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Fundamental particles modeled in beam of light

Skyrmion particle modeled in light. Credit: University of Birmingham

Scientists at the University of Birmingham have succeeded in creating an experimental model of an elusive kind of fundamental particle called a skyrmion in a beam of light.

The breakthrough provides physicists with a real system demonstrating the behavior of skyrmions, first proposed 60 years ago by a University of Birmingham mathematical physicist, Professor Tony Skyrme.

Skyrme’s idea used the structure of spheres in 4-dimensional space to guarantee the indivisible nature of a skyrmion particle in 3 dimensions. 3D particle-like skyrmions are theorized to tell us about the early origins of the Universe, or about the physics of exotic materials or cold atoms. However, despite being investigated for over 50 years, 3D skyrmions have been seen very rarely in experiments. The most current research into skyrmions focuses on 2D analogs, which shows promise for new technologies.

In a new study, published in Nature Communications, the international collaboration between researchers at the University of Birmingham, Lancaster, Münster (Germany) and RIKEN (Japan) has demonstrated for the first time how skyrmions can be measured in three dimensions.

Professor Mark Dennis, who led the research, said: “Skyrmions have intrigued and challenged physicists for many decades. Although we’re making good progress investigating skyrmions in 2D, we live in a 3D world. We need a system that can model a skyrmion in all its possible states in a way that could be measured. We realized that a beam of light could be harnessed for this purpose because we are able to closely control its properties, and so use it as a platform to model our skyrmions. With this approach, we can start to truly understand these objects and realize their scientific potential.”

To create their model, Dr. Danica Sugic and Professor Dennis, in the University’s School of Physics and Astronomy, cast the standard description of light, the polarization (direction the in which the light waves travel) and phase (the position of the light waves’ vibration) in terms of a sphere in 4-dimensional space, crucial to Skyrme’s original vision. This then allowed the Skyrmion field to be designed and engineered into a beam of laser light in an experiment led by Professor Cornelia Denz, University of Münster. The team used cutting-edge measurements to determine the precise structure of the skyrmion.

“These objects are actually quite intricate, from a geometric point of view,” said Dr. Sugic. “They resemble a complex system of interlocking rings, with the whole forming a particle-like structure. What’s particularly interesting is the skyrmion’s topological properties—they can be distorted, stretched or squeezed, but will not come apart. This robustness is one of the properties that scientists are most interested in exploiting.”


Observing the life cycle of skyrmions in exquisite detail


More information:
Particle-like topologies in light, Nature Communications (2021). DOI: 10.1038/s41467-021-26171-5
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University of Birmingham

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Skyrmions: Fundamental particles modeled in beam of light (2021, November 22)
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Lord of the Rings orc was modeled after Harvey Weinstein, Elijah Wood reveals | Lord of the Rings

One orc among many in the Lord of the Rings movies was designed to resemble Harvey Weinstein as a “sort of fuck you” to the notorious producer, Elijah Wood, who played the hobbit Frodo in the series, told a Hollywood podcast.

“It’s funny,” Wood told the actor Dax Shepard’s podcast, Armchair Expert. “This was recently spoken about because Dom [Monaghan] and Bill [Boyd, who played hobbits Merry and Pippin] … were talking to Sean Astin [Samwise] about his first memory of getting to New Zealand [where the series was filmed].

“He had seen these orc masks. And one of the orc masks – and I remember this vividly – was designed to look like Harvey Weinstein as a sort of a fuck you.

“I think that is OK to talk about now,” Wood said. “The guy is fucking incarcerated. Fuck him.”

In the first major case of the #MeToo era, in which woman have spoken out about abuse by powerful men, Weinstein was accused of sexual assault by numerous women. Convicted of rape in February 2020 and sentenced to 23 years in jail, he faces further charges in California, to which he has pleaded not guilty.

Wood said the director Peter Jackson made the decision to model an orc on Weinstein after having difficulties with him on the way to making the Lord of the Rings films.

According to Wood, Jackson began developing the films at Miramax, which Weinstein co-founded with his brother. Jackson wanted to make at least two films to adapt the novels by JRR Tolkein, but Weinstein asked the director to adapt all three books in one movie.

Wood said Peter Jackson made the decision to model an orc on Weinstein after having difficulties with him on the way to making the Lord of the Rings films. Photograph: Landmark Media/Alamy

Weinstein also threatened to replace Jackson with Quentin Tarantino or John Madden, the director of Shakespeare in Love, Wood said.

When Jackson asked Weinstein for permission to find a different producer, Wood said, Weinstein agreed but gave him only one weekend to do so and mandated that any producer must work on all the films or none.

“The window of time was insane,” Wood said. “They shopped it around town. Peter made a pitch video that’s pretty impressive, taken to a variety of places. Most people were balking at the notion of doing more than one film. The popular opinion was, ‘No, you have to see how [the initial movie] does and then invest the rest of your money.’”

Wood said Weinstein agreed to produce at least two films but capped the budget at $75m, a move he hid from Jackson. Jackson’s team leaked the script as way to garner interest among other studios and the project was picked up by Bob Shaye, founder of New Line Cinema, who agreed to make three movies.

“I think the lore is that they were coming with two and it was Bob Shaye who said, ‘We have to do three,’ which is insane,” Wood said. “An incredible risk. Miramax thought there was no chance in hell.”

The trilogy made $2.92bn at the box office and is now considered one of the greatest movie series ever made.

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