Tag Archives: Expo

Former equity director blames Minneapolis leaders for ‘failed’ Black business expo, alleges ‘toxic’ work culture – KSTP

  1. Former equity director blames Minneapolis leaders for ‘failed’ Black business expo, alleges ‘toxic’ work culture KSTP
  2. ‘Weapons of Whiteness’: Minneapolis Racial-Equity Leader Accuses Black Council Members of Anti-Black Discrimination Yahoo News
  3. Minneapolis city leaders accused of toxic workplace, racism WCCO – CBS Minnesota
  4. Ex-racial equity director alleges ‘toxic’ Minneapolis City Hall, accuses Black leaders of racism Star Tribune
  5. Former Race and Equity ED lashes out at Minneapolis city officials, assails two Black councilwomen’s “anti-Black sentiment” CBS Minnesota
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BTS Shares Thoughts Ahead Of Busan World Expo 2030 Concert

Ahead of their highly-anticipated World Expo 2030 Busan Korea concert, the members of BTS took some time to share their thoughts and reveal what fans could look forward to!

“We worked hard to prepare for this one-time special concert,” said leader RM. “There will be fun performances and songs that we’ll be singing for the first time in a long while. I hope that [our fans] will happily sing along and jump together with us.”

Jin remarked, “Because it’s our first concert in a long time, my heart is on fire. We’ve prepared songs that everyone knows, so I hope you’ll enjoy watching. We’ll do our best.”

Suga chimed in, “Since it’s the first time in a long while that we’re holding a concert in Korea where the audience can cheer out loud, I’m really looking forward to it. I’m excited at the thought of hearing your cheers.”

He went on to add, “As it’s a free-spirited concert in the style of a festival, I hope that everyone in the audience will fully let go and enjoy the show.”

J-Hope confessed to feeling some pressure ahead of the concert, sharing, “It’s a concert that we worked hard to prepare. While I do feel some nervousness and pressure that we have to do a good job, I plan to show you all the energy I’ve got with the mindset of ‘Let’s go and have fun with a lot of people,’ so I’d be grateful if you enjoyed the show.”

He added, “The key point of this concert is to fully convey the energy of all seven members, and we’ve prepared a wide variety of different things, so please look forward to it.”

Jimin commented, “I’m both excited and nervous, but since we’ve worked hard to prepare, I want to show you the concert as quickly as possible. To the concertgoers, please enjoy the show to your heart’s content together with us.”

Meanwhile, V addressed the many fans who would be watching the concert online, remarking, “We’ll pour everything we’ve got into putting on a cool concert for the viewers all over the world who’ll be watching together with us.”

Finally, Jungkook shared, “Since it’s our first concert in a long time, I’m nervous and excited. I want to put on a concert with no regrets, and I hope that everyone who watches the concert will receive positive energy from it. There will be new performances as well, so you can safely look forward to the show.”

BTS’s World Expo 2030 Busan Korea concert will take place on October 15 at 6 p.m. KST.

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Harrison Ford chokes up while talking about his last ‘Indiana Jones’ film at Disney D23 expo: ‘I’m very proud’

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Harrison Ford choked up on Saturday while talking about the fifth “Indiana Jones” installment, which will be the 80-year-old actor’s last turn as the whip-cracking archeologist. 

“Thank you for making these films such an incredible experience for all of us, giving the opportunity to us to make these films for you,” an emotional Ford said in a surprise appearance at Disney’s D23 expo in Anaheim, California. 

As he stopped for a second to collect himself, a cheer of support rose from the crowd. 

“I’m very proud to say that this one is fantastic,” he continued, adding that his co-star Phoebe Waller-Bridge, who was on stage with him, “is one of the reasons.”

Harrison Ford talks about “Indiana Jones 5” in front of Disney’s D23 Expo crowd on Saturday. 
(The Walt Disney Company via Getty Images)

HARRISON FORD’S 80TH BIRTHDAY: A LOOK AT SOME OF HIS BEST ROLES

“‘Indiana Jones’ movies are about fantasy and mystery, but they’re also about heart,” he continued, choking up again for a moment. “We have a really human story to tell, as well as a movie that will kick your a–.”

At the end of his speech he joked it would be his last time taking on the role. “This is it!” he kidded with the crowd. “I will not fall down for you again.”

“But thank you so much,” he added. 

Ford suffered a shoulder injury last year while rehearsing a fight scene for the film but returned to the set within a few months to finish filming. 

The actor previously hurt his back while shooting 1984’s “Indiana Jones and the Temple of Doom.”

The star, who likes to do as many of his own stunts as possible, also hurt his leg during the production of 2015’s “Star Wars: The Force Awakens” and has injured himself off-camera during two plane small crashes while he was piloting the aircraft. 

Waller-Bridge, 37, joked that “keeping up” with Ford on the set was “exhausting.” 

The movie is the first time the legendary archeologist has returned to movie theaters since “Indiana Jones and the Kingdom of the Crystal Skull” in 2008. 

Ford first donned his famous fedora in 1981’s “Raiders of the Lost Ark,” which was followed by “Temple of Doom” and 1989’s “Indiana’s Jones and the Last Crusade” in which Sean Connery’s played his father. 

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Harrison Ford in a scene from the film “Indiana Jones And The Temple Of Doom” 1984. 
(Photo by Paramount/Getty Images)

The latest installment, set to be released next June, doesn’t have an official title yet. 

Steven Spielberg stepped away from the “Indiana Jones” director’s chair for the first time this round, allowing James Mangold (Ford v. Ferrari) to take the reins. Spielberg is a producer on the movie and John Williams returned to compose the score. 

While little has been revealed about the movie’s plot, the D23 crowd got an exclusive look at a teaser trailer for the film. 

It shows Jones still teaching, walking through a town in the desert and riding a horse through New York City, according to IGN. 

Scenes from past movies are shown along with actor Mads Mikkelsen (Fantastic Beasts: The Secrets of Dumbledore) dressed as a Nazi, Jones’ classic foe. 

Harrison Ford talks about “Indiana Jones 5” on stage with Phoebe Waller-Bridge at Disney’s D23 Expo on Saturday. 
(The Walt Disney Company via Getty Images)

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The cast also includes Antonio Banderas, Boyd Holbrook, Shaunette Renée Wilson, Thomas Kretschmann and Toby Jones. It’s unconfirmed if actress Karen Allen, who played his first love in “Raiders” and married Jones at the end of the last movie, will be in the newest one. 

Fox News’ Tyler McCarthy contributed to this report.

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The Santa Clauses – Official Teaser Trailer (2022) Tim Allen | D23 Expo 2022 – IGN

  1. The Santa Clauses – Official Teaser Trailer (2022) Tim Allen | D23 Expo 2022 IGN
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D23 Expo reimainging, sequel, Pixar, and more news roundup

All the Disney princesses
Photo: Olga Thompson (Walt Disney World Resort via Getty Images)

Now that another Disney+ Day has come and gone, we can get on to the meat of Disney’s big weekend: The D23 Expo, where the greatest fans in the world can get a look at the stuff they’ve already seen before but now reimagined.

Kicking off the day was Cynthia Orivio, our new Blue Fairy, who reminded the audience that there was a new version of Pinnochio currently being memory-holed on Disney+. Continuing the theme that these sorts of things were now the order of the day, Disney Studios chairman Alan Bergman took the stage to remind us that these reimaginings, such as The Lion King, Beauty And The Beast, Cinderella, and Cruella, were “iconic.” We assume he meant that the movies use “iconic imagery,” but regardless, more of these iconic reimaginings and sequels are coming down the pike.

Bergman then brought Walt Disney Studios president Sean Bailey out to take us through the upcoming ways they’re reviving old brands.

Don’t worry: Hocus Pocus 2 and Disenchanted are still coming

First up were the sequels. Hocus Pocus 2 debuts later this month, and since we already shared the trailer, we’ll move on to the other big sequel announcement: Disenchanted. Don’t get it twisted with Matt Groening’s Netflix comedy Disenchantment. This is a sequel to the wonderful Amy Adams comedy Enchanted from 2007. The whole cast is back, including Adams, Patrick Dempsey, Adele Dazeem Idina Menzel, and James Marsden. They’ve upped the ante by adding a Maya Rudolph, too. And now, there’s a trailer.

Disenchanted lands on Disney+ on November 24, 2022.

Disenchanted | Official Trailer | Disney+

Reimagining the past is Disney’s future

The presentation was done round-robin style, with Bailey shuffling VIPs on stage for about five minutes, playing a clip, and then shuffling them off. So next up, Jude Law and the cast of Peter Pan & Wendy took the stage.

Directed by David Lowery, who directed one of the best films of 2021, The Green Knight, and Disney’s delightful remake of Pete’s Dragon, Peter Pan seems a bit more stylish than the other movies announced today. It’s still filled with nostalgic images pulled straight from the Disney vault, but also a distinct visual style, location shooting, and a fish-eye lens that won’t quit. So how will this differ from literally every other revisionist Peter Pans from the last 20 years? Those got theatrical releases.

Our new Captain Hook, Jude Law, said that this version gets into the “backstory a little more” when Peter and Hook “were once friends.” But, again, it remains to be seen how this one will differentiate itself from the numerous other Peter Pans.

Perhaps the trickiest aspect of the movie is Tiger Lily, a character that hasn’t been treated with much respect by Disney in the past. Nevertheless, newcomer Alyssa Wapanatâhk said she was very “excited to have the honor” of playing Tiger Lily. “To be able to tell the story for her, that was phenomenal for me.”

Peter Pan & Wendy [sigh] hits Disney+ next year.


After pushing Peter Pan back to Neverland, Sean Bailey introduced the trailer of The Haunted Mansion and announced that Winona Rider was joining the cast. Director (and former Disneyland employee) Justin Simin also mentioned that “according to TikTok,” Jared Leto is playing the Hatbox Ghost. We await the horror stories from his fellow castmates about how hard he tried to fit into a hatbox for the role. But really, this one is for the real Hatbox heads.

“That script was funny and filled with interesting characters, but it had a little bit of like a dark edge to it,” Simin told the crowd at D23. “I just really related to it. I felt like I knew how to make it. I felt like I understood New Orleans. And, of course, I’m a fanboy. So I felt like I understood the ride, and I felt like I got a responsibility here to make sure all the little details, all the Easter eggs are there because I’m a nerd for real.”


Bailey brought out Oscar-winner Barry Jenkins for a sneak peek of Mufasa: The Lion King. Jon Favreau’s The Lion King made over a billion dollars, so that means people liked it. However, the “live action” animation in Mufasa probably won’t convert anyone turned off by the last trip to Pride Lands. Still, then again, Barry Jenkins is very good at making movies. Here’s what Barry Jenkins said about the film:

Mufasa is the origin story of one of the greatest beings in the history of the alliance. Mufasa, all caps. It’s a story told in a few different time frames. Rafiki, Timon, and Pumbaa, who we all know and love, are relating the story of Mufasa and how he came to a very beautiful, awesome, fantastic young cub. It’s a story about how Mufasa rose to royalty. We assume he was just born into his lineage. But Mufasa was actually an orphaned cub, who had to navigate the world alone. And in telling this story, we get to experience the real journey of how Mufasa found his place and the circle of life. It is pretty awesome.

I felt I had to make this movie because when I was 14, I was helping raise two nephews. And there was a VHS tape that we watched maybe 95 times in the span of 20 days. So I really knew this character. I loved him. But then as I was reading this wonderful script, I was thinking about Mufasa and why he’s great and how people become great. And it’s crazy. I am not a king, but when I make my movies, I was on stage at the Oscars with Moonlight, and I was there and five of my best friends from college were also there. And what you are learning the story is that Mufasa is who he is. He is great because of the family and the friends he has with them. And so I saw myself in that. I thought, this is a really beautiful story to tell.


For Marc Webb’s Snow White, Gal Gadot and Rachel Zegler took the stage to show some footage. There are no dwarves yet—and seeing as they were cut from the title, who knows what their role will be. Thus far, it looks similar to the other remakes, recreating the look of the animated classic. But we’ll need to see Dopey to know how scary this thing is going to look.

Similarly, Rob Marshall invited Halley Bailey on stage to show off The Little Mermaid teaser and a clip of “Part Of Your World.” It doesn’t look like all the effects are done yet, but right now, it’s reminiscent of Avatar and the “merman” commercial from Zoolander. On the other hand, Marshall did promise four new songs from Alan Menkin and Lin Manuel Miranda, so that’s something.

Pixar on Disney+

The director of The Good Dinosaur, Peter Sohn, is back, and he brought some clips and concept art for the next Pixar movie Elemental. Sohn described the film as “very personal” and that the germ of the idea came from his parents. “We immigrated to the U.S. from Korea in the early seventies,” Sohn said. “They had no money, no family, no English. But they managed to create a life in New York.”

Similarly, Elemental files a “fire family” assimilating in Element City, “where Earth, air, water, and fire are characters in our community.


More Pixar is coming in 2023 as we got a little more information on Win Or Lose, the studio’s first television series. The show stars Will Forte as the coach of a ragtag little league baseball team, the Pickles, and the week leading up to their big game. Each episode will focus on a different character’s perspective, allowing for various animation styles.

Pixar also announced two new features Elio and Inside Out 2, which we wrote about here.

Wait! Disney also has some cartoons to share

Disney Animation Studios will not be outdone. Today, they showed clips of their upcoming series Zootopia+ and Iwájú.

Zootopia+ is a six-part series that, like Win Or Lose, focuses on a different character and genre in each episode with various animation styles—some of which look really cool and others like Pixar.

On the other hand, Iwájú is a downright historic collaboration between Disney and an outside animation studio. Jennifer Lee, the Chief creative officer of Walt Disney Animation Studios, retold the story of how she had read about a Nigerian animation studio that was going to take down Disney. So she did like many Disney execs before her and bought the competition.

With the team from Kugali, Disney will premiere the futuristic sci-fi series Iwájú next year.

Finally, Lee brought out the cast from their upcoming 61st animated feature, Strange World. Jake Gyllenhaal, Dennis Quaid, Jaboukie Young-White, and Lucy Liu star in an outer space adventure about a dysfunctional group of explorers. This one comes out on November 23.

Strange World | Teaser Trailer | Walt Disney Animation Studios

“Our film is inspired by some of the great adventure stories that we grew up with,” said co-director Don Hall. “Specifically stories about a group of explorers that stumble upon a hidden world.”

What are we most excited to discover? Jaboukie Young-White’s character, Ethan Clave, which Young-White described as “the vibe master” who makes “the vibe great.”

And that’s everything from the D23 Expo Disney Animation Studios and Pixar presentation. Check back tomorrow when Disney tries to bury us under a mountain of Star Wars and Marvel announcements.

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Round Up: Spike Chunsoft Reveals More Switch Releases At Anime Expo 2022

Anime Expo 2022 is currently underway, and as part of the event, Spike Chunsoft has made some Switch-related announcements during its panel.

First up, we’ve got an announcement trailer for the science adventure series, Anonymous;Code. It will be getting a western release on the Switch and multiple other platforms in 2023. As part of this, there’ll also be a Steelbook Launch Edition made available – with pre-orders opening on July 5th.

Anonymous;Code – 2023

The highly-anticipated Science Adventure Series ANONYMOUS;CODE is coming to the West in 2023. This is the latest work by STEINS;GATE creator Chiyomaru Shikura, in collaboration with returning staff from the Science Adventure Series. Experience the story of the hackers who will rewrite the future.

2037. Nakano, Tokyo.
Pollon Takaoka is caught up in a tangle of plots as a result of his encounter with the mysterious girl Momo and faces a major event that shakes the world. Play with Pollon and help him to hack the myriad branches of reality and “load” the ending that saves the world!

Producer Tatsuya Matsubara also shared a special message:


The next Switch announcement was Chaos;Head Noah / Chaos;Child Double Pack for Nintendo Switch, arriving on October 7th.

Chaos;Head Noah/ Chaos;Child Double Pack – October 7th

CHAOS;HEAD NOAH is also included in the CHAOS;HEAD NOAH / CHAOS;CHILD DOUBLE PACK for Nintendo Switch. CHAOS;HEAD NOAH is the first HD remaster in the CHAOS;HEAD series and has powered up even more since the first version. Everything has been remastered in 1080p and play has been improved thanks to the MAGES Engine. Also includes all OP movies in HD remaster, including the new songs made for the port. Enjoy the fantasy, the madness, all the clearer.

CHAOS;HEAD NOAH and CHAOS;CHILD arrive in North America and Europe in the 2 games in 1 CHAOS;HEAD NOAH / CHAOS;CHILD DOUBLE PACK for Nintendo Switch on October 7, 2022.


Last of all was a video from the author of Made in Abyss, Akihito Tsukushi. The game will arrive on Switch and multiple other platforms this September.

Made in Abyss: Binary Star Falling into Darkness is an Action RPG in which players themselves descend into the world of the Abyss and grow through their experience in its depths. The game, supervised by original series author Akihito Tsukushi, recreates the world of the Abyss in 3D, including battles with creatures, collecting relics, and “The Curse of the Abyss”. Fans are sure to enjoy the dark fantasy that remains true to the unique flavor of the original work.

The 3D Action RPG Made in Abyss: Binary Star Falling into Darkness will arrive on PlayStation®4, Nintendo Switch™, and Steam® on September 2, 2022, in North America and Europe.


Excited for any of these upcoming releases on Switch? Tell us down below.



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Dubai Expo presents a glitzy facade of 192 nations in total harmony. The strife from back home lurks just under the surface

A record 192 countries are represented at this year’s postponed Expo — up from 139 at the previous World Expo in Milan — among them, of course, the world’s most poverty-stricken, war-torn and unstable.

Aided by funding from the Emirati government, all of them are using Expo 2020 to present a polished image that might attract investment or tourists, but the strife from back home lurks just under the surface.

Tucked away off the main pedestrian walkway, the modest Myanmar pavilion is filled with photos, clothing and cultural items native to the South Asian nation — in an attempt to represent the regional and religious diversity of the majority Buddhist country.

Levi Sap Nei Thang, the pavilion’s deputy director, says she was appointed by the previous, democratically elected government of Aung San Suu Kyi. “Deputy” was added to Thang’s title after Myanmar’s military took control of the country in February, arrested Suu Kyi and cracked down on nationwide protests. Technically, they’re now in charge of the pavilion too.

Thang herself is a perfume entrepreneur and a household name in Myanmar, thanks to her philanthropic work. She has also made headlines in the United States recently over her purchase of oil and gas leases.

Back in Dubai, Thang told CNN that she has been planning the Expo exhibit for years, aiming to promote trade and attract visitors to Myanmar, but conceded that “it may not be a good time now [for tourists].”

The Expo runs until March 2022 and Thang says she expects that at some point Myanmar’s military junta will “send a new team” to take over the pavilion, just as they have taken over the country. She said she recently declined a call with a minister seeking to discuss control of the pavilion. If she’s pushed out, however, Thang said she won’t stick around.

“I do this for my people, not for any political parties,” she told CNN. Myanmar’s military government did not respond to requests for comment from CNN.

Myanmar’s pavilion is not the only one to be caught up in a government overthrow. Afghanistan’s pavilion stood empty for days at the start of the Expo on October 1, after the Taliban takeover of the country left a vacuum in its management. Now, an Afghan antiquities collector from Austria, Mohammed Omer Rahimy, has opened the pavilion after being called in by the Expo’s organizers and struggling with customs delays.

Rahimy told CNN that he represents neither the previous government nor the Taliban, and has taken up the task for the Afghan people. Indeed, there is no sign of Afghanistan’s turmoil in the displays of colorful traditional clothing, ornate antique jewelry and elegant brassware, including a mortar and pestle from the 12th century.

Rahimy takes great pains to make clear that he is non-partisan — in fact, he says he has curated items for the Afghan pavilion on behalf of several regimes since the 1970s at more than a dozen expos — and said he only wants peace for his country, no matter who is in charge. Rahimy said his goal was to showcase Afghanistan’s rich cultural history, and promote investment and buyers for the country’s exports, like saffron, which is on sale in small vials at the pavilion.

“Any regime comes to Afghanistan, then five years, four years later, the next regime comes. For me, my people are what’s important,” he told CNN.

Many of the country pavilions at Expo 2020 are built with funding from the Emirati government, though organizers declined to detail cost-sharing arrangements. Private sponsorship is also a major source of funding, but individual governments are ultimately supposed to be in charge.

In the Syrian pavilion, there is no doubt that President Bashar al-Assad, accused of using chemical weapons on his own people, is in control. His portrait hangs among 1,500 Syrian-made wooden paintings meant to collectively represent the country’s national unity — despite it being torn apart by a decade of civil war. A historical timeline of Syria makes no mention of that conflict.

The pavilion was financed by the Emirati government and Syrian businesspeople, according to designer and director Khaled Alshamaa. Syria’s economy minister, Mohammad al-Khalil, was there to open the pavilion and Alshamaa, is encouraging tourists to return the country.

“It’s totally safe,” insisted Alshamaa. “Now, we’re trying to build our economy back. The war is over in 99% [of Syria].” Airstrikes and terror attacks are still frequent in the country, however, and civilian casualties remain common.

Similarly, the Yemeni pavilion showcases a 330-year-old manuscript, and some of the Gulf’s rarest swords — but makes no mention of the brutal war and humanitarian crisis in Yemen over the past seven years.

Perhaps the oddest contradiction is the Lebanese pavilion. A striking solid gray structure with minimalist black statues outside standing guard, inside, the presentation bears no resemblance to the current economic state of the country. Lebanon is still recovering from the Beirut port explosion that killed hundreds and injured thousands — as well as a worsening economic crisis that has wiped out the value of the Lebanese pound, and with it, the life savings of ordinary people. Severe food, fuel and medicine shortages have helped push almost three-quarters of the population into poverty, according to a recent United Nations report.

Yet, inside the pavilion, visitors are greeted by an immersive video experience that could easily double as an ad for the Lebanese tourism ministry, with scenic aerial shots highlighting the country’s natural beauty.

“The news will cover the unsanitized version of Lebanon,” explained Nathalie Habchi Harfouche, the pavilion director. Harfouche doesn’t work for the Lebanese state. When the country’s dysfunctional government, plagued by allegations of corruption abandoned plans to operate the pavilion in 2019, a coalition of private sponsors headed by the Lebanon Chamber of Commerce and the diaspora in Dubai stepped in to salvage the project, organizers said — aided by funding from the United Arab Emirates. The logo of the Lebanese Ministry of Economy adorns the wall, but Harfouche said that is out of necessity more than anything since technically pavilions must be government-backed.

“We’re not carrying water for the government, we’re not doing their job, we’re doing it for the people. If they’re not willing to do it, then we’ll do it. If this means our survival, then so be it. We want to survive and we’re going to survive as a people,” she told CNN.

Past the gift shop filled with soaps and jewelry, there’s an attractive bar with a curated selection of Lebanese wine. Harfouche said the pavilion’s display will evolve and change over the next six months — including content that “depicts the reality, but yet in an artistic way.” Still, she has no plans to make the pavilion overtly political.

“Why would I do that?” she asked. “I don’t want to think about the government. This is an apolitical entity here.”

Harfouche said her goal is to encourage tourism and badly needed investment to help rebuild Lebanon’s battered economy, and ultimately, aid its people.

“It would have been easy to not be here, but it would have been totally a waste of opportunity for the people, not for anyone else,” she added.

Expo 2020 has shelled out large amounts of money to ensure that as many countries as possible are represented here. Spokesperson Sconaid McGeachin declined to get into cost details, but told CNN that: “This [financial support] provides every country to tell their narrative about their culture and heritage and their focus for the future.”

Every nation represented here is presenting a narrative, of sorts, but many of them are far from the full story.

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Dubai Expo 2020 offers conflicting figures on worker deaths

DUBAI, United Arab Emirates (AP) — Dubai’s Expo 2020 on Saturday offered conflicting figures for how many workers had been killed on site during construction of the massive world’s fair, first saying five and then later three.

In a later statement, Expo apologized and described the initial figure as a “mistake.” Authorities had refused for months to publicly provide any figures for construction-related casualties in the run-up to the $7 billion fair rising from the desert outside Dubai, designed the burnish the city’s reputation abroad and draw millions of visitors.

The inconsistent statements came as the event and the United Arab Emirates as a whole long has faced criticism from human rights activists over poor treatment of the low-paid migrant laborers from Africa, Asia and the Middle East who keep the country’s economy humming.

When pressed to provide a number for worker deaths at a news conference Saturday morning, Expo spokesperson Sconaid McGeachin said without hesitation that “we have had five fatalities now,” adding, “you know, that is obviously a tragedy that anybody would die.”

But just after 5 p.m. Saturday and hours after an Associated Press report quoted McGeachin, Expo put out a statement that said: “Unfortunately, there have been three work-related fatalities (and) 72 serious injuries to date.” Just after 7 p.m., Expo issued another statement apologizing for “the inaccuracy.”

Expo said that its 200,000 laborers who built the vast fairgrounds from scratch worked over 240 million hours. Over the past year, authorities had not offered any overall statistics previously on worker fatalities, injuries or coronavirus infections despite repeated requests from the AP and other journalists.

The admission comes after the European Parliament urged nations not to take part in Expo, citing the UAE’s “inhumane practices against foreign workers” that it said worsened during the pandemic. Ahead of Expo, businesses and construction companies are “coercing workers into signing untranslated documents, confiscating their passports, exposing them to extreme working hours in unsafe weather conditions and providing them with unsanitary housing,” the resolution last month said.

McGeachin also acknowledged that authorities were aware of cases involving contractors “withholding passports,” engaging in suspect “recruitment practices” and violating workplace safety codes.

“We have taken steps to ensure those have been addressed and very much intervened in cases on that,” she said, without elaborating.

Laborers in the UAE are barred from unionization and have few protections, often working long hours for little pay and living in substandard conditions. Most foreign workers, hoping to earn more than they would at home, come to the UAE and other oil-rich Arab states through recruitment agencies, part of a sponsorship system that ties their residency status to their jobs and lends their employers outsized power.

Dubai’s searing early autumn heat proved hazardous even for those visiting the site on its opening day Friday, with some tourists fainting in the 40 degree Celsius (104 degree Fahrenheit) humid weather.

On the fairgrounds Saturday to mark France’s National Day at Expo, French Foreign Minister Jean-Yves Le Drian told a news conference that his government was “not part” of the European Parliament resolution urging the boycott of Dubai’s world’s fair.

“Our relation with the United Arab Emirates is a strategic one, it’s very close,” Le Drian said when asked about concerns over labor abuses on site. “If we need to say something to the United Arab Emirates’ government we do so behind closed doors.”

There was no Emirati official present at the press conference.

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For first time, Dubai Expo 2020 says 5 workers died on site

DUBAI, United Arab Emirates (AP) — Dubai’s Expo 2020 on Saturday acknowledged that five workers had been killed on site during construction of the massive world’s fair, revealing for the first time overall statistics for worker fatalities.

Expo previously said that its 200,000 laborers who built the site worked some 240 million hours in its construction. It had not offered any overall statistics previously on worker fatalities, injuries or coronavirus infections despite repeated requests from The Associated Press and other journalists.

The admission comes after the European Parliament last month urged nations not to take part in Expo, citing the United Arab Emirates’ “inhumane practices against foreign workers” that it said worsened during the pandemic. Ahead of Expo, businesses and construction companies are “coercing workers into signing untranslated documents, confiscating their passports, exposing them to extreme working hours in unsafe weather conditions and providing them with unsanitary housing,” the resolution said.

At a press conference a day after the event’s opening, Expo spokesperson Sconaid McGeachin claimed the information about fatalities was previously available but did not elaborate. The AP previously had repeatedly asked for the information and received no response from the Expo.

She also said authorities would offer more information about casualties at a later, unspecified time.

McGeachin also acknowledged that authorities were aware of cases involving contractors “withholding passports” and engaging in suspect “recruitment practices” and workplace safety violations on site.

“We have taken steps to ensure those have been addressed and very much intervened in cases on that,” she said, without elaborating.

The UAE, an oil-rich sheikhdom that relies on low-paid migrant labor from Africa, Asia and Arab countries to keep its economy humming, faces long-standing criticism from human rights groups for treating those workers poorly. But officials have battled to present a positive image for Expo, the first world’s fair in the Middle East that seeks to show off Dubai’s pride and draw millions of foreign visitors.

Laborers in the UAE are barred from unionization and have few protections, often working long hours for little pay and living in substandard conditions.

Dubai’s searing early autumn heat proved hazardous even for those visiting the site on its opening day Friday, with some tourists fainting in the 40 degree Celsius (104 degree Fahrenheit) humid weather.

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