Tag Archives: Merging

Ultra-rare merging of two lifeforms sparks exciting evolutionary prediction: ‘We just haven’t noticed’ – Yahoo News Australia

  1. Ultra-rare merging of two lifeforms sparks exciting evolutionary prediction: ‘We just haven’t noticed’ Yahoo News Australia
  2. Scientists Discover First Nitrogen-Fixing Organelle – Berkeley Lab – Berkeley Lab News Center Lawrence Berkeley National Laboratory (.gov)
  3. The Once-In-An-Eon Event That Gave Earth Plants Has Happened Again IFLScience
  4. Two lifeforms merge in once-in-a-billion-years evolutionary event New Atlas
  5. Scientists discover once-in-a-billion-year event — 2 lifeforms merging to create a new cell part Livescience.com

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NASA’s James Webb Space Telescope captures spectacular image of ultra-bright merging galaxies – Fox News

  1. NASA’s James Webb Space Telescope captures spectacular image of ultra-bright merging galaxies Fox News
  2. Stunning James Webb Space Telescope photo shows merging galaxies shining with light of a trillion suns Fox Weather
  3. New James Webb photo shows the Fornax constellation like we’ve never seen it before Yahoo News
  4. Merging galaxies shine with the light of a trillion suns in gorgeous James Webb Space Telescope photo Space.com
  5. Cosmic Collision Ignites a Trillion-Sun Spectacle: James Webb Space Telescope Unveils Arp 220 SciTechDaily
  6. View Full Coverage on Google News

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Cowboys Ex Kellen Moore Responds to Coach Mike McCarthy: ‘Merging Worlds’ – Sports Illustrated

  1. Cowboys Ex Kellen Moore Responds to Coach Mike McCarthy: ‘Merging Worlds’ Sports Illustrated
  2. ‘I want to run the damn ball’: Mike McCarthy outlines surprising vision shift for Cowboys’ offense in his play-calling return Yahoo Sports
  3. What has been missed about Mike McCarthy’s comments on the Cowboys offense Blogging The Boys
  4. Ryan Clark rants about Cowboys coach Mike McCarthy’s accountability USA TODAY
  5. Kellen Moore responds to Cowboys’ Mike McCarthy’s parting shots NJ.com
  6. View Full Coverage on Google News

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Showtime Merging With Paramount+ In Both Streaming, Linear TV – The Hollywood Reporter

Paramount is making a major change to its linear and streaming businesses, merging Paramount+ and Showtime in both areas.

In connection with the changes, executives warned of likely layoffs and changes to programming to follow in the coming weeks.

Paramount CEO Bob Bakish announced the move in a memo to staff Monday afternoon, confirming rumors that have been brewing for some time.

For starters, both the Showtime linear pay-TV channel and the premium tier of Paramount+ will be rebranded as Paramount+ with Showtime, with Chris McCarthy to lead the Showtime studio and linear channel, and Tom Ryan overseeing the streaming business.

Bakish added that the changes will also “unlock operational efficiencies and financial benefits” for the company.

“While we are confident this is the right move for our company, our consumers, and our partners, we know this change brings uncertainty for the teams working on these brands and businesses,” Bakish wrote. “We are committed to being as transparent and thoughtful as possible throughout this process, and we expect to share additional details in the coming weeks.”

In other words, there will be cuts associated with the merge, with details still TBD.

Other changes, like the pricing and plan for merging accounts for people with both Showtime and Paramount+ will also come in the next few weeks.

Another area that will see notable changes is in programming.

In a memo of his own, McCarthy touted the “complementary” audiences of Showtime and Paramount+, while adding that the company plans to lean into shows that tightly associated with Showtime’s “brand strengths and content filters,” calling out programs like Yellowjackets, Billions, Dexter and The Chi.

“To do this, we will divert investment away from areas that are underperforming and that account for less than 10% of our views,” McCarthy wrote. “We have already begun conversations with our production partners about what content makes sense moving forward and which shows have franchise potential.”

So Showtime shows that aren’t deemed core to those strengths may get the boot. On Monday, the first 3 shows to face the axe were revealed by the channel, with scripted dramas Let the Right One In and American Gigolo getting canceled and the Shailene Woodley-led adaptation of Three Women no longer moving forward at the premium cable network. The latter series, which has already completed production, is being shopped to other outlets.

The shift in business strategy comes as Paramount seeks to create a stronger hand in streaming as it tries to compete with the likes of Netflix, Disney and Warner Bros. Discovery.

WBD, for example, has already merged the linear HBO channel with its broader streaming offering, and will bring in Discovery programming later this year. Showtime, with its more premium sensibility, will likely play a similar role at Paramount+.

Last year Paramount added Showtime to Paramount+ in a discounted bundle offering, while keeping the Showtime linear app and channel separate. The new structure fully merges the two.

Bakish’s memo is below:

Team,

Almost one year ago, we announced that ViacomCBS would become Paramount — harnessing the power of our combined portfolio to become one, integrated company. Since then, I have been tremendously proud of the many ways we have worked together across platforms, brands, and continents to consistently deliver as global leaders in the future of entertainment.

In that same spirit, I’m thrilled to share the next step in our company’s evolution. Today, we’re announcing that we will be fully integrating SHOWTIME into Paramount+ across both streaming and linear platforms later this year — providing even more popular franchises and hit originals for viewers to enjoy. To reflect this change, both our premium streaming tier on Paramount+ and the SHOWTIME linear network will become “Paramount+ with SHOWTIME” in the U.S.

SHOWTIME has captivated audiences for decades with ambitious original series that defined premium content and fandom. Its name will always stand for critically acclaimed, groundbreaking entertainment and creative excellence. Now, with SHOWTIME’s content integrated into our flagship streaming service, and select Paramount+ originals joining the linear offering, Paramount+ will become the definitive multiplatform brand in the streaming space — and the first of its kind to integrate streaming and linear content in this way.

This new combined offering demonstrates how we can leverage our entire collection of content to drive deeper connections with consumers and greater value for our distribution partners. This change will also drive stronger alignment across our domestic and international Paramount+ offerings, as international Paramount+ already includes Showtime content. And, very importantly, this integration will unlock operational efficiencies and financial benefits across our broader portfolio.

Chris McCarthy will continue to lead the SHOWTIME studio and oversee network operations for the linear channel. In tandem, he will work closely with Tom Ryan, who will oversee the “Paramount+ with SHOWTIME” streaming business.

While we are confident this is the right move for our company, our consumers, and our partners, we know this change brings uncertainty for the teams working on these brands and businesses. We are committed to being as transparent and thoughtful as possible throughout this process, and we expect to share additional details in the coming weeks.

In the meantime, I would ask for your continued focus. Because of your hard work, dedication and collaboration, Paramount+ with SHOWTIME is set up for success. Thank you, as always, for all that you do.

Best,

Bob

Chris McCarthy’s full memo is below:

Hi everyone,

I wanted to follow up on the great news Bob just shared about the further integration of SHOWTIME and Paramount+ to create one powerful streaming service, and explain why I am so excited about this big step forward.

There are many benefits for Paramount+ and SHOWTIME on both the streaming and network sides, in three key areas:

Complementary and Differentiated Brands
Redirecting Increased Investment into SHOWTIME Strengths
Integrated Platform – Greater Focus on Content

I am sure you will have lots of questions, and to that end, we are planning a Town Hall in L.A. the week of February 23rd to go into the details and the highlights, which include:

Complementary and Differentiated Brands

The SHOWTIME brand has always attracted audiences who prefer content that has more edge and more mature themes, and that focuses on complicated characters and layered worlds. SHOWTIME content appeals to metro-minded viewers who are more culturally diverse with a higher concentration living in cities vs. the population at large. These audiences and themes are complementary to the Paramount+ brand, which is much broader, appealing to the entire family and general market audiences across the country.

Redirecting Investment into SHOWTIME Strengths
As a part of Paramount+, we can put more resources into building out the lanes that have made the SHOWTIME brand famous, as well as turning our hit shows into global hit franchises. To do this, we will divert investment away from areas which are underperforming and that account for less than 10% of our views. We have already begun conversations with our production partners about what content makes sense moving forward and which shows have franchise potential
.
As a reminder, the SHOWTIME brand strengths and content filters are:

Complex Characters: Subversive antiheroes like: DEXTER, YOUR HONOR and YELLOWJACKETS
Powerful-Worlds: High-stakes powerful worlds like: BILLIONS and HOMELAND
Metro-Cultures: Culturally diverse takes like: THE CHI and the forthcoming FELLOW TRAVELERS.
Integrated Platforms – Greater Focus on Content

Now that SHOWTIME and our content will be integrated as the premium tier of Paramount+, we will reach more people globally across streaming and linear than ever before. On the network side, this will strengthen our offering to those consumers by allowing us to tap into Paramount+ originals in addition to the SHOWTIME originals, as well as Paramount Pictures movies that come to the services.
This is a winning strategy that provides more value to our streaming customers and more reasons for cable subscribers to upgrade to the soon-to-be-rebranded Paramount+ with SHOWTIME network. Most importantly, it allows us to put more of our focus on the things that make the SHOWTIME brand famous: our hit content.

More to come soon, but for now, thank you for your help as we work hard together to make Paramount+ with SHOWTIME one of the leading global streaming services!

Thank you,
Chris



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AEW has interest in merging with WWE

WWE Chairman and CEO Vince McMahon speaks at a news conference announcing the WWE Network at the 2014 International CES in Las Vegas.

Getty Images

All Elite Wrestling, a professional wrestling league owned by the Khan family, is interested in merging with World Wrestling Entertainment, according to people familiar with the matter.

The Khans, who also own the National Football League’s Jacksonville Jaguars and the Premier League’s Fulham F.C., could partner with a strategic media company to share the intellectual property while merging the wrestling leagues, said the people, who asked not to be named because the discussions are private. AEW has a TV carriage rights agreement with Warner Bros. Discovery‘s TNT and TBS.

The idea that Vince McMahon, the controlling shareholder of WWE, would merge his company with the much smaller AEW is a long shot. AEW hasn’t had talks with McMahon or Nick Khan, the company’s chief executive, said the people. McMahon may view selling to the Khans as a non-starter.

The Khans are open to discussing a potential role for McMahon, 77, after a sale but haven’t yet had those talks, one of the people said. It’s unclear what type of job McMahon would want with WWE after a sale, but WWE is a much larger and more established organization than AEW. McMahon, who was worth more than $3 billion as of July, is also known as the primary creative force behind WWE’s storylines.

Sports tycoon Shahid Khan, 72, is ranked 292 on the Bloomberg Billionaires Index with a net worth of $7.56 billion. He also owns auto parts manufacturer Flex-N-Gate.

Shahid Khan, the new owner of the Jacksonville Jaguars.

Getty Images

WWE’s sale process

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Dance of merging galaxies captured in new Webb telescope image

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CNN
 — 

The beautiful chaos of two merging galaxies shines in the latest image captured by the James Webb Space Telescope.

Vice President Kamala Harris and French President Emmanuel Macron viewed the new Webb image, along with a new composite of the Pillars of Creation captured by the space observatory, during a visit to NASA Headquarters in Washington on Wednesday.

The Webb telescope, designed to observe faint, distant galaxies and other worlds, is an international mission between NASA and its partners, the European Space Agency and Canadian Space Agency.

The pair of galaxies, known as II ZW 96, are located some 500 million light-years from Earth in the Delphinus constellation. Dots of light in the image’s background represent other distant galaxies.

The swirling shape of the two galaxies was created when they began merging, disturbing their individual shapes. Galactic mergers occur when two or more galaxies collide in space.

Bright regions where stars are born glow at the center of the image, while the spiral arms of the lower galaxy are twisted by the gravitational pull of the merger.

Stars form when clouds of gas and dust collapse inside of galaxies. When galaxies merge, more star formation is triggered — and astronomers want to know why.

The luminous areas of star birth are of interest to astronomers using Webb because they appear even brighter when viewed in infrared light.

While infrared is invisible to the human eye, Webb’s capabilities allow it to spy previously unseen aspects of the universe.

Webb’s Near-Infrared Camera and Mid-Infrared Instrument were both used to capture the new image.

Astronomers are using the observatory to study how galaxies evolve and, among other topics, why luminous infrared galaxies like II ZW 96 shine brightly in infrared light, reaching luminosities more than 100 billion times that of our sun.

Researchers have turned Webb’s instruments on merging galaxies, including II ZW 96, to pick out fine details and compare the images with those previously taken by ground-based telescopes and the Hubble Space Telescope. Together, the observations can reveal a more complete picture of how galaxies change over time.

Read original article here

NASA’s James Webb Telescope Captures Extreme View of Galaxies Merging

Now that we have a powerful lens pointed toward the deepest regions of the universe, our definition of “surprise” has slightly altered when it comes to astronomy pics. 

It’s no longer surprising, really, when NASA’s James Webb Space Telescope reveals yet another brilliant, ancient piece of the cosmos. At this point, we know to expect nothing less from the trailblazing machine

Instead, whenever the telescope sends back a jaw-dropping space image, it now elicits more of a “JWST strikes again” feeling. And still, our jaws legitimately drop every single time. 

This sort of dissonant version of “surprise” has happened yet again — to a pretty extreme degree. Last week, scientists presented the JWST’s brilliant view of a galaxy cluster merging around a massive black hole that houses a rare quasar — aka an incomprehensibly bright jet of light spewing from the void’s chaotic center. 

There’s a lot going on here, I know. But the team behind the find thinks it could escalate even further.

“We think something dramatic is about to happen in these systems,” Andrey Vayner, a Johns Hopkins astronomer and co-author of a study about the scene soon to be published in the Astrophysical Journal Letters, said in a statement. For now, you can check out a detailed outline of the discovery in a paper published on arXiv.

An artist’s concept of a galaxy with a brilliant quasar at its center.


NASA, ESA and J. Olmsted (STScI)

Especially fascinating about this portrait is that the quasar at hand is considered an “extremely red” quasar, which means it’s super far away from us and therefore physically rooted in a primitive region of space that falls near the beginning of time. 

In essence, because it takes time for light to travel through space, every stream of cosmic light that reaches our eyes and our machines is seen as it was long ago. Even moonlight takes about 1.3 seconds to reach Earth, so when we peer up at the moon, we’re seeing it 1.3 seconds in the past. 

More specifically with this quasar, scientists believe it took about 11.5 billion years for the object’s light to reach Earth, meaning we’re seeing it as it was 11.5 billion years ago. This also makes it, according to the team, one of the most powerful of its kind observed from such a gargantuan distance (11.5 billion light-years away, that is).

“The galaxy is at this perfect moment in its lifetime, about to transform and look entirely different in a few billion years,” Vayner said of the realm in which the quasar is anchored.

Analyzing a galactic rarity

In the colorful image provided by Vayner and fellow researchers, we’re looking at several things. 

Each color in this image represents material moving at a different velocity. 


ESA/Webb, NASA & CSA, D. Wylezalek, A. Vayner & the Q3D Team, N. Zakamska

On the left is a Hubble Space Telescope view of the region studied by the team, and in the middle is a blown-up version of the spot that the JWST zeroed-in on. Glance to the far right of this image, where four individually color-coded boxes are seen and you’ll be analyzing different aspects of the JWST data broken down by velocity. 

Red stuff is moving away from us and blue toward us, for instance. 

This classification shows us how each of the galaxies involved in the spectacular merger are behaving — including the one that holds the extreme black hole and accompanying red quasar, which is, in fact, the only one the team expected to uncover with NASA’s multibillion dollar instrument.

“What you see here is only a small subset of what’s in the data set,” Nadia L. Zakamska, a Johns Hopkins astrophysicist and co-author of the study, said in a statement. “There’s just too much going on here so we first highlighted what really is the biggest surprise. Every blob here is a baby galaxy merging into this mommy galaxy and the colors are different velocities and the whole thing is moving in an extremely complicated way.”

Now, Zakamska says, the team will start to untangle the motions and enhance our view to an even greater extent. Already, though, we’re looking at information far more incredible than the team expected to begin with. Hubble and the Gemini-North telescope previously showed the possibility of a transitioning galaxy but definitely didn’t hint at the swarm we can see with the JWST’s awesome infrared equipment.

In another spectacular image taken by Webb’s Near-Infrared Camera (NIRCam), a smattering of hundreds of background galaxies, varying in size and shape, appear alongside the Neptune system.


ESA

“With previous images, we thought we saw hints that the galaxy was possibly interacting with other galaxies on the path to merger because their shapes get distorted in the process,” Zakamska said. “But after we got the Webb data, I was like, ‘I have no idea what we’re even looking at here, what is all this stuff!’ We spent several weeks just staring and staring at these images.”

Soon enough, it became clear that the JWST was showing us at least three separate galaxies moving incredibly fast, the team said. They even believe this could mark one of the densest known areas of galaxy formation in the early universe. 

An artistic impression of the quasar P172+18, which is associated with a black hole 300 times more massive than the sun. 


ESO/M. Kornmesser

Everything about this complex image is mesmerizing. We have the black hole, that Zakamska calls a “monster,” a highly rare jet of light being spit from that black hole and a gaggle of galaxies on a collision course — all seen as they were billions of years in the past.

So, dare I say it? The JWST strikes again, offering us an exceedingly precious cosmic vignette. Cue, jaw drop.

Read original article here

NASA’s James Webb Telescope Captures Extreme View of Galaxies Merging

Now that we have a powerful lens pointed toward the deepest regions of the universe, our definition of “surprise” has slightly altered when it comes to astronomy pics. 

It’s no longer surprising, really, when NASA’s James Webb Space Telescope reveals yet another brilliant, ancient piece of the cosmos. At this point, we know to expect nothing less from the trailblazing machine

Instead, whenever the telescope sends back a jaw-dropping space image, it now elicits more of a “JWST strikes again” feeling. And still, our jaws legitimately drop every single time. 

This sort of dissonant version of “surprise” has happened yet again — to a pretty extreme degree. Last week, scientists presented the JWST’s brilliant view of a galaxy cluster merging around a massive black hole that houses a rare quasar — aka an incomprehensibly bright jet of light spewing from the void’s chaotic center. 

There’s a lot going on here, I know. But the team behind the find thinks it could escalate even further.

“We think something dramatic is about to happen in these systems,” Andrey Vayner, a Johns Hopkins astronomer and co-author of a study about the scene soon to be published in the Astrophysical Journal Letters, said in a statement. For now, you can check out a detailed outline of the discovery in a paper published on arXiv.

An artist’s concept of a galaxy with a brilliant quasar at its center.


NASA, ESA and J. Olmsted (STScI)

Especially fascinating about this portrait is that the quasar at hand is considered an “extremely red” quasar, which means it’s super far away from us and therefore physically rooted in a primitive region of space that falls near the beginning of time. 

In essence, because it takes time for light to travel through space, every stream of cosmic light that reaches our eyes and our machines is seen as it was long ago. Even moonlight takes about 1.3 seconds to reach Earth, so when we peer up at the moon, we’re seeing it 1.3 seconds in the past. 

More specifically with this quasar, scientists believe it took about 11.5 billion years for the object’s light to reach Earth, meaning we’re seeing it as it was 11.5 billion years ago. This also makes it, according to the team, one of the most powerful of its kind observed from such a gargantuan distance (11.5 billion light-years away, that is).

“The galaxy is at this perfect moment in its lifetime, about to transform and look entirely different in a few billion years,” Vayner said of the realm in which the quasar is anchored.

Analyzing a galactic rarity

In the colorful image provided by Vayner and fellow researchers, we’re looking at several things. 

Each color in this image represents material moving at a different velocity. 


ESA/Webb, NASA & CSA, D. Wylezalek, A. Vayner & the Q3D Team, N. Zakamska

On the left is a Hubble Space Telescope view of the region studied by the team, and in the middle is a blown-up version of the spot that the JWST zeroed-in on. Glance to the far right of this image, where four individually color-coded boxes are seen and you’ll be analyzing different aspects of the JWST data broken down by velocity. 

Red stuff is moving away from us and blue toward us, for instance. 

This classification shows us how each of the galaxies involved in the spectacular merger are behaving — including the one that holds the extreme black hole and accompanying red quasar, which is, in fact, the only one the team expected to uncover with NASA’s multibillion dollar instrument.

“What you see here is only a small subset of what’s in the data set,” Nadia L. Zakamska, a Johns Hopkins astrophysicist and co-author of the study, said in a statement. “There’s just too much going on here so we first highlighted what really is the biggest surprise. Every blob here is a baby galaxy merging into this mommy galaxy and the colors are different velocities and the whole thing is moving in an extremely complicated way.”

Now, Zakamska says, the team will start to untangle the motions and enhance our view to an even greater extent. Already, though, we’re looking at information far more incredible than the team expected to begin with. Hubble and the Gemini-North telescope previously showed the possibility of a transitioning galaxy but definitely didn’t hint at the swarm we can see with the JWST’s awesome infrared equipment.

In another spectacular image taken by Webb’s Near-Infrared Camera (NIRCam), a smattering of hundreds of background galaxies, varying in size and shape, appear alongside the Neptune system.


ESA

“With previous images, we thought we saw hints that the galaxy was possibly interacting with other galaxies on the path to merger because their shapes get distorted in the process,” Zakamska said. “But after we got the Webb data, I was like, ‘I have no idea what we’re even looking at here, what is all this stuff!’ We spent several weeks just staring and staring at these images.”

Soon enough, it became clear that the JWST was showing us at least three separate galaxies moving incredibly fast, the team said. They even believe this could mark one of the densest known areas of galaxy formation in the early universe. 

An artistic impression of the quasar P172+18, which is associated with a black hole 300 times more massive than the sun. 


ESO/M. Kornmesser

Everything about this complex image is mesmerizing. We have the black hole, that Zakamska calls a “monster,” a highly rare jet of light being spit from that black hole and a gaggle of galaxies on a collision course — all seen as they were billions of years in the past.

So, dare I say it? The JWST strikes again, offering us an exceedingly precious cosmic vignette. Cue, jaw drop.

Read original article here

Rupert Murdoch considering merging Fox and News Corp once again | Rupert Murdoch

The two parts of Rupert Murdoch’s media empire are discussing a merger nearly a decade after they split.

The merger would combine Murdoch’s Fox News and TMZ assets with News Corp’s newspaper and online news operations, including the Times and the Sun in the UK, the Wall Street Journal and New York Post in the US, and the Australian.

In a press release, News Corp confirmed that following instructions from Murdoch and the Murdoch Family Trust, the companies have formed a special committee “composed of independent and disinterested members of the board” to begin exploring a potential combination.

The Murdoch-owned Wall Street Journal reported on Friday that the News Corp chief executive, Robert Thomson, had informed staff about the potential merger.

“At News Corp, we are constantly pursuing ways to enhance our performance and expand our businesses, and the upheaval in media presents both challenges and opportunities,” he wrote in a memo. “However, I would like to stress that the Special Committee has not made any determination at this time, and there can be no certainty that any transaction will result from its evaluation.”

After years of expansion globally, Murdoch split his empire in 2013, placing the print business in a newly created public entity, News Corp, and the TV and entertainment under 21st Century Fox.

Murdoch said at the time that his vast media holdings had become “increasingly complex” and that a new structure would simplify operations. The split also shielded Fox’s entertainment assets from any potential financial fallout from a phone hacking scandal involving the media conglomerate’s now-defunct News of the World publication in the United Kingdom.

The thinking at the time was that separating the companies ultimately would generate value for shareholders, according to one person familiar with the decision-making. That vision was realized as Fox sold the bulk of its film and television assets to Walt Disney for $71bn in 2019.

The sale left Fox focused on live events such as news and sports, rather than “disruptable” scripted entertainment content on the streaming platforms, Wall Street analysts observed at the time.

The major streaming services, however, have begun breaching the protective moat. Apple and Amazon, two technology giants with deep financial resources, have begun bidding for sports, securing rights to stream Major League Baseball, soccer and football games.

Fox recently renewed a long-term deal with the NFL to continue broadcasting Sunday afternoon games, but relinquished Thursday Night Football to Amazon.

Reuniting Fox and News Corp would give the combined companies greater scale to compete, and complement their assets, the person familiar with the proposal said. The combined companies would have about $24bn in revenue.

Murdoch, 91, currently has near-controlling stakes in both the companies. His son Lachlan Murdoch is chairman and CEO of Fox Corp. Companies that adopt such arrangements typically make subsequent mergers subject to approval by a majority of shareholders not affiliated with their controlling shareholder, though it’s not clear whether this will be the case in this instance.

As of market-close on Friday, News Corp had a market cap of $9.31bn and Fox Corp was $16.84bn. News Corp shares surged 5% and Fox rose about 1% in after-market trade.

Reuters contributed to this story

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Some investors backing out of SPAC merging with Trump’s media firm

(Reuters) – Some investors are backing out of Digital World Acquisition Corp’s plan to acquire former U.S. President Donald Trump’s social media firm Truth Social, the blank-check firm said on Friday.

Digital World said it had received termination notices from private investment in public equity (PIPE) investors ending nearly $139 million in investments out of the $1 billion commitment it had previously announced.

Investors, who signed the PIPE commitment about one year ago, are free to move their money after the Sept. 20, 2022 deadline if the deal has not completed.

Digital World did not disclose the investors that pulled out. Sources told Reuters Sabby Management, which had committed $100 million to the PIPE, is one of the investors who have terminated.

Sabby Management declined to comment.

More investors could pull out in the next few weeks, sources said, as they can terminate anytime after the deadline. Many are waiting for DWAC to propose more preferred terms to PIPE investors, sources added. The deal between the special purpose acquisition company (SPAC) and Trump Media and Technology Group (TMTG), which owns Truth Social, has been on ice due to civil and criminal probes into the circumstances around the agreement.

TMTG did not immediately respond to a request for comment.

The SPAC had been hoping the U.S. Securities and Exchange Commission, which is reviewing Digital World’s disclosures on the deal, would have given its blessing by now. Digital World said this month it would extend the deal’s life by three months after its bid for a 12-month extension from its shareholders fell short.

(Reporting by Akash Sriram and Nivedita Balu in Bengaluru, Svea Herbst-Bayliss and Krystal Hu in New York; Editing by Maju Samuel and Josie Kao)

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