Tag Archives: anil kapoor

Anil Kapoor is the Jaan of Jugjugg Jeeyo

Jug Jugg Jeeyo Story: When estranged couple Kuku and Naina come to India from Canada, hoping to break the news of their impending divorce after the big fat desi wedding in the house, little do they know that there is an even bigger shocker, waiting for them back home.

Jug Jugg Jeeyo Review: Right from the time Kuku (Varun Dhawan) sets his eyes on Naina (Kiara Advani), he knows she’s the one. From childhood to adulthood, theirs is a textbook romance, but five years into the marriage and things begin to fall apart. So much so that the two decide to part ways, but the biggest challenge is to break the news to their families. Especially, to Kuku’s loud and boisterous family that is all geared up for their younger daughter Ginni’s (Prajakta Koli) wedding. It sounds like a simple plot, but wait till director Raj Mehta and his writers rapidly throw one relationship issue after the other at you. The makers take every stereotypical Indian problem and give it a comedic twist. From pesky aunties torturing newlyweds for ‘good news’, to a young girl getting married to a man she doesn’t love just because she wants to be “settled”. The film throws light on several issues softly, and always with a sense of humour. Raj Mehta’s flawed and real characters and their problems are relatable. The entire narrative is a roller coaster ride of relationship issues that aren’t easy to be resolved, but handled with enough tact to never make this film a tedious watch.

Anil Kapoor is the absolute life of the party here. The actor is in top form as the loud and colourful family patriarch Bheem. The role is tailor-made for him as he makes you root for him despite all his eccentricities. Varun Dhawan exercises commendable restrain in an all-out family drama that uses comedic respite to come out of every difficult situation. Kiara Advani looks stunning in every frame and pulls off a fine performance. Neetu Kapoor is extremely endearing and likeable and fits the role beautifully. In the second half, when her character gets to lead from the front, she is in her element. YouTuber Prajakta Koli makes a confident debut, but has a lot of room for improvement in the expressions department. Maniesh Paul fits the bill, as the flashy and over-the–top Gurpreet.

While most of the jokes in ‘Jugjugg Jeeyo’ land pretty well, there’s background score to push you to laugh, in case some don’t. The film’s music is catchy with songs like ‘nach punjaban’ already becoming a rage. This family drama starts off well and ends even better. The runtime is slightly problematic and it could have done with a tighter edit. What really draws you in are the powerful performances and quirky dialogues. Just like its characters, ‘Jugjugg Jeeyo’ too has its flaws but at the end of the day, it’s all in the family and this is just the kind of wholesome family entertainer that we need to watch in the theatre.

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Thar movie review: The setting is the real hero in this Anil Kapoor, Harsh Varrdhan Kapoor film

Thar has many elements jostling for our attention: a tiny outpost in a border town, a mysterious stranger, a couple of cops, and a series of bodies, draining of life-blood, decaying, dying. But this is one of those films where the setting is the real hero– the ‘marusthal’ (desert) stretching as far as the eye can see, crumbling forts, bare trees providing meagre shade, implacable, hard beauty. This stunning landscape and the haunting soundscape becomes the site of a ‘bawandar’ (storm), as a principal character describes it, which blows everything away in its wake. These sights and sounds of Thar will stay with me, even as I quibble about some of it.

This film would have been called a spaghetti western in the days when Sholay (1975) was released. The filmmakers are aware of how much Thar, set in 1985, reminds us of the OG desi western– a balcony with a woman looking over it, the blazing lights of the desert, the armed men clattering on horses, and the keening violins. And just in case we’ve lost sight of it, Inspector Surekha Singh (Anil Kapoor), who likes being explicatory, muses aloud whether it is not about bad guy Gabbar anymore, but maybe Jai and Veeru, or even Basanti, or, you know, Ramlal?

Having believed that he has sufficiently muddied the waters (the dialogues are credited to Anurag Kashyap, who was probably grinning when he penned this and other salty, invective-laden lines in the film) the cop who has stuck to his job without getting a promotion, returns to the job at hand: who is behind the killings?

Like in all good westerns, the needle of suspicion swings towards the near-silent outsider, who frequents a small eatery run by a cheerful fellow in suspenders. Siddharth (Harsh Varrdhan Kapoor) wears ‘khakee’ and ochre, which matches the colours of the film, and criss-crosses the area in a muddy jeep. Who is this guy? Is he really an antique dealer as he claims to be? Or is there something more sinister going on? There are drug growers and smugglers about. Were they the ones responsible for the terrible deeds?

Meanwhile, we are presented with the most grisly, gruesome scenes of violence, bordering on torture porn. And here’s where the film begins to feel excessive: the victims, hanging from the ceiling, blood running out of multiple orifices (I will never be able to see a rat again in the same way), beg for mercy over and over again. By which time we are numb, and past caring. A well-judged mystery reveals its cards at the right time. In Thar, it comes just a little too late. In between, a strand featuring ‘afeem’ (opium) smugglers from Pakistan and their accomplices on the Indian side, is thrown in. But these threads do not really mesh well enough, and the film, despite all its brilliant tech specs, feels underwhelming.

In a place which feels so real, many of the actors appear grafted. The bunch meant to be locals (Jitendra Joshi and Sanjay Bishnoi among them) looks as if they could belong, but even they stand out when placed against the villagers who dot several scenes. Fatima Sana Shaikh makes us aware that she has hidden feelings, but she calls attention, and her garb feels like a costume. And Harsh Varrdhan comes off too impassive even when he is sharing his turmoil. In contrast, Anil Kapoor, though appearing not rustic enough, slides smoothly through the movie, zig-zagging, shooting, cursing fluently: he is the worn, tired moral centre of the movie, and he doesn’t duck a single bullet.

The best performance comes from Satish Kaushik: as the lower caste cop whose uniform is a shield in more ways than one, Bhure is one with the ‘thar’. This is where he came from, and this is where he goes.

Thar movie director: Raj Singh Chaudhary
Thar movie cast: Anil Kapoor, Harsh Varrdhan Kapoor, Satish Kaushik, Fatima Sana Shaikh, Jitendra Joshi, Sanjay Bishnoi, Sanjay Dadhich, Mukti Mohan
Thar movie star rating: 2.5 stars



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