Tag Archives: distinctive

Saturn’s Distinctive Look May Be Rooted in the Death of an Ancient Moon

Saturn may owe its sweeping ring system and distinctive tilt to the death of an ancient moon named Chrysalis, according to the results of a new study.

The gas giant Saturn is one of the most spectacular sights in our solar system. However, despite having been the target of multiple ambitious missions in the past, significant questions remain as to how the iconic planet gained its impressive ring system, and exactly why it orbits on a 26.7 degree tilt relative to its orbital plane.

Astronomers have believed for a while that Saturn’s jaunty angle was the result of a gravitational interplay between the gas giant, its 83 moons, and the tug exerted on it by the planet Neptune. The relationship with the latter was drawn when astronomers realized that Saturn’s spinning top-like motion matched extremely well with the orbital cadence of Neptune.

In other words, the two massive planets were thought to share a strong gravitational association – also known as a resonance.

Images from NASA’s Cassini Probe

Data collected by the Cassini spacecraft, which explored the Saturnian system between June 2004 – September 2017, further informed the relationship, by revealing that the massive moon Titan was moving away from Saturn at a surprising speed of 11 cm per year.

This led some scientists to suggest that the gravitational influence and outward movement of this natural satellite – which is significantly larger than Earth’s moon – was likely responsible for maintaining the orbital resonance between Saturn and Neptune.

However, this theory was predicated on one major, and largely undefined characteristic of Saturn – its ‘moment of inertia’. This is essentially the term used to describe the distribution of mass within a heavenly body.

The moment of inertia is an important factor for astronomers looking to understand the orbital properties of a world, as the distribution and density of mass in a planet’s interior can have a significant bearing on its tilt. Therefore if scientists don’t have a good understanding of the moment of inertia, it becomes more difficult to accurately figure out what the history of that planet when, for example, using computer modelling.

Cassini’s Legacy

Now, a team of researchers have now used Cassini data from the final part of its mission – known as the ‘Grand Finale’ – to refine Saturn’s moment of inertia, and discovered that it lies outside of the range needed to maintain an orbital resonance with Neptune.

During the ‘Grand Finale’, Cassini was directed to undertake a series of daring dives between Saturn’s cloud surface and its innermost rings. A total of 22 dives were made, during which the spacecraft collected data on Saturn’s internal structure, and the distribution of mass therein.

The team used computer modelling to create a map of the mass distribution of Saturn that fit with Cassini’s real world gravitational measurements. Whilst it was close, the team’s findings revealed that Titan’s pull is not sufficient to maintain the gravitational resonance between Saturn and Neptune. However, judging by Saturn’s present day tilt, the team believes that there was a resonance that lasted for billions of years in the past, that was subsequently broken.

To unravel the mystery, the team began to run computer simulations that essentially turned back the clock on Saturn’s planetary evolution in an attempt to discover gravitational instabilities that could account for the break with Neptune.

After running numerous simulations, the team came to the conclusion that Saturn once hosted at least one more major satellite roughly the size of the moon Iapetus, which has a current day diameter of 457 miles (736 km).

The Death of a Moon

According to the the results of the study, published in the journal Science, the gravitational influence of this long dead moon would have maintained the fragile resonance between Saturn and Neptune. Over the course of several billion years, this gravitational dance between the gas giants and moons would have slowly tugged Saturn’s axis onto an extreme tilt.

However, the relationship was not to last. The team estimate that, roughly 160 million years ago, the moon ran afoul of the gravitational influence of its siblings Titan and Iapetus, and was forced ever closer towards the surface of Saturn.

Eventually, Chrysalis would have been shredded by the vast forces being exerted upon it. The vast bulk of the moon’s mass would have disappeared beneath the cloud surface of Saturn. However, a small quantity would escape that fate, and eventually settle around the equator.

With the moon destroyed, the finely balanced resonance was broken, leaving Saturn with its distinctive orbital tilt, and the makings of the fantastic ring system that we see today.

Anthony Wood is a freelance science writer for IGN

Image Credit: NASA/JPL/Space Science Institute

Read original article here

Why does ancient Egypt’s distinctive art style make everything look flat?

In 1986, the band “The Bangles” sang about “all the old paintings on the tombs” where the figures they depict are “walking like an Egyptian.” Though he was neither an art historian nor an Egyptologist, songwriter Liam Sternberg was referring to one of the most striking features of ancient Egyptian visual art — the depiction of people, animals and objects on a flat, two-dimensional plane. Why did the ancient Egyptians do this? And is ancient Egypt the only culture to create art in this style?

Drawing any object in three dimensions requires a specific viewpoint to create the illusion of perspective on a flat surface. Drawing an object in two dimensions (height and breadth) requires the artist to depict just one surface of that object. And highlighting just one surface, it turns out, has its advantages.

“In pictorial representation, the outline carries the most information,” John Baines, professor emeritus of Egyptology at the University of Oxford in the U.K. told Live Science. “It’s easier to understand something if it is defined by an outline.” 

Related: What did ancient Egypt’s pharaohs stash inside the pyramids?

When drawing on a flat surface, the outline becomes the most important feature, even though many Egyptian drawings and paintings include details from several sides of the object. “There is also a great focus on clarity and comprehensibility,” Baines said.

In many artistic traditions, “size equals importance,” according to Baines. In wall art, royalty and tomb owners are often depicted much larger than the objects surrounding them. If an artist were to use a three-dimensional perspective to render human proportions in a realistic scene with a foreground and background, it would go against this principle.

A wall painting with Egyptian hieroglyphics from Tomb 24, Giza.  (Image credit: Photo by © Historical Picture Archive/CORBIS/Corbis via Getty Images)

The other reason for depicting many objects on a flat, two-dimensional plane is that it aids the creation of a visual narrative. 

“One only has to think of [a] comic strip as a parallel,” Baines said. There are widely accepted principles that organize how ancient Egyptian visual art was created and interpreted. “In origin, writing was in vertical columns and pictures were horizontal,” Baines said. The hieroglyphic captions “give you information that is not so easily put in a picture.” More often, these scenes don’t represent actual events “but a generalized and idealized representation of life.” 

However, not all pictorial representation in ancient Egypt was purely two-dimensional. According to Baines, “Most pictorial art was placed in an architectural setting.” Some compositions on the walls of tombs included relief modeling, also known as bas relief, in which a mostly flat sculpture is carved into a wall or mounted onto a wall. In the tomb of Akhethotep, a royal official who lived during the Fifth Dynasty around 2400 B.C., we can see two scribes (shown below) whose bodies are sculpted into the flat surface of the wall. As Baines explained, the “relief also models the body surface so you can’t say that it’s a flat outline” because “they have texturing and surface detail in addition to their outlines.” 

In many examples dating as far back as 2700 B.C. in the Early Dynastic Period, artists painted on top of a relief to add even more detail, as seen in the image of the two scribes below.

A relief of two scribes from Mastaba of Akhethotep at Saqqara. Dated to the Old Kingdom, Fifth Dynasty, circa 2494 B.C. to 2345 B.C. Found in the Collection of The Egyptian Museum, Cairo.   (Image credit: Photo by Fine Art Images/Heritage Images/Getty Images)

Egyptian visual art used “more or less universal human approaches to representation on a flat surface,” Baines said. 

“It [Egyptian art] influenced art in the ancient Near East,” such as ancient Syrian (or Levantine) and Mesopotamian art, Baines said. The same conventions can be seen in many other ancient traditions of art. Maya art also uses pictorial scenes and hieroglyphic script. Although classical Greek and Roman art is an exception, there are even examples of similar artistic conventions for two-dimensional drawing and painting from medieval Europe. As Baines explained, “It’s a system that works very well and so there’s no need to change it.” 

Originally published on Live Science.

Read original article here

Burger King murder: Distinctive belt led cops to person of interest in killing of 19-year-old Kristal Bayron-Nieves in East Harlem

EAST HARLEM, Manhattan (WABC) — A person of interest is being questioned in the fatal shooting of a 19-year-old cashier at a Burger King in East Harlem.

The unidentified 30-year-old man was picked up by detectives in Brooklyn on Thursday. No charges have been filed.

The family of 19-year-old Kristal Bayron-Nieves was told of the possible break in the case.

Police released a security camera video showing the suspect:

A distinctive belt and an EBT card led detectives to the man they believe fatally shot the 19-year-old Burger King cashier.

The man is believed to have actually worked at the same Burger King at some point in the past, although it is not believed he knew his victim.

Although most of his wardrobe at the time of the killing was non-descript, he was spotted wearing a distinctive “Guess” belt by detectives during an extensive canvass of surveillance video.

Detectives were able to match the belt to one he was wearing on a picture he posted on Instagram.

The man was also linked by an EBT card he used after the fatal shooting.

He is believed to have fled the scene on a number 6 subway train, taking it from 116th St to 110th Street.

He walked into a bodega off 110th Street, and instead of using the proceeds from the robbery, bought a fruit drink using his EBT card.

Detectives got his name from the card, and tracked him to a Days Inn near Kennedy Airport in Queens, which is currently being used as a shelter.

He was not caught there, instead nabbed while visiting a girlfriend Thursday on Patchen Avenue in Brooklyn.

Detectives are still looking for the .9 millimeter handgun used in the shooting.

He allegedly pistol-whipped the manager with the gun and also took the managers phone.

He then apparently shot the female cashier as she struggled to get the register open.

He has seven prior arrests in New York City.

Sunday’s cold-blooded killing of a young person working a dangerous overnight shift to save money shocked many in the city.

New York City Mayor Eric Adams brought up the case Thursday while talking about unacceptable levels of crime.

“The 19-year-old baby that was shot, we have to catch that guy,” said Adams. “And I refuse to apologize for people who are violent in our city. Those crimes, we are zeroing in on. And we are going to make sure they are taken off our street like the district attorney did with that gang takedown.”

Adams, who previously said the murder was particularly senseless because the victim gave the suspect the $100 that was in the cash register, and he shot her anyway, once again expressed his outrage at the killing on Friday morning.

“I am so focused on stopping 19-year-old girls from being shot in Burger King,” he said at an unrelated event in Queens.

The mayor said he has not received an update on the person of interest being questioned.

Bayron-Nieves had moved to New York from Puerto Rico with her mom, her 14-year-old brother and the family cat two years ago.

ALSO READ | Reward in killing of Burger King employee during robbery grows to $20,000

Family members are raising money to return her body there for burial. Family members are raising money to return her body there for burial.

A GoFundMe campaign had raised $24,000 as of Friday morning.

Her wake will be held next Tuesday.

Meantime, the reward posted in connection with the case stands at least $20,000.

Community activists gathered outside the Burger King Tuesday night where Bayron-Nieves was shot.

As Jim Dolan reported, they called for an end to the violence and their pleas were loud and filled with pain and grief.

———-
* Get Eyewitness News Delivered
* More Manhattan news
* Send us a news tip
* Download the abc7NY app for breaking news alerts
* Follow us on YouTube
Submit a News Tip

Copyright © 2022 WABC-TV. All Rights Reserved.



Read original article here

Scientists reveal how tabby cats get their distinctive stripes

Tabby cats often have what looks like a letter “M” on their foreheads.


Auscape/Universal Images Group via Getty Images

As any cat owner can tell you, cats don’t give up their secrets easily. But a new study, published Tuesday in the science journal Nature Communications, delves into a long-held kitty mystery: How exactly does a tabby cat’s genes make those striking stripe patterns in its fur? 

“Tabby” isn’t a breed; it’s a distinct fur pattern common among cats. Tabby cats often have what looks like a letter “M” on their foreheads, plus bold stripes of varying design in their fur. The tabbys have made their mark on pop culture, too. Morris the 9Lives cat food mascot is an orange tabby, as are cartoon cats Garfield and Heathcliff.

In the new study, conducted by scientists affiliated with Alabama’s HudsonAlpha Institute for Biotechnology and the Stanford University School of Medicine, 200 litters of nonviable embryos were examined, delving into the mystery of how patterns emerge in a developing cat.

“We think this is really the first glimpse into what the molecules (involved in pattern development) might be,” Dr. Gregory S. Barsh, one of the report’s authors, told The New York Times.

The study found that differences in the expression of the embryo’s genes determined the colors they would later produce when growing hair follicles. Seemingly identical cat-skin cells can acquire different genetic signatures that later result in the cat’s intricate fur patterns. The same could hold true for large wild cats, such as leopards and tigers.

The new research determined that a gene known as Dickkopf 4 (Dkk4) is vital to the process. Some cats, such as the elegant Abyssinian, carry what’s called a ticked pattern, where instead of stripes, the cat may appear similar to a tabby in some areas, yet have smaller, fleck-like markings. The study shows that this comes when the Dkk4 gene is mutated in those cats.

It all may seem like more than you wanted to know about your favorite feline, but the study notes that “understanding the basis of the animal color pattern is a question of longstanding interest for developmental and evolutionary biology.” 

Read original article here