Tag Archives: Jake Gyllenhaal

D23 Expo reimainging, sequel, Pixar, and more news roundup

All the Disney princesses
Photo: Olga Thompson (Walt Disney World Resort via Getty Images)

Now that another Disney+ Day has come and gone, we can get on to the meat of Disney’s big weekend: The D23 Expo, where the greatest fans in the world can get a look at the stuff they’ve already seen before but now reimagined.

Kicking off the day was Cynthia Orivio, our new Blue Fairy, who reminded the audience that there was a new version of Pinnochio currently being memory-holed on Disney+. Continuing the theme that these sorts of things were now the order of the day, Disney Studios chairman Alan Bergman took the stage to remind us that these reimaginings, such as The Lion King, Beauty And The Beast, Cinderella, and Cruella, were “iconic.” We assume he meant that the movies use “iconic imagery,” but regardless, more of these iconic reimaginings and sequels are coming down the pike.

Bergman then brought Walt Disney Studios president Sean Bailey out to take us through the upcoming ways they’re reviving old brands.

Don’t worry: Hocus Pocus 2 and Disenchanted are still coming

First up were the sequels. Hocus Pocus 2 debuts later this month, and since we already shared the trailer, we’ll move on to the other big sequel announcement: Disenchanted. Don’t get it twisted with Matt Groening’s Netflix comedy Disenchantment. This is a sequel to the wonderful Amy Adams comedy Enchanted from 2007. The whole cast is back, including Adams, Patrick Dempsey, Adele Dazeem Idina Menzel, and James Marsden. They’ve upped the ante by adding a Maya Rudolph, too. And now, there’s a trailer.

Disenchanted lands on Disney+ on November 24, 2022.

Disenchanted | Official Trailer | Disney+

Reimagining the past is Disney’s future

The presentation was done round-robin style, with Bailey shuffling VIPs on stage for about five minutes, playing a clip, and then shuffling them off. So next up, Jude Law and the cast of Peter Pan & Wendy took the stage.

Directed by David Lowery, who directed one of the best films of 2021, The Green Knight, and Disney’s delightful remake of Pete’s Dragon, Peter Pan seems a bit more stylish than the other movies announced today. It’s still filled with nostalgic images pulled straight from the Disney vault, but also a distinct visual style, location shooting, and a fish-eye lens that won’t quit. So how will this differ from literally every other revisionist Peter Pans from the last 20 years? Those got theatrical releases.

Our new Captain Hook, Jude Law, said that this version gets into the “backstory a little more” when Peter and Hook “were once friends.” But, again, it remains to be seen how this one will differentiate itself from the numerous other Peter Pans.

Perhaps the trickiest aspect of the movie is Tiger Lily, a character that hasn’t been treated with much respect by Disney in the past. Nevertheless, newcomer Alyssa Wapanatâhk said she was very “excited to have the honor” of playing Tiger Lily. “To be able to tell the story for her, that was phenomenal for me.”

Peter Pan & Wendy [sigh] hits Disney+ next year.


After pushing Peter Pan back to Neverland, Sean Bailey introduced the trailer of The Haunted Mansion and announced that Winona Rider was joining the cast. Director (and former Disneyland employee) Justin Simin also mentioned that “according to TikTok,” Jared Leto is playing the Hatbox Ghost. We await the horror stories from his fellow castmates about how hard he tried to fit into a hatbox for the role. But really, this one is for the real Hatbox heads.

“That script was funny and filled with interesting characters, but it had a little bit of like a dark edge to it,” Simin told the crowd at D23. “I just really related to it. I felt like I knew how to make it. I felt like I understood New Orleans. And, of course, I’m a fanboy. So I felt like I understood the ride, and I felt like I got a responsibility here to make sure all the little details, all the Easter eggs are there because I’m a nerd for real.”


Bailey brought out Oscar-winner Barry Jenkins for a sneak peek of Mufasa: The Lion King. Jon Favreau’s The Lion King made over a billion dollars, so that means people liked it. However, the “live action” animation in Mufasa probably won’t convert anyone turned off by the last trip to Pride Lands. Still, then again, Barry Jenkins is very good at making movies. Here’s what Barry Jenkins said about the film:

Mufasa is the origin story of one of the greatest beings in the history of the alliance. Mufasa, all caps. It’s a story told in a few different time frames. Rafiki, Timon, and Pumbaa, who we all know and love, are relating the story of Mufasa and how he came to a very beautiful, awesome, fantastic young cub. It’s a story about how Mufasa rose to royalty. We assume he was just born into his lineage. But Mufasa was actually an orphaned cub, who had to navigate the world alone. And in telling this story, we get to experience the real journey of how Mufasa found his place and the circle of life. It is pretty awesome.

I felt I had to make this movie because when I was 14, I was helping raise two nephews. And there was a VHS tape that we watched maybe 95 times in the span of 20 days. So I really knew this character. I loved him. But then as I was reading this wonderful script, I was thinking about Mufasa and why he’s great and how people become great. And it’s crazy. I am not a king, but when I make my movies, I was on stage at the Oscars with Moonlight, and I was there and five of my best friends from college were also there. And what you are learning the story is that Mufasa is who he is. He is great because of the family and the friends he has with them. And so I saw myself in that. I thought, this is a really beautiful story to tell.


For Marc Webb’s Snow White, Gal Gadot and Rachel Zegler took the stage to show some footage. There are no dwarves yet—and seeing as they were cut from the title, who knows what their role will be. Thus far, it looks similar to the other remakes, recreating the look of the animated classic. But we’ll need to see Dopey to know how scary this thing is going to look.

Similarly, Rob Marshall invited Halley Bailey on stage to show off The Little Mermaid teaser and a clip of “Part Of Your World.” It doesn’t look like all the effects are done yet, but right now, it’s reminiscent of Avatar and the “merman” commercial from Zoolander. On the other hand, Marshall did promise four new songs from Alan Menkin and Lin Manuel Miranda, so that’s something.

Pixar on Disney+

The director of The Good Dinosaur, Peter Sohn, is back, and he brought some clips and concept art for the next Pixar movie Elemental. Sohn described the film as “very personal” and that the germ of the idea came from his parents. “We immigrated to the U.S. from Korea in the early seventies,” Sohn said. “They had no money, no family, no English. But they managed to create a life in New York.”

Similarly, Elemental files a “fire family” assimilating in Element City, “where Earth, air, water, and fire are characters in our community.


More Pixar is coming in 2023 as we got a little more information on Win Or Lose, the studio’s first television series. The show stars Will Forte as the coach of a ragtag little league baseball team, the Pickles, and the week leading up to their big game. Each episode will focus on a different character’s perspective, allowing for various animation styles.

Pixar also announced two new features Elio and Inside Out 2, which we wrote about here.

Wait! Disney also has some cartoons to share

Disney Animation Studios will not be outdone. Today, they showed clips of their upcoming series Zootopia+ and Iwájú.

Zootopia+ is a six-part series that, like Win Or Lose, focuses on a different character and genre in each episode with various animation styles—some of which look really cool and others like Pixar.

On the other hand, Iwájú is a downright historic collaboration between Disney and an outside animation studio. Jennifer Lee, the Chief creative officer of Walt Disney Animation Studios, retold the story of how she had read about a Nigerian animation studio that was going to take down Disney. So she did like many Disney execs before her and bought the competition.

With the team from Kugali, Disney will premiere the futuristic sci-fi series Iwájú next year.

Finally, Lee brought out the cast from their upcoming 61st animated feature, Strange World. Jake Gyllenhaal, Dennis Quaid, Jaboukie Young-White, and Lucy Liu star in an outer space adventure about a dysfunctional group of explorers. This one comes out on November 23.

Strange World | Teaser Trailer | Walt Disney Animation Studios

“Our film is inspired by some of the great adventure stories that we grew up with,” said co-director Don Hall. “Specifically stories about a group of explorers that stumble upon a hidden world.”

What are we most excited to discover? Jaboukie Young-White’s character, Ethan Clave, which Young-White described as “the vibe master” who makes “the vibe great.”

And that’s everything from the D23 Expo Disney Animation Studios and Pixar presentation. Check back tomorrow when Disney tries to bury us under a mountain of Star Wars and Marvel announcements.

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Night Country—Issa López and Barry Jenkins taking over

Left: Issa López (Photo: Vivien Killilea/Getty Images for NALIP), Right: Barry Jenkins (Photo: Jesse Grant/Getty Images)

It’s been more than three years now since HBO rolled out a new season of True Detective, Nic Pizzolatto’s once-zeitgeist-seizing true crime anthology. And while we may be 8 years distant now from ubiquitous “time is a flat circle” jokes, breathless appreciations for bravura tracking shots, and fevered attempts to tie the franchise into the Cthulhu mythos, the series maintains a certain mystique—not least of which because of the work Mahershala Ali and his cohorts did on the show’s inconsistent, but interesting, third outing back in 2019

Now it sounds like the series might be coming back, with one of Ali’s old collaborators at the helm. Deadline reports that HBO is apparently gearing up for a revival, or possible spin-off, of the series—supposedly titled True Detective: Night Country—that’ll be headed up by Tigers Are Not Afraid writer/director Issa López and Moonlight’s Barry Jenkins.

Details about the series are being kept under wraps, although HBO president Carey Bloys did hint recently that the network might be trying to get back into the “grim meditations on time, memory, loss, etc. through the lens of detective work” game. Per Deadline, López will write, direct, and produce the show’s pilot, while Jenkins will serve as an executive producer. (The Oscar-winner has been working a bit in TV of late; he was nominated for an Emmy for his recent The Underground Railroad.)

López has been an established novelist and filmmaker in Mexico for years now, although she’s just started to break into American markets through films like 2019’s Tigers. Given what a career-boosting effect earlier True Detective seasons have sometimes had for creators—and how divisive responses to the series have been across its various eras—it’ll be interesting to see what reception she’s greeted with here.

No word yet on what involvement, if any, Pizzolatto will have with the series. He most recently penned the screenplay for 2021 Jake Gyllenhaal feature The Guilty.

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Donnie Darko director Richard Kelly teases expanding the story

Jake Gyllenhaal in Donnie Darko
Screenshot: Flower Films

Donnie Darko turned 20 earlier this year—a fact that feels particularly shocking. Wasn’t it just yesterday that baby-faced Jake Gyllenhaal was asking his onscreen and real-life sister Maggie Gyllenhaal “how does one suck a fuck?” Two decades later, the movie sticks vividly in fans’ minds; both because of its memeable lines and because of its complex ending that perhaps rivals only Christopher Nolan’s Inception. At the very least, Donnie Darko’s probably gotten just as many people searching Google for an explanation of the ending as Inception.

In a new interview with Donnie Darko’s writer and director Richard Kelly for Rolling Stone, the filmmaker doesn’t clarify what actually happened in the bizarre ending, but he does seemingly hint that there’s opportunity to explore more of the Donnie Darko universe.

“There’s so much information in Donnie Darko, I’ve been processing it for two decades. But I think really in the past five years or so, since Trump was elected, I’ve been really digging into it and working to see what the bigger world of the film could look like,” he reveals.

As for the ending, he says that in his mind, “the last 10 percent of the movie is the reality of what carried forward. But there’s plenty more to discuss.”

Not much makes sense in the Donnie Darko universe, but it looks like Kelly’s confirming Donnie actually died, since that’s where the movie caps off. So, even though there’s plenty room for Kelly to expand on the Darko world, it looks like there’s a slim chance of seeing us Jake Gyllenhaal don the iconic skeleton suit again.

And speaking of the skeleton suit, Kelly says that yes, he does know who Phoebe Bridgers is. The indie powerhouse has made the outfit part of her persona, and she even went as far as wearing a gray hoodie over the suit in her video for “I Know The End,” replicating Donnie’s look.

“I hadn’t seen her wearing that costume, but I think that’s great,” Kelly says. “When I wrote that costume into the screenplay, I never thought it would ever become anything iconic because to me it was just a simple ideaone of those costumes that you buy at Kmart or something.”

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Jake Gyllenhaal’s ‘crush’ on Jennifer Aniston made sex scenes ‘torture’

Sparks were flying on the set of “The Good Girl,” according to Jake Gyllenhaal, who admitted he had a “crush” on co-star Jennifer Aniston.

“The Guilty” star, 40, opened up about his former screen partner during an appearance on “The Howard Stern Show” and admitted it was tough to film love scenes with Aniston, 52, while working on the 2002 romantic drama due to his infatuation.

“[Filming the sex scenes] was torture, yes it was,” Gyllenhaal said on the show as he laughed. “But it was also not torture. I mean, come on, it was like a mix of both.

“Weirdly, love scenes are awkward, because there are maybe 30, 50 people watching it? That doesn’t turn me on,” he continued. “It’s oddly mechanical. And also it’s a dance, you’re choreographing for a camera. You can get in it, but it’s like a fight scene, you have to choreograph those scenes.”

The “Brokeback Mountain” actor also explained that a certain method was used that involved a pillow. “The pillow technique was used,” he said. “That was just preemptive and used generally always when actually in a horizontal place in that movie.”

He said, “I think that was actually a Jennifer suggestion. She was very kind to suggest it before we began. She was like, ‘I’m putting a pillow here.’ “

In 2016, Gyllenhaal first revealed his crush on the “Friends” star. “She’s a rough one, you know, not likable. So hard to compliment,” he told People. “I will say, I had a crush on her for years. And working with her was not easy . . . I was – um, yeah. That’s all I’m going to say. It was lovely. It wasn’t hard, that’s what I would say.”

Gyllenhaal admitted at the time that he wasn’t a fan of the hit NBC sitcom but was stunned by her “personality from afar, and movies she was in.”

Jennifer Aniston and Jake Gyllenhaal share an intimate moment in “The Good Girl.”
Fox Searchlight

While Gyllenhaal just made his first red-carpet appearance with model girlfriend Jeanne Cadieu, Aniston recently said she’s ready to date again.

“No one of importance has hit my radar yet, but I think it’s time. I think I’m ready to share myself with another,” the former “Friends” star told Bruce Bozzi on SiriusXM’s “Radio Andy.”

Jake Gyllenhaal explained how hard it was to film love scenes during the making of their 2002 flick “The Good Girl.”Getty Images

“The Morning Show” actress expressed that she has been in relationships for nearly 30 years — Aniston was married to Brad Pitt from 2000 to 2005 and Justin Theroux from 2015 to 2017 — but really enjoyed her time on her own for the past several years.

“I didn’t want to [date] for a long time, and I loved really being my own woman without being a part of a couple,” she said. “I’ve been part of a couple since I was 20, so there was something really nice about taking the time.”

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Please, Famous White People, Stop Telling Us You Don’t Bathe

White celebrities should really stop announcing how little they bathe themselves or their children.

For whatever reason, some famous people think that not bathing or not washing their hands is OK. What’s even more confounding is that they’re proudly sharing their unhygienic views with the public.

The latest culprit is Jake Gyllenhaal. In an interview with Vanity Fair published Thursday, the actor said, “More and more I find bathing to be less necessary, at times. I do believe… that good manners and bad breath get you nowhere. So I do that. But I do also think that there’s a whole world of not bathing that is also really helpful for skin maintenance, and we naturally clean ourselves.” Ironically, he said all of this while advertising his new fragrance line.

But Gyllenhaal isn’t the only A-lister to reveal they belong to the world of the unbathed.

The uproar started when celebrity couple Mila Kunis and Ashton Kutcher told hosts on the Armchair Expert podcast in July that they only wash daily what they consider their necessities. For Kunis, that’s her face, and for Kutcher, he washes the crevices and “nothing else ever.”

Then, when they added their children to the conversation, Kutcher said, “If you can see the dirt on them, clean them. Otherwise, there’s no point.”

That’s not all.

Actor Kristen Bell came to the couple’s defense Tuesday while appearing on The View. Speaking about her own method of parenting, she told the show’s hosts, “I’m a big fan of waiting for the stink. Once you catch a whiff, that’s biology’s way of letting you know you need to clean it up.”

No, that’s probably biology’s way of saying the person has passed the point of no return.

To be fair, there’s no exact guideline on how often a person should bathe. However, if they stink, they probably should’ve already done so. The Cleveland Clinic, a slightly more reputable source for health advice, says once a day is generally recommended, not just to prevent odor but to also prevent pores from getting clogged, excess dry and flaky skin, or prevent spreading germs. Remember, dirt carries everywhere.

No matter how much money some celebrities have, bath time doesn’t seem to be a top priority.

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