Tag Archives: Anil

Even if a Leading Theory of Consciousness Known as Integrated Information Theory is Wrong, That Doesn’t Mean it’s Pseudoscience, Argues Anil Seth. – Nautilus Magazine

  1. Even if a Leading Theory of Consciousness Known as Integrated Information Theory is Wrong, That Doesn’t Mean it’s Pseudoscience, Argues Anil Seth. Nautilus Magazine
  2. Nobody knows how consciousness works – but top researchers are fighting over which theories are really science Deccan Herald
  3. Attack on Top Consciousness Theory Springs From Abortion Politics Walter Bradley Center for Natural and Artificial Intelligence
  4. Nobody knows how consciousness works — but top researchers are fighting over which theories are really science Down To Earth Magazine
  5. Is Consciousness Part of the Fabric of the Universe? Scientific American
  6. View Full Coverage on Google News

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Anil Kapoor is the Jaan of Jugjugg Jeeyo

Jug Jugg Jeeyo Story: When estranged couple Kuku and Naina come to India from Canada, hoping to break the news of their impending divorce after the big fat desi wedding in the house, little do they know that there is an even bigger shocker, waiting for them back home.

Jug Jugg Jeeyo Review: Right from the time Kuku (Varun Dhawan) sets his eyes on Naina (Kiara Advani), he knows she’s the one. From childhood to adulthood, theirs is a textbook romance, but five years into the marriage and things begin to fall apart. So much so that the two decide to part ways, but the biggest challenge is to break the news to their families. Especially, to Kuku’s loud and boisterous family that is all geared up for their younger daughter Ginni’s (Prajakta Koli) wedding. It sounds like a simple plot, but wait till director Raj Mehta and his writers rapidly throw one relationship issue after the other at you. The makers take every stereotypical Indian problem and give it a comedic twist. From pesky aunties torturing newlyweds for ‘good news’, to a young girl getting married to a man she doesn’t love just because she wants to be “settled”. The film throws light on several issues softly, and always with a sense of humour. Raj Mehta’s flawed and real characters and their problems are relatable. The entire narrative is a roller coaster ride of relationship issues that aren’t easy to be resolved, but handled with enough tact to never make this film a tedious watch.

Anil Kapoor is the absolute life of the party here. The actor is in top form as the loud and colourful family patriarch Bheem. The role is tailor-made for him as he makes you root for him despite all his eccentricities. Varun Dhawan exercises commendable restrain in an all-out family drama that uses comedic respite to come out of every difficult situation. Kiara Advani looks stunning in every frame and pulls off a fine performance. Neetu Kapoor is extremely endearing and likeable and fits the role beautifully. In the second half, when her character gets to lead from the front, she is in her element. YouTuber Prajakta Koli makes a confident debut, but has a lot of room for improvement in the expressions department. Maniesh Paul fits the bill, as the flashy and over-the–top Gurpreet.

While most of the jokes in ‘Jugjugg Jeeyo’ land pretty well, there’s background score to push you to laugh, in case some don’t. The film’s music is catchy with songs like ‘nach punjaban’ already becoming a rage. This family drama starts off well and ends even better. The runtime is slightly problematic and it could have done with a tighter edit. What really draws you in are the powerful performances and quirky dialogues. Just like its characters, ‘Jugjugg Jeeyo’ too has its flaws but at the end of the day, it’s all in the family and this is just the kind of wholesome family entertainer that we need to watch in the theatre.

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Thar movie review: The setting is the real hero in this Anil Kapoor, Harsh Varrdhan Kapoor film

Thar has many elements jostling for our attention: a tiny outpost in a border town, a mysterious stranger, a couple of cops, and a series of bodies, draining of life-blood, decaying, dying. But this is one of those films where the setting is the real hero– the ‘marusthal’ (desert) stretching as far as the eye can see, crumbling forts, bare trees providing meagre shade, implacable, hard beauty. This stunning landscape and the haunting soundscape becomes the site of a ‘bawandar’ (storm), as a principal character describes it, which blows everything away in its wake. These sights and sounds of Thar will stay with me, even as I quibble about some of it.

This film would have been called a spaghetti western in the days when Sholay (1975) was released. The filmmakers are aware of how much Thar, set in 1985, reminds us of the OG desi western– a balcony with a woman looking over it, the blazing lights of the desert, the armed men clattering on horses, and the keening violins. And just in case we’ve lost sight of it, Inspector Surekha Singh (Anil Kapoor), who likes being explicatory, muses aloud whether it is not about bad guy Gabbar anymore, but maybe Jai and Veeru, or even Basanti, or, you know, Ramlal?

Having believed that he has sufficiently muddied the waters (the dialogues are credited to Anurag Kashyap, who was probably grinning when he penned this and other salty, invective-laden lines in the film) the cop who has stuck to his job without getting a promotion, returns to the job at hand: who is behind the killings?

Like in all good westerns, the needle of suspicion swings towards the near-silent outsider, who frequents a small eatery run by a cheerful fellow in suspenders. Siddharth (Harsh Varrdhan Kapoor) wears ‘khakee’ and ochre, which matches the colours of the film, and criss-crosses the area in a muddy jeep. Who is this guy? Is he really an antique dealer as he claims to be? Or is there something more sinister going on? There are drug growers and smugglers about. Were they the ones responsible for the terrible deeds?

Meanwhile, we are presented with the most grisly, gruesome scenes of violence, bordering on torture porn. And here’s where the film begins to feel excessive: the victims, hanging from the ceiling, blood running out of multiple orifices (I will never be able to see a rat again in the same way), beg for mercy over and over again. By which time we are numb, and past caring. A well-judged mystery reveals its cards at the right time. In Thar, it comes just a little too late. In between, a strand featuring ‘afeem’ (opium) smugglers from Pakistan and their accomplices on the Indian side, is thrown in. But these threads do not really mesh well enough, and the film, despite all its brilliant tech specs, feels underwhelming.

In a place which feels so real, many of the actors appear grafted. The bunch meant to be locals (Jitendra Joshi and Sanjay Bishnoi among them) looks as if they could belong, but even they stand out when placed against the villagers who dot several scenes. Fatima Sana Shaikh makes us aware that she has hidden feelings, but she calls attention, and her garb feels like a costume. And Harsh Varrdhan comes off too impassive even when he is sharing his turmoil. In contrast, Anil Kapoor, though appearing not rustic enough, slides smoothly through the movie, zig-zagging, shooting, cursing fluently: he is the worn, tired moral centre of the movie, and he doesn’t duck a single bullet.

The best performance comes from Satish Kaushik: as the lower caste cop whose uniform is a shield in more ways than one, Bhure is one with the ‘thar’. This is where he came from, and this is where he goes.

Thar movie director: Raj Singh Chaudhary
Thar movie cast: Anil Kapoor, Harsh Varrdhan Kapoor, Satish Kaushik, Fatima Sana Shaikh, Jitendra Joshi, Sanjay Bishnoi, Sanjay Dadhich, Mukti Mohan
Thar movie star rating: 2.5 stars



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Indian-Origin Doctor Anil Menon Among 10 Chosen As NASA Astronauts For Future Missions

Anil Menon was born and raised in Minneapolis to Ukrainian and Indian immigrants. (File)

Houston:

Indian-origin physician Anil Menon, a lieutenant colonel at the US Air Force, has been selected by NASA along with nine others to be astronauts for future missions, the American space agency has announced.

Mr Menon, 45, was born and raised in Minneapolis, Minnesota, to Ukrainian and Indian immigrants.

He was SpaceX’s first flight surgeon, helping to launch the company’s first humans to space during NASA’s SpaceX Demo-2 mission and building a medical organisation to support the human system during future missions.

In a statement, NASA announced that it has chosen 10 new astronaut candidates from a field of more than 12,000 applicants to represent the US and work for humanity’s benefit in space.

NASA Administrator Bill Nelson introduced the members of the 2021 astronaut class, the first new class in four years, during a Monday, December 6 event at Ellington Field near NASA’s Johnson Space Center in Houston.

“Today we welcome 10 new explorers, 10 members of the Artemis generation, NASA”s 2021 astronaut candidate class,” Nelson said.

“Alone, each candidate has ‘the right stuff,” but together they represent the creed of our country: E pluribus unum – out of many, one,” he said.

The astronaut candidates will report for duty at Johnson in January 2022 to begin two years of training.

Astronaut candidate training falls into five major categories: operating and maintaining the International Space Station”s complex systems, training for spacewalks, developing complex robotics skills, safely operating a T-38 training jet, and Russian language skills.

Upon completion, they could be assigned to missions that involve performing research aboard the space station, launching from American soil on spacecraft built by commercial companies, as well as deep space missions to destinations including the Moon on NASA”s Orion spacecraft and Space Launch System rocket.

“Each of you has amazing backgrounds,” Pam Melroy, former NASA astronaut and NASA”s deputy administrator, told the candidates. “You bring diversity in so many forms to our astronaut corps and you stepped up to one of the highest and most exciting forms of public service.”

Applicants included U.S. citizens from all 50 states, the District of Columbia, and U.S. territories Puerto Rico, Guam, the Virgin Islands, and Northern Mariana Islands.

For the first time ever, NASA required candidates to hold a master”s degree in a STEM field and used an online assessment tool. The women and men selected for the new astronaut class represent the diversity of America and the career paths that can lead to a place in America”s astronaut corps.

Menon previously served NASA as the crew flight surgeon for various expeditions taking astronauts to the International Space Station.

He is an actively practicing emergency medicine physician with fellowship training in wilderness and aerospace medicine.

As a physician, he was a first responder during the 2010 earthquake in Haiti, 2015 earthquake in Nepal, and the 2011 Reno Air Show accident.

In the Air Force, Menon supported the 45th Space Wing as a flight surgeon and the 173rd Fighter Wing, where he logged over 100 sorties in the F-15 fighter jet and transported over 100 patients as part of the critical care air transport team.

Aeronautical engineer Sirisha Bandla in July became the third Indian-origin woman to fly into space after Kalpana Chawla and Sunita Williams.

Wing Commander Rakesh Sharma is the only Indian citizen to travel in space. The former Indian Air Force pilot flew aboard Soyuz T-11 on April 3, 1984, part of the Soviet Interkosmos programme.-

(Except for the headline, this story has not been edited by NDTV staff and is published from a syndicated feed.)

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Neuroscientist Anil Seth: ‘We risk not understanding the central mystery of life’ | Consciousness

For centuries, philosophers have theorised about the mind-body question, debating the relationship between the physical matter of the brain and the conscious mental activity it somehow creates. Even with advances in neuroscience and brain imaging techniques, large parts of that fundamental relationship remain stubbornly mysterious. It was with good reason that, in 1995, the cognitive scientist David Chalmers coined the term “the hard problem” to describe the question of exactly how our brains conjure subjective conscious experience. Some philosophers continue to insist that mind is inherently distinct from matter. Advances in understanding how the brain functions undermine those ideas of dualism, however.

Anil Seth, professor of cognitive and computational neuroscience at the University of Sussex, is at the leading edge of that latter research. His Ted talk on consciousness has been viewed more than 11m times. His new book, Being You, proposes an idea of the human mind as a “highly evolved prediction machine”, rooted in the functions of the body and “constantly hallucinating the world and the self” to create reality.

One of the things that I liked about your approach in the book was the way that many of the phenomena you investigate arise out of your experience. For example, the feeling of returning to consciousness after anaesthesia or how your mother, experiencing delirium, was no longer recognisably herself. Do you think it’s always important to keep that real-world framework in mind?
The reason I’m interested in consciousness is intrinsically personal. I want to understand myself and, by extension, others. But I’m also super-interested for example in developing statistical models and mathematical methods for characterising things such as emergence [behaviour of the mind as a whole that exceeds the capability of its individual parts] and there is no personal component in that.

You’ve set up your team at Sussex as a multidisciplinary group, with pure mathematicians, psychologists and computer scientists as well as cognitive neuroscientists. Why is that?
I was wary of academia because my early experience of education was of progressive specialisation. I still remember having to choose between arts and sciences when I was 15 and that seemed nuts. I was worried that having an academic scientific career would consist of learning a huge amount about something that nobody else cared about. It was a massive relief when that turned out not to be true. We try to keep a question in mind and then use different tools to answer that question without worrying about what discipline they are attached to.

What’s the question that you are all keeping in mind?
At its very broadest, it’s the question of how to develop a satisfying scientific explanation of conscious experience.

Presumably, the mind-body problem is never going to be entirely resolved?
No, but I’d like to make progress. It’s the boring answer of continuing to do rigorous science, rather than proposing some eureka solution to “the hard problem” [the question of why and how our brains create subjective, conscious experience]. My approach is that we risk not understanding the central mystery of life by lurching to one or other form of magical thinking. While science might be a little bit slower, there is much to be done in a straightforward materialist understanding of how the brain relates to conscious experience.

I was interested in your section about memory in the book, in particular about Clive Wearing. Wearing is someone who, as a result of a devastating brain infection, lost all conscious memory and lives in a permanent present tense, as if perpetually waking from coma. Yet the studies show that he demonstrates an abiding love for his wife. How is that explained?
I’ve never met Clive or his wife, only read about the case. But it highlights the fact that some of those things we think are necessary for selfhood are obviously not. There are all sorts of different forms of memory. Explicit conscious recall, autobiographical memory, is just one of them. In neurological patients, you often see how the mind is built of processes that in normal life we never see.

Clive Wearing, who cannot form memories, with his wife, Deborah. Photograph: Ros Drinkwater/Alamy

I remember the writer Nicholson Baker suggesting that all thoughts worth having are about the size of a wardrobe and have the complexity of a wheelbarrow. How do you think about thoughts?
The philosopher William James said: “Thoughts themselves are the thinkers.” I think that there’s a truth to that. It’s perhaps always a mistake to think of thoughts being produced or observed by a prior internal self. Thought is foundational to psychology, but it’s one of the things that’s hardest to study. You can’t control thought in the same way you can systematically manipulate perception in the lab. So I’ve tended to avoid investigating how the mind wanders and so on.

But in your studies you begin to observe how some kind of playfulness is built into consciousness?
There’s definitely a sort of internal creative spur to the variation of our mental lives. But where do thoughts come from? I’m left a little cold by psychoanalytic explanations, which suggest there’s a subconscious trying to get in there and give you some thought that would otherwise be repressed. I think, to me, they’re the maximally abstract version of perception.

Your book is full of good aphorisms. One pivotal one in your argument about the how and why of consciousness is the idea that “I predict myself, therefore I am”. What is the “I” in that sentence?
It’s a collection of perceptual predictions. It’s a playful sentence. The “I” is deliberately ambiguous there – it says there is an experience arising of me being a single unified individual, with all these different attributes: memories, emotional bonds, experiences of body. For this piece of flesh and blood here, they seem to be unified – at least if I don’t reflect on it too much.

That first-person feeling is very stubborn. Most of us have a very strong sense of continuity between our childhood experiences and our current self. Is that perceived unity essentially a kind of Darwinian strategy?
There’s a lot of argument about the evolutionary function of consciousness. But the answers you get to that depend on what distinction you’re trying to make. If you’re trying to say why is anything conscious at all, rather than just mechanisms evolving in patterns in the dark?, then you’re simply up against the “hard problem” again. But if you reframe it as what is the evolutionary benefit of the organism having these specific experiences?, then you see that an experience of selfhood is clearly important because it maximises the organism’s chances of survival.

Why is it not possible for artificial intelligence to at least mimic that organising perception and therefore mimic other aspects of conscious selfhood?
I do think it’s very likely possible for AI to mimic that. In fact, in the book I talk about the pace of this ability to mimic being really quite scary, with the combination of “deep fake” things and natural language processing machines. Instantiation is another thing, though.

What do you mean by instantiation?
Building an AI system or a robot that does subjectively experience having a self, as opposed to being a sophisticated machine that gives the appearance of having a self but with nothing actually going on.

A surgeon checks MRI scans during brain surgery. Photograph: Science Photo Library/Getty Images/Science Photo Library RF

But if we take Daniel Dennett’s definition of consciousness as a “trillion mindless robots dancing”, where does the difference lie?
Dan Dennett has been one of my longest-standing inspirations and mentors and the chance over the last few years to argue with him has been a great pleasure. I gave a Ted talk in 2017 and of the 3,000 people in the room – lots of founders and investors and famous people – I was only terrified about Dennett, who I knew was in the audience. And rightly so. At one point in the talk, I described perceptual experiences as a kind of “inner movie”. Afterwards, he said: “Ah, that was all great, apart from the movie. Because: who’s watching the movie?” And that’s a very good criticism. There’s no movie because there is no one watching it.

But there is an inbuilt narrative however we describe it – our internal life is all storytelling?
Dennett is a little equivocal about what he thinks perceptual or phenomenal experience is, if it exists or not – whether, once you’ve explained all the functions of the system and its dispositions to behave in particular ways, there’s anything left over still to explain. I’m on board with that, because I think we can get a very long way to explaining the functions and dispositions of things to behave in particular ways. But I’m agnostic about whether at the end of this programme of trying to account in physical terms for properties of experience, there will still be some residue of mystery left, something more to explain.

Have your thoughts on that ever taken any spiritual swerve – in terms of the why of there being something rather than nothing?
It’s more that I think there’s hubris in assuming that everything will submit to a mechanistic programme of explanation. I think it’s intellectual honesty to acknowledge that the existence of conscious experience as a phenomenon in a universe for which we generally have physicalist accounts seems weird. I want to figure out the ways in which we can undermine this seeming weird.

One of the questions posed by Thomas Nagel’s famous essay, What Is It Like to Be a Bat?, is whether a human being represents the most evolved kind of consciousness. How mindful are you of different kinds of being?
I hope very. A lot of what we know about human consciousness is based on animal experiments. One of the stories in the book is about the time I spent studying octopuses, which was fantastic. They really do demonstrate a wholly different way of being. One of the things that has become more and more embedded for me is that tension between using humans as a benchmark, which we somehow have to do, and recognising that humans are not the benchmark by which all other conscious species should be assessed. It’s important to recognise that if other species have experience, the very first things that they are going to be endowed with by evolution are abilities to feel pain or pleasure or suffering rather than complex, intelligent thinking. When we decide how to treat other animals, we should bear that in mind, rather than assessing how smart they seem to be.

In the book, you describe how you only came to look at a living human brain relatively recently, having been invited to sit in during an operation. Was that a suitably surreal experience for you?
Yes. That is where awe comes in. This material object, which I’ve written about and described and studied data from for over 20 years: that’s it, right there. At one point, as the surgeon was doing the operation, which involved excising parts of the brain that were damaged, he sliced off one bit and gave it to me to hold. It was a very affecting experience, a reminder that whatever is happening is somehow happening right there, right now.

Being You by Anil Seth is published by Faber on 2 September (£20). To support the Guardian and Observer order your copy at guardianbookshop.com. Delivery charges may apply

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