the world the better for it. She will be deeply missed.”  

On ABC’s newsmagazine “20/20” and in her own specials, Walters continued adding to her list of big interviews. Her guests included Russian President Boris Yeltsin, British Prime Minister Margaret Thatcher, Cuban leader Fidel Castro, Libya’s Moammar Qadaffi and Iraq’s Sadaam Hussein. She also conducted the first interview with President George W. Bush after the September 11 terrorist attacks, and was the first American journalist to interview Russian President Vladimir Putin.

In 1999, Walters also secured the first TV interview with Monica Lewinsky in the wake of the scandal that led to the impeachment and acquittal of President Bill Clinton. That interview became the highest-rated news program ever broadcast by a single network, according to ABC.

“Barbara was a true legend, a pioneer not just for women in journalism but for journalism itself. She was a one-of-a-kind reporter who landed many of the most important interviews of our time, from heads of state and leaders of regimes to the biggest celebrities and sports icons,” wrote Robert Iger, the CEO of Disney, which owns ABC.     

Along the way, she became one of the best-known and most admired women in America — famous enough to be spoofed on “Saturday Night Live.”

Walters also helped create the mid-morning talk show “The View,” which she said came to be in 1997 when the network asked if she had any ideas for daytime TV. She told the Television Academy that “The View” allowed her to show a side of her personality that didn’t come across in a typical interview. 

“People saw me as very authoritative and very serious because that’s what I did mostly. And on here, I can be myself — I have to be careful, because these other women can sort of go too far with me, you know, they’ll ask me about my sex life or who I was — you know, what I did, I don’t know, personal questions, what I did last Saturday night,” she said. “But it’s a chance for me to be much more myself, and to laugh, and to speak spontaneously, and it’s been very successful.”

In 2004, after 25 years as co-host and chief correspondent of “20/20,” Walters left the show,  but she remained at the network to create primetime news specials, including her annual “10 Most Fascinating People” broadcasts, featuring many of the year’s biggest celebrities and newsmakers.

Speaking to Oprah Winfrey at the time, Walters said she wanted to leave “20/20” to see more of the world. 

“I’ve worked all my life, and I’ve never had time to go to a city or country where I haven’t been in the studio,” she said. “I watched [a primetime special about Oprah’s work in South Africa] not just with tears but with yearning. I’ve been to China four times — but I’ve never really seen China.”

During an appearance on “The View” in 2013, she announced her intention to retire from television the following year.

“I want instead to sit in a sunny field and admire the very gifted women — OK, some men too — who will be taking my place,” she said at the time.

Walters won dozens of awards throughout her career, including the Overseas Press Club’s highest award, a Daytime Emmy for “The View,” and a Lifetime Achievement Award from the National Academy of Television Arts and Sciences. There’s also a wax figure of her at Madame Tussauds in New York City, and a star with her name on the Hollywood Walk of Fame. 

For her final day on “The View” in 2014, female journalists from across the decades and networks joined her on stage. The guest list included Jane Pauley, Katie Couric, Gayle King, Savannah Guthrie, Deborah Norville, Connie Chung and many others.

“This is my legacy… these are my legacy,” Walters said as she looked around at the women.



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Pelé, Brazilian soccer legend and king of the “beautiful game,” dies at 82

Pelé, the Brazilian king of soccer who won a record three World Cups and became one of the most commanding sports figures of the last century, died Thursday. He was 82.

“Everything we are is thanks to you. We love you endlessly,” Kely Nascimento wrote on Instagram. “Rest in peace.”

Albert Einstein Hospital, where Pelé was being treated, released a statement confirming the soccer star’s death from multiple organ failure. His agent Joe Fraga also confirmed it to CBS News Radio.

Brazil’s Pele is hoisted on the shoulders of his teammates after Brazil won the World Cup final against Italy, 4-1, in Mexico City’s Estadio Azteca, June 21, 1970.

/ AP


The standard-bearer of “the beautiful game” had undergone treatment for colon cancer since 2021.

Widely regarded as one of soccer’s greatest players, Pelé spent nearly two decades enchanting fans and dazzling opponents as the game’s most prolific scorer with Brazilian club Santos and the Brazil national team.

His grace, athleticism and mesmerizing moves transfixed players and fans. He orchestrated a fast, fluid style that revolutionized the sport — a samba-like flair that personified his country’s elegance on the field.

He carried Brazil to soccer’s heights and became a global ambassador for his sport in a journey that began on the streets of Sao Paulo state, where he would kick a sock stuffed with newspapers or rags.

In the conversation about soccer’s greatest players, only the late Diego Maradona, Lionel Messi and Cristiano Ronaldo are mentioned alongside Pelé.

Different sources, counting different sets of games, list Pelé’s goal totals anywhere between 650 (league matches) and 1,281 (all senior matches, some against low-level competition.)

“Pelé is the greatest player in football history, and there will only be one Pelé in the world,” Ronaldo once said.

The player who would be dubbed “The King” was introduced to the world at 17 at the 1958 World Cup in Sweden, the youngest player ever at the tournament. He was carried off the field on teammates’ shoulders after scoring two goals in Brazil’s 5-2 victory over the host country in the final.

Brazil’s soccer star Pele bicycle kicks a ball during a game at unknown location, Sept. 1968. 

/ AP


Injury limited him to just two games when Brazil retained the world title in 1962, but Pelé was the emblem of his country’s World Cup triumph of 1970 in Mexico. He scored in the final and set up Carlos Alberto with a nonchalant pass for the last goal in a 4-1 victory over Italy.

The image of Pelé in a bright, yellow Brazil jersey, with the No. 10 stamped on the back, remains alive with soccer fans everywhere. As does his trademark goal celebration — a leap with a right fist thrust high above his head.

Pelé’s fame was such that in 1967 factions of a civil war in Nigeria agreed to a brief cease-fire so he could play an exhibition match in the country. He was knighted by Britain’s Queen Elizabeth II in 1997. When he visited Washington to help popularize the game in North America, it was the U.S. president who stuck out his hand first.

“My name is Ronald Reagan, I’m the president of the United States of America,” the host said to his visitor. “But you don’t need to introduce yourself because everyone knows who Pelé is.”

Pelé was Brazil’s first modern Black national hero but rarely spoke about racism in a country where the rich and powerful tend to hail from the white minority.

Opposing fans taunted Pelé with monkey chants at home and all over the world.

“He said that he would never play if he had to stop every time he heard those chants,” said Angelica Basthi, one of Pelé’s biographers. “He is key for Black people’s pride in Brazil, but never wanted to be a flagbearer.”

Pelé’s life after soccer took many forms. He was a politician — Brazil’s Extraordinary Minister for Sport — a wealthy businessman, and an ambassador for UNESCO and the United Nations.

He had roles in movies, soap operas and even composed songs and recorded CDs of popular Brazilian music.

As his health deteriorated, his travels and appearances became less frequent. He was often seen in a wheelchair during his final years and did not attend a ceremony to unveil a statue of him representing Brazil’s 1970 World Cup team. Pelé spent his 80th birthday isolated with a few family members at a beach home.

Pele attends the 2018 soccer World Cup draw at the Kremlin in Moscow, Dec. 1, 2017.

Alexander Zemlianichenko / AP


Born Edson Arantes do Nascimento, in the small city of Tres Coracoes in the interior of Minas Gerais state on Oct. 23, 1940, Pelé grew up shining shoes to buy his modest soccer gear.

Pelé’s talent drew attention when he was 11, and a local professional player brought him to Santos’ youth squads. It didn’t take long for him to make it to the senior squad.

Despite his youth and 5-foot-8 frame, he scored against grown men with the same ease he displayed against friends back home. He debuted with the Brazilian club at 16 in 1956, and the club quickly gained worldwide recognition.

The name Pelé came from him mispronouncing the name of a player called Bilé.

He went to the 1958 World Cup as a reserve but became a key player for his country’s championship team. His first goal, in which he flicked the ball over the head of a defender and raced around him to volley it home, was voted as one of the best in World Cup history.

The 1966 World Cup in England — won by the hosts — was a bitter one for Pelé, by then already considered the world’s top player. Brazil was knocked out in the group stage and Pelé, angry at the rough treatment, swore it was his last World Cup.

He changed his mind and was rejuvenated in the 1970 World Cup. In a game against England, he struck a header for a certain score, but the great goalkeeper Gordon Banks flipped the ball over the bar in an astonishing move. Pelé likened the save — one of the best in World Cup history — to a “salmon climbing up a waterfall.” Later, he scored the opening goal in the final against Italy, his last World Cup match.

In all, Pelé played 114 matches with Brazil, scoring a record 95 goals, including 77 in official matches.

His run with Santos stretched over three decades until he went into semi-retirement after the 1972 season. Wealthy European clubs tried to sign him, but the Brazilian government intervened to keep him from being sold, declaring him a national treasure.

On the field, Pelé’s energy, vision and imagination drove a gifted Brazilian national team with a fast, fluid style of play that exemplified “O Jogo Bonito” — Portuguese for “The Beautiful Game.” His 1977 autobiography, “My Life and the Beautiful Game,” made the phrase part of soccer’s lexicon.

In 1975, he joined the New York Cosmos of the North American Soccer League. Although 34 and past his prime, Pelé gave soccer a higher profile in North America. He led the Cosmos to the 1977 league title and scored 64 goals in three seasons.

Pelé ended his career on Oct. 1, 1977, in an exhibition between the Cosmos and Santos before a crowd in New Jersey of some 77,000. He played half the game with each club. Among the dignitaries on hand was perhaps the only other athlete whose renown spanned the globe — Muhammad Ali.

Pelé would endure difficult times in his personal life, especially when his son Edinho was arrested on drug-related charges. Pelé had two daughters out of wedlock and five children from his first two marriages, to Rosemeri dos Reis Cholbi and Assiria Seixas Lemos. He later married businesswoman Marcia Cibele Aoki.



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Actor Gary Friedkin Dead At 70 From COVID Complications

The actor died on Dec. 2 at a hospice care facility in Youngstown, Ohio, after “a difficult three-and-half-weeks” in ICU battling the virus, his family announced in an obituary.

Friedkin’s family encouraged “everyone to get vaccinated and boosted to protect their family and community” in its tribute.

“He was a gift to all who knew him as an amazing son, brother, brother-in-law, uncle, great-uncle and friend,” the family wrote.

“Gary lived his life to the absolute fullest, bringing endless laughs to his family and many friends, while never letting the obstacles he faced get in his way,” it added. “Gary put countless smiles on people’s faces and left so many with their own special ‘Gary story.’”

He appeared as cook Clarence in three episodes of “Happy Days” and had roles in the 1981 comedy “Under the Rainbow,” the 1982 film “Young Doctors In Love” and the 1992 animation “Cool World.” His last movie credit was for “Mother’s Day” in 2016.

“While Gary may have been short of stature, he was a giant amongst his family and friends,” his family said. “His legacy will live on as stories are told and retold for years to come by all who loved him.”

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Jules Bass, Producer And Director Of Iconic Holiday TV Specials, Dead At 87

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Jules Bass, a producer and director of the iconic holiday TV specials “Rudolph the Red-Nosed Reindeer” and “Frosty the Snowman,” died Tuesday at the age of 87, his publicist Jennifer Fisherman-Ruff told Entertainment Weekly. No cause of death was released.

Bass, also an animator and composer, was best known for creating stop-motion and animated TV programs in the ’60s and ’70s with his partner and ABC art director Arthur Rankin Jr. Under the company Rankin/Bass Animated Entertainment f.k.a. Rankin/Bass Productions, Inc., the two developed hit holiday programs featuring the talents of Mickey Rooney, Fred Astaire and Burl Ives.

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The pair’s first production, a TV series titled “The New Adventures of Pinocchio,” was released in 1960. They also produced adaptations of “The Hobbit” and “The Return of the King,” “The King Kong Show” and the original series “ThunderCats.”

But their most famous projects became holiday classics, including:

  • “Rudolph the Red-Nosed Reindeer”
  • “Frosty the Snowman”
  • “The Year Without a Santa Claus”
  • “Rudolph’s Shiny New Year”
  • “Santa Claus Is Comin’ to Town”

These TV programs were frequently based on Christmas songs and featured cel animation that caused a visual effect to appear as if snow was falling on scenes.

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The pair’s 1976 sequel to “The Little Drummer Boy” would earn them an Emmy nomination while their work on “The Hobbit” led to a Peabody Award.

“We sort of complimented each other,” Rankin said in a 2004 interview. “He had certain talents that I didn’t have, and I had certain talents that he didn’t have. I was basically an artist and a creator; he was a creator and a writer and a lyricist.”

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Rankin died in 2014 at the age of 89.

Born in Philadelphia, Bass attended New York University and worked in advertising prior to establishing his partnership with Rankin.

His years of producing and directing ended in 1987. However, his creativity carried over into the world of literature.

Bass penned a number of children’s books featuring the character of Herb, the Vegetarian Dragon. And the 2011 movie “Monte Carlo,” starring actor Selena Gomez, was loosely based on his novel Headhunters, about Texas women seeking husbands on a trip to Europe.

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Astronaut James McDivitt, Who Commanded Apollo 9 Mission, Dead At 93

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WASHINGTON (AP) — James A. McDivitt, who commanded the Apollo 9 mission testing the first complete set of equipment to go to the moon, has died. He was 93.

McDivitt was also the commander of 1965’s Gemini 4 mission, where his best friend and colleague Ed White made the first U.S. spacewalk. His photographs of White during the spacewalk became iconic images.

He passed on a chance to land on the moon and instead became the space agency’s program manager for five Apollo missions after the Apollo 11 moon landing.

McDivitt died Thursday in Tucson, Arizona, NASA said Monday.

James A. McDivitt, who commanded the Apollo 9 mission testing the first complete set of equipment to go to the moon, has died. He was 93.

NASA via Associated Press

In his first flight in 1965, McDivitt reported seeing “something out there’’ about the shape of a beer can flying outside his Gemini spaceship.

People called it a UFO and McDivitt would later joke that he became “a world-renowned UFO expert.” Years later he figured it was just a reflection of bolts in the window.

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Apollo 9, which orbited Earth and didn’t go further, was one of the lesser remembered space missions of NASA’s program. In a 1999 oral history, McDivitt said it didn’t bother him that it was overlooked: “I could see why they would, you know, it didn’t land on the moon. And so it’s hardly part of Apollo. But the lunar module was … key to the whole program.”

Flying with Apollo 9 crewmates Rusty Schweickart and David Scott, McDivitt’s mission was the first in-space test of the lightweight lunar lander, nicknamed Spider. Their goal was to see if people could live in it, if it could dock in orbit and — something that became crucial in the Apollo 13 crisis — if the lunar module’s engines could control the stack of spacecraft, which included the command module Gumdrop.

Early in training, McDivitt was not impressed with how flimsy the lunar module seemed: “I looked at Rusty and he looked at me, and we said, ‘Oh my God! We’re actually going to fly something like this?’ So it was really chintzy. … it was like cellophane and tin foil put together with Scotch tape and staples!”

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Unlike many of his fellow astronauts, McDivitt didn’t yearn to fly from childhood. He was just good at it.

McDivitt didn’t have money for college growing up in Kalamazoo, Michigan. He worked for a year before going to junior college. When he joined the Air Force at 20, soon after the Korean War broke out, he had never been on an airplane. He was accepted for pilot training before he had ever been off the ground.

“Fortunately, I liked it,” he later recalled.

McDivitt flew 145 combat missions in Korea and came back to Michigan where he graduated from the University of Michigan with an aeronautical engineering degree. He later was one of the elite test pilots at Edwards Air Force Base and became the first student in the Air Force’s Aerospace Research Pilot School. The military was working on its own later-abandoned human space missions.

In 1962, NASA chose McDivitt to be part of its second class of astronauts, often called the “New Nine,” joining Neil Armstrong, Frank Borman, Jim Lovell and others.

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McDivitt was picked to command the second two-man Gemini mission, along with White. The four-day mission in 1965 circled the globe 66 times.

Apollo 9’s shakedown flight lasted 10 days in March 1969 — four months before the moon landing — and was relatively trouble free and uneventful.

“After I flew Apollo 9 it was apparent to me that I wasn’t going to be the first guy to land on the moon, which was important to me,” McDivitt recalled in 1999. “And being the second or third guy wasn’t that important to me.”

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So McDivitt went into management, first of the Apollo lunar lander, then for the Houston part of the entire program.

McDivitt left NASA and the Air Force in 1972 for a series of private industry jobs, including president of the railcar division at Pullman Inc. and a senior position at aerospace firm Rockwell International. He retired from the military with the rank of brigadier general.

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Loretta Lynn obituary | Country

Country music has sometimes been described as the authentic blue collar voice of the American south. In the past half-century no singer and songwriter did more to justify that claim than Loretta Lynn, who has died aged 90. In the words of the music historian Bill Malone, Lynn’s songs “spoke for working-class women in a way no ardent feminist could ever do”.

The self-penned Success (1962) was her first Top 10 country hit and was followed by a slew of No 1 singles on the US country chart, including, in 1966, Don’t Come Home a Drinkin’ (With Lovin’ On Your Mind), an assertive song that cemented her reputation as the defiant voice of the ordinary woman.

The inspiration for some of Lynn’s compositions was her volatile relationship with her husband, Oliver Lynn, whose nickname was Mooney, a reference to his involvement with moonshine, or illegal liquor. But sometimes her songs were addressed to the “other woman”, for instance, You Ain’t Woman Enough (To Take My Man) from 1966.

Her other hits dealt with such topics as the human cost of the Vietnam war (Dear Uncle Sam in 1966 – a song she revived during the Iraq war); motherhood (One’s on the Way, composed by the humorist Shel Silverstein, in 1971); divorce (Rated X, from 1973); and contraception (The Pill, which was banned by numerous radio stations when it was released in 1975).

Loretta Lynn singing Don’t Come Home a Drinkin’ (With Lovin’ On Your Mind)

The most clearly autobiographical of her hit songs was Coal Miner’s Daughter, a No 1 hit in the country chart in 1970, and one of her few records to make the mainstream US chart. Lynn said the song “told everybody that I could write about something else besides marriage problems”, and it was chosen as the name for her 1976 autobiography, as well as the 1980 film of her rags-to-riches life, which brought her story to an international audience.

She was born in the poverty-stricken mining town of Butcher Hollow in the Appalachian mountains of Kentucky, the second of eight children of Ted Webb, a coalminer. Her mother, Clara (nee Butcher), who was of part-Cherokee ancestry, named her daughter after a favourite film star, Loretta Young. Loretta was encouraged to sing at family gatherings and in church during her childhood. Two of her sisters (including Brenda Gail, who achieved success under the name Crystal Gayle) and a brother, Willie “Jay” Lee, also became professional musicians.

Loretta Lynn in 2009. Photograph: DMI/The Life Picture Collection

In 1948, three months before her 16th birthday, Loretta married Mooney. After he lost his mining job, the couple moved to the logging town of Custer, in Washington state. Mooney worked as a garage mechanic and farmhand while Lynn combined raising a family with singing and playing guitar with her own band. She gave birth to four of her six children before the age of 19.

In 1960 she made a record of her own song, I’m a Honky Tonk Girl, for a local label, Zero. Although it was not a hit, it attracted the attention of the established country entertainers the Wilburn Brothers, who arranged for Lynn to appear on the Grand Ole Opry radio show in Nashville, the centre of the country music industry.

Lynn soon landed a recording contract with the veteran producer Owen Bradley, who had masterminded the careers of Kitty Wells and Patsy Cline, both of whom had inspired Lynn. Bradley said that “Kitty was the mistreated housewife, and Loretta was the housewife who wasn’t gonna take anything off of anybody.” Lynn became friends with Cline, who died in a plane crash in 1963; she paid tribute to her with a 1977 album of Cline’s songs, including a popular version of She’s Got You.

In addition to her hit records, Lynn’s stardom was based on incessant touring with her own band. She believed that “if you’re gonna record, you gotta be out there with the people who buy your records”. She regularly played about 125 shows a year, travelling 150,000 miles annually in her customised tour bus. In the late 1960s her backing singers included her sisters Peggy Sue and Brenda Gail, whose first hit as Crystal Gayle – I’ve Cried (The Blue Right Out of My Eyes) – was composed by Lynn.

In 1969 Lynn was booked to play the first international festival of country music to be held at Wembley Stadium in London. She and the veteran country star Conway Twitty performed a few songs together and the response was good enough to persuade them to record a series of duets, several of which became hits. The most original was the chart-topping As Soon As I Hang Up the Phone, which was styled as a telephone call from Conway to Lynn. In 1972 the duo won a Grammy award for their recording After the Fire Is Gone.

Lynn’s autobiography, co-written with the journalist George Vecsey, was a graphic evocation of her Appalachian childhood, and headed the New York Times bestseller list for nine weeks. Greater fame followed when the book was filmed with Sissy Spacek as Lynn and Tommy Lee Jones as Mooney. Spacek’s performance won her an Oscar for best actress in 1981.

Lynn began to release fewer recordings in the 80s and the early 90s, as she spent time nursing Mooney, who died in 1996 after suffering from diabetes. In 1993 she made Honky Tonk Angels, a landmark album with the other grande dames of country, Dolly Parton and Tammy Wynette. Like Parton, Lynn was an astute businesswoman. She owned large amounts of real estate in the town of Hurricane Mills, Tennessee, where she operated a ranch that includes a replica of the Butcher Hollow cabin she grew up in.

Loretta Lynn performing at the BBC Music Showcase in 2016, in Austin, Texas. Photograph: Rich Fury/Invision/AP

Lynn published a second volume of autobiography, Still Woman Enough, in 2002 and a cookery book – You’re Cookin’ It Country – two years later. There were occasional albums in later years, including Van Lear Rose (2004), produced by Jack White of the White Stripes, and the Grammy-nominated Full Circle (2016), which included duets with Willie Nelson and Elvis Costello. Her final studio album, also called Still Woman Enough, was released in 2021. She continued touring despite health problems that included knee surgery and hospital treatment for pneumonia.

Lynn had more awards from the annual Country Music Association ceremonies than any other female singer, and was elected to the Country Music Hall of Fame in 1988. In 2013 she was awarded the Presidential Medal of Honor by Barack Obama.

She is survived by her children Cissy, Ernest, Peggy and Patsy, and more than 20 grandchildren. Her son Jack died in 1984 and her daughter Betty Sue in 2013.

Loretta Lynn, singer and songwriter, born 14 April 1932; died 4 October 2022

Dave Laing died in 2019

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Obituary: Mike Fahey of Kotaku passes away

Mike Fahey of Kotaku, one of the longest-tenured writers at one of video gaming’s oldest and most read online publications, died on Friday. He was 49. Over 16 years, Fahey wrote with great hilarity and deep affection for toys, snacks, giant robots, video games, and the emotional ties binding them all to his readership.

Fahey’s death was confirmed Friday by his partner, Eugene Abbott. In 2018, Fahey suffered an aortic dissection, which is a tearing of the body’s main artery, that paralyzed him from the chest down and forced him to use a wheelchair. Fahey suffered another such tear in April, and he died of an infection related to these chronic health issues.

Mike Fahey joined Kotaku in 2006, after establishing an online presence with comical posts about a Pikachu plushie gone missing. “He had a Pikachu that people kept kidnapping,” Abbott told Polygon. “People would hold up a sign saying ‘We have your Pikachu.’ I think the last time it was seen, it was strapped to the front of an 18-wheeler.”

Mike Fahey with his partner, Eugene Abbott, in 2010.
Photo: Eugene Abbott

Brian Crecente, the editor-in-chief of Kotaku from 2005 to 2011, recalled that Fahey was a commenter on a blog he had started prior to Kotaku’s founding. When Crecente was named Kotaku editor, Fahey was his first hire.

“The reason I hired him, and the reason he continued working there, is he was such a naturally funny guy,” Crecente said. “So many who try to write funny stuff, it comes off forced, but for him, it was an innate ability. It was just so natural. I pushed him to do investigative stuff and longer-form writing, but I think the thing he liked most was making people laugh.”

Fahey climbed out of his shell when Crecente hired him in November 2006. He remained on staff ever since. “I once again had a job, a girlfriend, and eventually my own apartment, sans roommates,” Fahey wrote. At Kotaku, Fahey became known for his appraisals of tasty treats — Snacktaku was the running title of these posts — and for celebrating the lighter moments of video gaming culture.

Brian Crecente, Flynn DeMarco, Mike Fahey, Brian Ashcraft, and Michael McWhertor of Kotaku, ca. 2007.
Photo: Brian Crecente

Fahey found his voice as an everyman pop culture fan, his interests and enthusiasm spanning The Transformers, Final Fantasy, Street Fighter, Madden NFL, and especially role-playing games. In October 2009, he published a groundbreaking recollection of his own video games addiction while playing Everquest, and how it broke apart a relationship with Abbott that he would soon mend.

“Everyone would say, ‘Ha ha, you dated the guy who ignored you for video games?’” Abbott said on Monday. She seemed to understand that Fahey was grinding toward level 40 — which she nonetheless hated. “But there wasn’t any part of me that was ever like, ‘Does he not care? Does he love the video game more?’ I was just like, ‘Bruh, hurry up.’”

Posts about a Michael McDonald Fight Stick, or how to cook an authentic Castlevania Wall Turkey were par for his workday. In 2008, his one-man campaign on behalf of Stan Bush got “The Touch” — the power ballad of 1986’s Transformers: The Movie animated feature — added to Guitar Hero 5.

In one of Fahey’s most memorable, and most uproarious, posts for Kotaku, he was playing a video game in his office, looked over his shoulder, and saw “a spider the size of a small Volkswagen” on the ceiling overhead. He blasted it with a can of Elmer’s CraftBond adhesive, then smashed it with a copy of Plants vs. Zombies: Garden Warfare for Xbox One. The case is still stuck to the ceiling.

Fahey invited comparisons to the cliché of the big, overgrown kid, not least because he stood 6-foot-6. Abbott remembers that he would often return from business visits to conventions and expos with a suitcase bursting with surprises for their children. “He’d come home with a suitcase and open it up, and all the candy and toys would come out,” they said.

“He came home from Momocon 2015 [in Atlanta] with a lot of ramune and Hi-Chew [candy],” Abbott said, “called the kids in and opened them up on the bed, then fell asleep, surrounded by candy.”

Polygon news editor Michael McWhertor, who was hired to Kotaku shortly after Fahey, had a similar recollection, covering San Diego Comic-Con together. “I came back to the hotel room, and there was Fahey, sleeping on his bed, surrounded by all the toys he bought from the show floor, like a kid on Christmas,” he said.

Michael Fahey is survived by Abbott and their two sons, Seamus and Archer, both 11. A GoFundMe campaign to assist the family has been set up.



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Mable John, Motown Records’ First Female Solo Artist, Dies at 91

Mable John, who recorded for Motown Records and was a longtime collaborator of Ray Charles’, died Aug. 25 in Los Angeles. Her nephew confirmed John’s death, but did not provide a cause. “We loved her and she was a kind person,” he said. John was 91. Born in 1930, the eldest of nine siblings, John grew up in the South embedded in a musical family; her younger brother would grow up to become the legendary R&B performer Little Willie John. In 1958, Mable signed with a hungry young record producer named Berry Gordy under his new label Tamla, which would become Motown Records in two years’ time. She jumped to Memphis label Stax Records several years later, and scored a certified top-10 hit in 1966 with “Your Good Thing (Is About to End).” After departing Stax in 1968, John found a second wind working with Ray Charles, acting as musical director and singer in his backing band, the Raelettes. She appeared in 2013’s Oscar-winning documentary 20 Feet From Stardom to look back on this part of her career.

Read it at Rolling Stone

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