Tag Archives: Disney

WandaVision episode 5 recap: Disney Plus show hints at Marvel Cinematic Universe’s future

Agnes is embracing the ’80s.


Marvel Studios

WandaVision got a little Wonder Woman 1984 on Friday, dragging the Marvel Cinematic Universe back to the ’80s as its fifth episode landed on Disney Plus. We pick up after Wanda (Elizabeth Olsen) gave birth to twin sons Billy and Tommy (following a ludicrously short pregnancy) and the true nature of Westview was seemingly revealed.

“It’s Wanda. It’s all Wanda,” says SWORD agent Monica Rambeau (Teyonah Parris) after being kicked out of the New Jersey town. It seems the Avenger has turned the whole town into a shifting period sitcom, and wasn’t happy when Monica tried to give her a dose of reality.

Let’s put on our fashionable leg warmers, toss back our shiny mullets and dive into the episode. SPOILERS comin’.

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Marvel Studios

Brother from another Marvel

The episode ends with the arrival of Wanda’s brother, Pietro (aka Quicksilver), whom we last saw played by Aaron Taylor-Johnson in Avengers: Age of Ultron… in the MCU. He was killed by Ultron in that movie, a source of major trauma for Wanda.

“She recast Pietro?” asks astrophysicist Darcy Lewis (Kat Dennings) upon seeing him.

Don’t mind me, just in from another cinematic universe.


Marvel Studios/Screenshot by Sean Keane/CNET

The Pietro who arrives at the door in this episode is played by Evan Peters, whom you might remember as the version of the character in the last few X-Men movies — Days of Future Past, Apocalypse and Dark Phoenix. These weren’t set in the MCU, since 21st Century Fox had the cinematic rights to the X-Men characters.

However, Quicksilver and Wanda were major Avengers characters too, so Fox and Marvel Studios came to an arrangement that’d let them use their own version of the characters in their cinematic universes. That became irrelevant when Marvel Studios parent Disney acquired Fox (and the X-Men cinematic rights) in 2019, and it seemed like the Peters version of the character would fade with the Fox X-Men universe.

“Long-lost bro get to squeeze his stinkin’ sister to death or what?” says Pietro to a shocked Wanda. 

She may have been trying to undo her brother’s death and accidentally brought the X-Men’s Pietro into the MCU. We already knew the X-Men were going to appear in this universe in some form, but a reboot seemed the most likely entry point — I certainly didn’t dare hope we’d see any of the OG cinematic X-Men again (even though Dark Phoenix included a fun MCU Easter egg).

It’s unclear exactly what his appearance means for this universe — it could be the beginnings of the multiverse, a limited crossover, or we might see a bunch of characters from the X-Men universe show up (Hugh Jackman Wolverine and Michael Fassbender Magneto next please). The Deadpool movies are ostensibly set in that universe as well — Peters had a cameo in 2018’s Deadpool 2 — and Deadpool 3 is confirmed to be part of the MCU.

It also opens up the possibility that the J. Jonah Jameson we saw in the Spider-Man: Far From Home postcredits scene is the one from Sam Raimi-Tobey Maguire trilogy.

Your move, DC.

Them rascally boys

We open with Wanda and Vision (Paul Bettany) stressing out over their crying twin sons Billy and Tommy. Wanda tries to make them sleep with a spell, but it seems she can’t influence them the same way she can most of the others in Westview.

“Why won’t you do what I want?” she wonders.

Enter the neighborly Agnes (Kathryn Hahn), in her spectacular Jazzercise outfit, who volunteers to help with the crying babies. Vision resists the idea, and we get a weird moment.

“Should we just take it from the top?” Agnes asks Wanda, briefly breaking character and the illusion to reveal that she knows about Wanda’s ability to rewind events that displease her.

Suspiciously enough, Agnes knows exactly what the boys need.


Marvel Studios/Screenshot by Sean Keane/CNET

The babies stop crying for that moment, and kick off again when Agnes returns to her role. She’s not under Wanda’s spell, and seems to be playing along voluntarily. The boys also age up twice — first from babies to five, then to 10 — while Agnes is present.

“Kids, ha. You can’t control ’em. No matter how hard you try,” she says, apparently cool with the weirdness. Could Agnes have tried to control Wanda at some point? Is Westview a result of some deal they made? It’s possible Agnes is the puppet master here, and wants the boys to age up for her own purposes.

Billy and Tommy later resist Wanda’s direct control, by rebuffing her assertion that it’s Monday, and push her to remember her lost brother Pietro.

“He’s far away from here, and that makes me sad sometimes,” she responds — perhaps our first hint that she knows there’s another version of her brother in a different reality.

Wanda instills the importance of family in her sons.


Marvel Studios/Screenshot by Sean Keane/CNET

Woof

The boys also find a dog in the garden and name him Sparky, at Agnes’ prompting. Agnes later finds Sparky dead, having seemingly eaten leaves, and Wanda refuses to resurrect the pup. 

Did Wanda consciously or subconsciously kill Sparky, mirroring her own sense of loss over Vision in Billy and Tommy? Or could Agnes be the one doing it, to shape them in some way?

Things get heated between Wanda and Vision. Note the “M” shape of the blinds — Maximoff or Mutant?


Marvel Studios

Trouble in paradise

Vision is increasingly aware that Westview ain’t right, and confronts Wanda directly about it. Her ability to influence him is waning too — she even tries to end the “episode” by rolling the credits on him — but Pietro’s arrival provides the perfect distraction. 

We don’t know if Pietro was summoned by Wanda, the twins, Agnes or some unseen force.

The ad

The commercial break in this episode presents us with Lagos paper towels — “For when you make a mess you didn’t mean to.” This is reference to the incident in Lagos, Nigeria, in Captain America: Civil War.

Here’s what happened: The Avengers stopped terrorist (and former Hydra sleeper agent) Brock Rumlow from stealing a biological weapon, and Rumlow blew himself up in attempting to kill Cap. Wanda used her telekinetic powers to fling him high in the air, but this accidentally killed a bunch of Wakandan humanitarian workers — creating further controversy around the Avengers and indirectly resulting in Wanda and Vision getting into a relationship.

Lagos paper towels are seemingly good for cleaning up red liquid.


Marvel Studios/Screenshot by Sean Keane/CNET

In the ad, we hear a continued dripping sound after the mess is wiped away, suggesting it’s not really cleaned up. It feels like a hint that Wanda can’t just magic away everything she doesn’t like.

Hero or villain?

Outside Westview, FBI agent Jimmy Woo (Randall Park) runs through Wanda’s history for the SWORD (Sentient Weapon Observation and Response Division) agents — she was born in 1989 to Irina and Oleg Maximoff. This show is set in 2023, so Wanda is 34, and it’s likely Irina and Oleg are the people seen in the commercials.

We also learn that this all kicked off nine days ago, when Wanda broke into SWORD headquarters and stole Vision’s corpse (what were they doing with him?). She also defied Vision’s wishes by resurrecting him.

“He didn’t want to be anybody’s weapon,” says Jimmy.

Monica Rambeau has a plan to get back into Westview.


Marvel Studios

Acting SWORD director Tyler Hayward (Josh Stamberg) seems eager to cast Wanda as a terrorist (rewriting reality in his own way) for taking control of Westview and for past links with Hydra, much to Darcy’s and Jimmy’s chagrin. 

He highlights Monica’s description of how being under Wanda’s influence felt — “excruciating, terrifying, a violation” — making it hard to argue with him.

Steppin’ out

When Wanda steps out of Westview to confront the SWORD agents for sending a drone in, she’s wearing her Avengers: Endgame outfit and speaks in her Sokovian accent. Monica tries to appeal to her, to no avail.

“I have what I want, and no one will ever take it from me again,” she says.

With an awesome flick of her wrist, she makes the armed agents aim at Hayward. The fact that they don’t fire suggests she hasn’t gone full bad guy.

Observations and WTF questions

  • Vision mentions Charles Darwin’s The Descent of Man, an 1871 book in which the naturalist details his theories of evolution and the dominant role of women in mate choice. That notion might seem a bit old-school now, but Wanda did resurrect Vision to start a family.
  • Could Vision’s decision to read be linked to his sense that Wanda is controlling him?
  • The intro pays homage to ’80s sitcoms Growing Pains, Family Ties and Full House, the third of which saw the debut of Mary Kate and Ashley Olsen — Elizabeth Olsen’s older sisters.
  • Darcy calls the anomaly “the Hex,” after the hexagonal shape of the affected area.
  • Hayward also wonders if Wanda has an alias or “funny nickname,” but Jimmy rebuffs that. In the comics, she’s known as Scarlet Witch, but that name hasn’t been used in the MCU.
  • Sparky is the name of the synthezoid dog created by Vision in the 2015 Vision comic series
  • Monica didn’t seem eager to talk about Captain Marvel. Since Carol Danvers and her mom were friends in the ’90s-set Captain Marvel movie, it’s possible Monica is angry that the wildly powerful Carol left Earth and her friend battled cancer while she was gone.
  • “I know an aerospace engineer who’d be up for this challenge.” Monica wants to create a vessel that’ll get her into Westview safely, and contacts someone who sounds quite like Reed Richards, aka Mr. Fantastic. We know the Fantastic Four are coming into the MCU, so this could be the first reference.
  • Alternatively, she could have texted Riri Wiliams, aka Ironheart, who has a similar skillset. She hasn’t been introduced to the MCU, but is getting her own Disney Plus show (she’ll be played by Dominique Thorne).
  • What exactly happened when the drone fired? The transmission and broadcast cut out, then Wanda steps out of the Hex.
  • Wanda seems eager to “go to sleep” — could the effort of maintaining the Hex be tiring her out, is it just an effort to escape, or does going to bed “reset” everything?
  • When Vision briefly frees Norm of Wanda’s influence, he immediately thinks about his sick dad. Monica also sees her late mother when she’s freed, suggesting Wanda’s influence papers over grief.

Join us for more Easter eggs and observations next Friday, when episode 6 of WandaVision hits Disney Plus.

CNET’s Caitlin Petrakovitz, Eli Blumenthal and Roger Cheng contributed to this recap.



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Disney’s Frozen Helps Researchers Solve 62-Year-Old Cold Case

Disney’s Frozen ended up helping some researchers solve a 62-year-old cold case. Some new findings in Communications Earth and Environment show how these people used technology from the Pixar film to solve the Dyatlov Pass incident. For those unaware, A team of students and their instructor went on a mountaineering expedition in the Ural Mountains in 1959. What followed was pretty horrific. Their tent was found after a snowstorm ripped open from the inside and there were bodies scattered all around the nearby areas with traumatic injuries. People wondered how this could have occurred with no witnesses, and soon conspiracy theories began to bubble up from all sides. However, everything changed when a present-day researcher watched Frozen for the first time.

Back in 2013, at the height of Frozen fever, Johan Guame of the Snow Avalanche Simulation Laboratory marveled at how Disney was able to make such realistic snow. The technology to simulate that movement was unparalleled. So, Guame emailed the animators to inquiry. From there, he traveled to Los Angeles to meet with the specialist responsible for the movement on-screen. The researcher obtained a version of the snow animation code for his avalanche simulations. Gaume intended to figure out how avalanches would affect the human body.

In this catastrophe, the bodies of the travelers were found with extreme injuries including blunt force puncture wounds and cracked open skulls. It turns out, that when a wall of snow hits a precise angle, that ice can be like a projectile. With the data in-hand, you could build a model to explain these gruesome injuries with a very normal avalanche. The displacement of the bodies could be the result of some of the students trying to drag their friends to safety instead of merely abandoning the camp. It’s a wild ride to think that a simple computer simulation could shed so much light on a 60-year-old case, but here it is.

“People don’t want it to be an avalanche,” Gaume says. “It’s too normal.”

Had you ever heard this story before? Do you think the explanation makes sense? Let us know down in the comments



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WandaVision episode 3 Easter eggs and Marvel references on Disney Plus

Vision and Wanda are now in full color.


Disney Plus

Episode 3 of Marvel’s WandaVision bursts into color as the suburban sitcom surrealness hits the 1970s. From Quicksilver to SWORD, what Easter eggs and Marvel references does the third installment of the Disney Plus series uncover? Let’s dive in to the mysterious reality of witchy Wanda Maximoff (Elizabeth Olsen) and awkward android Vision (Paul Bettany). 

But be warned: Spoilers for all episodes ahead!

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Marvel Studios

Welcome to Westview 

All signs point to Wanda and Vision being trapped in some kind of constructed reality. Like, actual literal signs: The billboard welcoming visitors to the town of Westview hints at that artificial nature with the tagline “Home is where you make it.” 

For the children

Vision wants to call the baby Billy, after William Shakespeare, and offers another reference to the artificial nature of the reality (“All the world’s a stage…”). Wanda prefers all-American name Tommy.

They’re in luck, because it turns out they’re having twins! In the comics, Wanda’s desire for children has led to several dramatic (and tragic) storylines. Her twin boys were revealed to be fragments of the demon Mephisto, who may or may not make an appearance in the show. More recently, Wanda’s grown-up sons Billy and Tommy joined the Young Avengers team as heroes Wiccan and Speed.

In episode 3, the unusual nature of Wanda’s pregnancy is clear from its unnervingly accelerated progress, but there are also hints that the babies are in some way artificial. Throughout episode 3, Wanda unconsciously brings life to various inanimate things, including paper butterflies and a painting of a stork. She’s also in some way linked to the technology and infrastructure of the Brady Bunch-style setting, her contractions affecting household gadgets and blowing out the power.

The rewind

The moment Vision actually voices suspicions about the strange reality in which they live, the show glitches. Vision is skipped back a few seconds, but this time his suspicions are gone. It’s not clear how that happened, but when the beekeeper emerged from the manhole in episode 2, we clearly saw it was Wanda who did the rewinding. The question remains whether someone else is in charge of reality and blocked Vision seeing the truth, or whether Wanda herself is in charge — and she’ll even manipulate her beloved Vision to block out harsh reality.

The ads

In episode 1 we saw a Stark Industries toaster. In episode 2 it was a Hydra watch. And in episode 3 the evil Hydra brand returns with a commercial for Hydra Soak Luxury Bath Soap. The first two adverts seemed to be drawn from Wanda’s memories, whereas this one seems linked to the stress of impending parenthood.

The voice-over again hints at an artificial reality (“Escape to a world all your own…”). Meanwhile the ad’s tagline is “Find the goddess within.” That could mean two things: Wanda could free goddess-like power within herself, or it could mean that a goddess is in some way trapped within something — perhaps referring to the constructed reality Wanda and Viz live in.

Once again the actors in the ads are Victoria Blade and Ithamar Enriquez. The recurring presence of the same man and woman in Wanda’s memories suggests it could be her parents.

No home 

Geraldine gets kicked out of Westview in episode 3.


Disney Plus

Geraldine is described as having “no home.” We have no idea the significance of her story about marshmallow moon-men and her hiccuping boss — the name “Haddox” doesn’t come up in the comics that we can think of. Geraldine is, however, the only person in the show who recalls real-world events. Wanda remembers her twin brother Pietro (AKA Quicksilver) but it’s Geraldine who reminds her he was killed in Avengers: Age of Ultron. Wanda coldly ejects Geraldine out of the sitcom reality, yeeting her past some kind of forcefield to land in a field where she’s swarmed by armed agents. It seems likely this official-looking installation is something to do with SWORD, the organization that appears to be observing events and whose symbol Geraldine wears.

Played by Teyonah Parris, Geraldine is reported to be a grown-up version of Monica Rambeau, last seen as a young girl in the movie Captain Marvel. If she’s now in the real world, we may get some answers in episode 4.

The songs

Each week a pop song from the era offers some kind of deeper meaning. Although the show seems to have skipped to the 1970s, this week it’s 1967 hit Daydream Believer by The Monkees. Lines like “Cheer up, sleepy Jean” suggest some kind of enforced sleep or that the setting is some kind of dream or imagined reality. Though the line “Oh, what can it mean?” could refer to viewers trying to figure out what’s going on. 

The paint

Obviously, whenever you see any object or text on screen it’s worth taking a closer look — that’s how eagle-eyed fans spotted the pivotal comics reference on the wine bottle in episode 1. In this installment, the paint cans used by Wanda to decorate the nursery bear the name “Simser.” Another reference to Marvel continuity? No, it’s the name of the show’s storyboard artist Jeremy Simser. Not everything is a clue.

Read original article here

WandaVision episode 3 Easter eggs and Marvel references on Disney Plus

Vision and Wanda are now in full color.


Disney Plus

Episode 3 of Marvel’s WandaVision, streaming now, bursts into color as the suburban sitcom surrealness hits the 1970s. From Quicksilver to SWORD, what Easter eggs and Marvel references does the third installment of the Disney Plus series reveal?

New chapters of the nine-part Disney Plus show arrive every Friday. Starting with episodes 1 and 2, we’re recapping each episode and diving into the mysterious reality of witchy Wanda Maximoff (Elizabeth Olsen) and awkward android Vision (Paul Bettany). 

Here are the Easter eggs we’ve spotted in episode 3. But be warned: Spoilers for all episodes!

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Marvel Studios

Welcome to Westview 

All signs point to Wanda and Vision being trapped in some kind of constructed reality. Like, actual literal signs: The billboard welcoming visitors to the town of Westview hints at that artificial nature with the tagline “Home is where you make it.” 

For the children

Vision wants to call the baby Billy, after William Shakespeare, and offers another reference to the artificial nature of the reality (“All the world’s a stage…”). Wanda prefers all-American name Tommy.

They’re in luck, because it turns out they’re having twins! In the comics, Wanda’s desire for children has led to several dramatic (and tragic) storylines. Her twin boys were revealed to be fragments of the demon Mephisto, who may or may not make an appearance in the show. More recently, Wanda’s grown-up sons Billy and Tommy joined the Young Avengers team as heroes Wiccan and Speed.

In episode 3, the unusual nature of Wanda’s pregnancy is clear from its unnervingly accelerated progress, but there are also hints that the babies are in some way artificial. Throughout episode 3, Wanda unconsciously brings life to various inanimate things, including paper butterflies and a painting of a stork. She’s also in some way linked to the technology and infrastructure of the Brady Bunch-style setting, her contractions affecting household gadgets and blowing out the power.

The rewind

The moment Vision actually voices suspicions about the strange reality in which they live, the show glitches. Vision is skipped back a few seconds, but this time his suspicions are gone. It’s not clear how that happened, but when the beekeeper emerged from the manhole in episode 2, we clearly saw it was Wanda who did the rewinding. The question remains whether someone else is in charge of reality and blocked Vision seeing the truth, or whether Wanda herself is in charge — and she’ll even manipulate her beloved Vision to block out harsh reality.

The ads

In episode 1 we saw a Stark Industries toaster. In episode 2 it was a Hydra watch. And in episode 3 the evil Hydra brand returns with a commercial for Hydra Soak Luxury Bath Soap. The first two adverts seemed to be drawn from Wanda’s memories, whereas this one seems linked to the stress of impending parenthood.

The voice-over again hints at an artificial reality (“Escape to a world all your own…”). Meanwhile the ad’s tagline is “Find the goddess within.” That could mean two things: Wanda could free goddess-like power within herself, or it could mean that a goddess is in some way trapped within something — perhaps referring to the constructed reality Wanda and Viz live in.

Once again the actors in the ads are Victoria Blade and Ithamar Enriquez. The recurring presence of the same man and woman in Wanda’s memories suggests it could be her parents.

No home 

Geraldine gets kicked out of Westview in episode 3.


Disney Plus

Geraldine is described as having “no home.” We have no idea the significance of her story about marshmallow moon-men and her hiccuping boss — the name “Haddox” doesn’t come up in the comics that we can think of. Geraldine is, however, the only person in the show who recalls real-world events. Wanda remembers her twin brother Pietro (AKA Quicksilver) but it’s Geraldine who reminds her he was killed in Avengers: Age of Ultron. Wanda coldly ejects Geraldine out of the sitcom reality, yeeting her past some kind of forcefield to land in a field where she’s swarmed by armed agents. It seems likely this official-looking installation is something to do with SWORD, the organization that appears to be observing events and whose symbol Geraldine wears.

Played by Teyonah Parris, Geraldine is reported to be a grown-up version of Monica Rambeau, last seen as a young girl in the movie Captain Marvel. If she’s now in the real world, we may get some answers in episode 4.

The songs

Each week a pop song from the era offers some kind of deeper meaning. Although the show seems to have skipped to the 1970s, this week it’s 1967 hit Daydream Believer by The Monkees. Lines like “Cheer up, sleepy Jean” suggest some kind of enforced sleep or that the setting is some kind of dream or imagined reality. Though the line “Oh, what can it mean?” could refer to viewers trying to figure out what’s going on. 

The paint

Obviously, whenever you see any object or text on screen it’s worth taking a closer look — that’s how eagle-eyed fans spotted the pivotal comics reference on the wine bottle in episode 1. In this installment, the paint cans used by Wanda to decorate the nursery bear the name “Simser.” Another reference to Marvel continuity? No, it’s the name of the show’s storyboard artist Jeremy Simser. Not everything is a clue.

Read original article here

Hero Disney employee saves domestic violence victim

An alert Walt Disney World ticket booker was able to help a Pennsylvania woman who called pretending to buy theme park tickets but was really trying to get away from her abusive boyfriend. Related video above: Boy rescued from abusive couple by Orlando waitress, police sayAccording to a report from the Northern York County Regional Police Department in Pennsylvania, a Disney employee called 911 and said she had a woman on the line who she believed needed help. The Disney employee told police she sensed something was wrong because she heard the woman yelling “get off me” and “get away from me” at someone while they were on the phone together on Jan. 9. The Disney employee then started asking the woman yes or no questions. She asked if the woman was actually calling to book a trip, to which the woman replied “no.””She then asked (the woman) if she needed law enforcement to her home and she stated ‘yes,'” the report said. The Disney employee also asked the woman if someone was hurting her, and the woman said “yes.”Police arrived at the home and found that the woman and her boyfriend had been arguing. The woman told police that she and 38-year-old Wayne Shiflett had been arguing about him getting a “real job” instead of selling fire extinguishers. The woman told police that Shifflett had choked her, and that she was afraid she was going to die. Shiflett was arrested and charged with strangulation, terroristic threats with intent to terrorize another and simple assault.

An alert Walt Disney World ticket booker was able to help a Pennsylvania woman who called pretending to buy theme park tickets but was really trying to get away from her abusive boyfriend.

Related video above: Boy rescued from abusive couple by Orlando waitress, police say

According to a report from the Northern York County Regional Police Department in Pennsylvania, a Disney employee called 911 and said she had a woman on the line who she believed needed help.

The Disney employee told police she sensed something was wrong because she heard the woman yelling “get off me” and “get away from me” at someone while they were on the phone together on Jan. 9.

The Disney employee then started asking the woman yes or no questions. She asked if the woman was actually calling to book a trip, to which the woman replied “no.”

“She then asked (the woman) if she needed law enforcement to her home and she stated ‘yes,'” the report said.

The Disney employee also asked the woman if someone was hurting her, and the woman said “yes.”

Police arrived at the home and found that the woman and her boyfriend had been arguing.

The woman told police that she and 38-year-old Wayne Shiflett had been arguing about him getting a “real job” instead of selling fire extinguishers.

The woman told police that Shifflett had choked her, and that she was afraid she was going to die.

Shiflett was arrested and charged with strangulation, terroristic threats with intent to terrorize another and simple assault.

Read original article here