Tag Archives: Ads

Keith Urban Spills On Nicole Kidman’s Reaction To Her AMC Ad’s Impact – HuffPost

  1. Keith Urban Spills On Nicole Kidman’s Reaction To Her AMC Ad’s Impact HuffPost
  2. Keith Urban Says Nicole Kidman ‘Never in a Million Years’ Expected AMC Post-Trailer Commercial to Blow Up | Video Yahoo Entertainment
  3. Keith Urban Says Wife Nicole Kidman Didn’t Expect Her Fan-Favorite AMC Ad to Become ‘This Cultural Thing’ PEOPLE
  4. Keith Urban expresses surprise over the unexpected success of Nicole Kidman’s AMC Theatres ad MEAWW
  5. Keith Urban Says Wife Nicole Kidman Never Expected Her AMC Ad to Become “This Cultural Thing” Yahoo Entertainment
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Ubisoft blames Assassin’s Creed in-game Black Friday pop-up ads on technical error – Eurogamer.net

  1. Ubisoft blames Assassin’s Creed in-game Black Friday pop-up ads on technical error Eurogamer.net
  2. Pop-Ads In Assassin’s Creed Were ‘Technical Error’ Says Ubisoft Kotaku
  3. Ubisoft blames “technical error” for showing pop-up ads in Assassin’s Creed The Verge
  4. In-game Black Friday ads in certain Assassin’s Creed titles are “the result of a technical error”, Ubisoft say Rock Paper Shotgun
  5. Apparently, Ubisoft is experimenting with pop-up ads in the middle of video games now. No thanks. (Updated) Windows Central
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Quizzes Replace Traditional Ads in Disney’s Streaming ‘Toy Story’ Football Game – Variety

  1. Quizzes Replace Traditional Ads in Disney’s Streaming ‘Toy Story’ Football Game Variety
  2. ‘Toy Story’ meets the NFL: Sunday’s Falcons-Jaguars game to feature alternate presentation for kids The Associated Press
  3. The NFL is going to infinity and beyond with ‘Toy Story Funday’ | GMA Good Morning America
  4. LOOK: Falcons QB Desmond Ridder turned into Toy Story character Falcons Wire
  5. The NFL’s Gen Z and Gen Alpha marketing strategy—inside the league’s Disney and Nickelodeon broadcasts Ad Age
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Medicare Advantage ads will look different this fall – Axios

  1. Medicare Advantage ads will look different this fall Axios
  2. As Medicare Enrollment Approaches, So Do Misleading Ads AARP
  3. KFF Research Shows that Medicare Open Enrollment TV Ads Are Dominated by Medicare Advantage Plans Featuring Celebrities, Active and Fit Seniors, and Promises of Savings and Extra Benefits Without Fundamental Plan Information KFF
  4. Low-income seniors report deceptive Medicare marketing: study FierceHealthcare
  5. New Medicare Advantage Marketing and Sales Rules Will Help Better Protect Consumers AARP Blogs
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US army ads featuring Jonathan Majors pulled after arrest – The Guardian

  1. US army ads featuring Jonathan Majors pulled after arrest The Guardian
  2. Actor Jonathan Majors arrested | GMA Good Morning America
  3. Two Directors Speak Out About Jonathan Majors’ Alleged ‘Vicious, Cruel’ Behavior And More After Actor’s Assault Arrest CinemaBlend
  4. ‘Creed III’ actor Jonathan Majors says he’s ‘completely innocent’ in domestic violence case New York Post
  5. Jonathan Majors aka Marvel’s Kang Has Always Been An Abuser & Sociopath? Industry Insider’s Shocking Tweets Go Viral Post His Arrest Koimoi
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The ads of Superbowl 2023: from a Breaking Bad reunion to Will Ferrell in Squid Game – Guardian News

  1. The ads of Superbowl 2023: from a Breaking Bad reunion to Will Ferrell in Squid Game Guardian News
  2. Will Ferrell Channels Bridgerton, Love Is Blind and Stranger Things in Super Bowl 2023 Ad PEOPLE
  3. Will Ferrell Enters Stranger Things, Squid Game, And Bridgerton In GM’s Netflix Super Bowl Commercial /Film
  4. Will Ferrell Travels Through ‘Stranger Things,‘ ‘Bridgerton’ & ‘Squid Game’ Worlds In General Motors-Netflix Super Bowl Commercial Deadline
  5. Will Ferrell Invades Stranger Things, Squid Game & Bridgerton In Super Bowl Ad Screen Rant
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Twitter’s risky plan to save its ads business

“newspaper ad for a blue bird” / DALL-E

A month ago, when Elon Musk’s Twitter first set out to revamp the Twitter Blue subscription, workers at the company identified a problem. Musk had promised that subscribers to the $8-a-month service would see half as many ads as free users. But that would cost the company about $6 in ad revenue per user per month, according to internal estimates. Factor in Apple’s App Store fees — something Musk would later go briefly to war with the company over — and the new Blue promised to lose the company money.

The launch of Blue was quickly derailed by abuse of the new verification system and mass impersonation of brands, just as employees had predicted, and Twitter went back to the drawing board. After a series of delays, on Monday the company relaunched Blue for a second time. Once again, it promised subscribers that benefits will include soon seeing 50 percent fewer ads than regular users.

It’s a bold move for a company that has already been forced to offer advertisers huge concessions to prevent them from fleeing. But behind the scenes, Twitter has been working on a plan that executives hope will make Blue profitable – forcing all Twitter users to opt in to personalized ads in order to keep using the app, Platformer has learned. 

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Balenciaga ads are a symptom of a deadly disease attacking our kids

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The high fashion brand Balenciaga recently released a shocking ad campaign sexualizing young children. These ads featured toddlers holding stuffed animals dressed in BDSM (bondage, discipline, sadism, and masochism) gear like harnesses and nets. There was even a court document about child pornography partially hidden in one image.

The ads were absolutely disgusting. After public outcry, Balenciaga apologized for the ads sexualizing children. They didn’t provide an explanation or donate funds to child protection organizations, they merely removed the ads. Balenciaga’s leadership team and anyone else responsible for these images should resign or be fired. Saying “We apologize for any offense,” is not enough.

The Balenciaga embarrassment is merely a symptom of a deadly disease that pervades our culture: the “pornification” of our media, the horrific danger it poses, and the damage it causes to our children. It is our responsibility as parents, teachers, and reasonable adults, to stand up for the safety of children who cannot advocate for themselves.

Why would one of the best-funded and most highly regarded marketing teams in the industry, which targets the most affluent customers in the world, consider this to be a successful strategy to sell purses? Who was this intended to appeal to, and why did they think it would sell a $3,000 handbag?

BRITTANY ALDEAN THROWS OUT BALENCIAGA BAGS FOLLOWING CONTROVERSIAL AD CAMPAIGN INVOLVING CHILDREN

The Balenciaga images were so galling that little defense was mustered on their behalf even in the most sexually deviant corners of the internet. But when money was on the line many lost their voice. Celebrities that make big money from the brand through endorsements like Kim Kardashian and Nicole Kidman were silent for days. Kardashian’s reaction took a week, and even then she couldn’t distance herself from the paycheck she receives from the brand. Her lackluster response was nothing more than a tacit endorsement of the pornification of our society.

Where is the outrage demanding security and retribution for these children? We have seen the power of cultural figures when they demand justice for a cause. People and brands are “canceled.” Public figures are banished from public life. Individuals lose their entire livelihoods and reputations. But when a major fashion brand releases pictures that could flag an FBI investigation into possession of child sexual abuse material, the resounding clamor for justice from our culture becomes a muted whimper.

This is the moment for all of us to say no – we will no longer put up with the sexualization of our children. These are precious, innocent lives being emotionally and physically damaged by the worst of society, who value greed and lust above human dignity.

We must speak up with one voice opposing the degradation of our kids. This cuts across the shallow divisions of our time. Democrat or Republican, urban or rural, religious or non-religious, we must all stand up to defend those who we have a duty to protect. The actions of the past week show how desensitized our society is to this madness. Silence is not an option. In this case, silence provides cover for child abuse.

After the backlash, the ad’s photographer claimed that he had no say in what props or models were used in the shoot. He claimed his only responsibility was “to [light] the given scene, and take the shots.” The items were clear, and the age of the child was apparent. How the photographer could continue to capture these images and not speak up is mind-boggling. When we see an atrocity occurring, such as a crime against a child, and we say nothing, and do nothing – then we are part of the problem.

Speaking out means demanding justice. The hyper-sexualization of children must stop now. According to the United States Sentencing Commission in 2019, over half (52.2 percent) of non-production child pornography offenses included images or videos of infants or toddlers, and nearly every offense (99.4 percent) included prepubescent victims. The sentencing enhancements for images depicting sadistic or masochistic conduct or abuse of an infant or toddler were applied in 84 percent of cases. Just to make it a bit more different.

Clearly, the expert marketers at Balenciaga think that our society values social status and sexual pleasure – including the deviant and violent kind – more than the safety and welfare of our children.

This mindset perpetuates our throw-away culture, whose worst consequences include the struggling state of our foster system, failing schools, and the dehumanization of children in the womb. When we devalue life at any stage, we devalue it all together.

The truth is, children can’t advocate for themselves, they can’t organize, vote, or lobby. They are totally defenseless. It is the civic obligation and moral imperative of reasoned adults to be their voice and refuse to give an inch of ground to those who want to destroy them.

Balenciaga should be ashamed and held accountable. Children deserve better than our pornified culture. We owe them safety and stability.

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Shonda Rhimes, other creators unhappy with Netflix’s new mid-video ads

Shonda Rhimes attends 2018 Vanity Fair Oscar Party on March 4, 2018 in Beverly Hills, CA. 

Presley Ann | Patrick McMullan | Getty Images

Shonda Rhimes, the high-powered producer behind “Bridgerton” and “Inventing Anna,” is among a number of showrunners, creators and writers who have expressed displeasure with Netflix‘s decision to include mid-video ads in their content, according to people familiar with the matter.

Rhimes and Intrepid Pictures’ Trevor Macy and Mike Flanagan are among a group of creators who have told Netflix executives they believe the ads interrupt their storytelling, said the people, who asked not to be named because the discussions are private. Netflix has told creators it won’t be sharing any revenue from advertising with them, the people said.

Netflix isn’t the first streamer to have an ad-supported tier. But it has used its previous aversion to commercials as a marketing tool to help land deals with creators. Rhimes signed a multiyear deal with Netflix in 2021 to exclusively make content for the streaming service. When she inked the deal, Netflix had a firm policy not to include advertising in its programming, a longtime tenet of co-founder and co-CEO Reed Hastings. Both Rhimes and Netflix declined to comment.

Netflix released a lower-priced advertising-supported service in the U.S. and other countries this week. Netflix made the decision to offer an ad-supported tier as revenue and subscriber growth have plateaued coinciding with the end of the global coronavirus pandemic. Netflix has about 223 million global subscribers.

Netflix executives have told creators they have thoughtfully placed midroll advertising at intervals that make sense with each episode’s storyline, according to people familiar with the matter. They’ve also told creators they don’t expect that many people to sign up for the basic advertising tier relative to subscribers who will pay for no commercials, the people said.

“We’re using our internal content tagging teams essentially to find those natural breakpoints so that we can deliver the ad in the least obtrusive point,” Netflix operating chief Greg Peters said in October.

Still, several creators haven’t been pleased with the explanations. Intrepid Pictures makes horror films and series for Netflix. Those are particularly bad fits for ad insertions because they kill building tension. One 50-minute episode of Intrepid’s “The Haunting of Hill House” is comprised of five long, single-shot takes.

That episode, the series’ sixth (“Two Storms”), is now interrupted by three one-minute long commercial breaks, made up of three ads each, in the $6.99 tier. One the main reasons Intrepid signed an exclusive overall deal with Netflix in 2019 was the streamer’s total avoidance of advertising, according to people familiar with the company’s thinking. A spokesperson for Intrepid declined to comment.

No revenue share

Not all creators are upset with Netflix. Ryan Murphy, who signed a $300 million with Netflix in 2018, crafts his series’ episodes in three acts, leading to easy ad placement, according to a person familiar his work. Scott Frank, co-creator of “The Queen’s Gambit,” has also not complained, according to a person familiar with his thinking.

The Directors Guild of America and the Writers Guild of America declined to comment for this story.

Splitting revenue from advertising, especially commercials that interrupt the storytelling flow, could be a way to mollify irritated creators who feel Netflix has changed the rules midgame. But Netflix won’t be doing that, according to people familiar with the matter. Netflix owns its original programming and can insert ads where and when it wants, giving creators little leverage other than voicing complaints.

Still, other media and entertainment companies have avoided the issue of interruptive ads or agreed to share revenue in some cases. Warner Bros. Discovery‘s HBO Max decided not to include midroll advertising in HBO programming to skirt the issue of interrupting prestige programming. When HBO has sold shows to linear cable networks in syndication, such as when “The Sopranos” aired on A&E, creators have been able to participate in revenue sharing, according to a person familiar with the matter. An HBO spokesperson declined to comment.

Some creators that have made content exclusively for Disney+ also have rights to participate in advertising revenue sharing, depending on contractual language, according to a person familiar with Disney‘s policies. But unlike Netflix, Disney owns linear cable networks that could eventually air Disney+ programming with commercials. A Disney spokesperson declined to comment.

–CNBC’s Sarah Whitten contributed to this article.

WATCH: Netflix launches ad-based subscription plan

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Elon Musk said Twitter has seen a ‘massive drop in revenue’ as more brands pause ads



CNN
 — 

Elon Musk said Friday that Twitter has seen a “massive drop in revenue,” as a growing number of advertisers pause spending on the platform in the wake of his $44 billion acquisition.

“Twitter has had a massive drop in revenue, due to activist groups pressuring advertisers, even though nothing has changed with content moderation and we did everything we could to appease the activists,” he said in a tweet. “Extremely messed up! They’re trying to destroy free speech in America.”

The remarks come as brands, including General Mills and the Volkswagen Group, pause advertising on the social network and as civil society organizations called on Twitter’s advertisers to halt all spending globally, citing uncertainty about the direction of the company under Musk.

“We have paused advertising on Twitter,” Kelsey Roemhildt, a spokesperson for General Mills, told CNN in a statement, making it the first company that doesn’t compete with Musk’s Tesla to confirm such a move. “As always, we will continue to monitor this new direction and evaluate our marketing spend,” the spokesperson said.

In a separate statement, Volkswagen Group, which owns Audi, Porsche and Bentley, confirmed it had recommended its brands “pause their paid activities on the platform until further notice.”

The Wall Street Journal, which was first to report the moves, also said Pfizer and Mondalez are pausing ads on Twitter. The companies did not immediately respond to a request for comment.

The companies join General Motors, which had previously said it would pause paying for advertising on Twitter while it evaluates the platform’s “new direction.” Toyota, another Tesla competitor, previously told CNN that it is “in discussions with key stakeholders and monitoring the situation” on Twitter.

On Friday, organizations including the Anti-Defamation League, Free Press and GLAAD, upped their pressure campaign for more brands to rethink advertising on Twitter. The groups pointed to Friday’s mass layoffs of Twitter staff as a key factor in their thinking, citing fears that Musk’s cuts will make Twitter’s election integrity policies effectively unenforceable, even if they technically remain active.

After months of uncertainty about Musk’s pending acquisition, advertisers are now confronting questions around how Musk will change the platform, which is already an also-ran in the digital ad space despite its outsized political influence. Musk, known as both an innovative entrepreneur and an erratic figure, has promised to rethink Twitter’s content moderation policies and undo permanent bans of controversial figures, including former President Donald Trump.

That creates a challenge for brands, which are sensitive to the types of content their ads run against, an issue made more complicated by social media. Most marketers bristle at the thought of having their ads run alongside toxic content such as hate speech, pornography or misinformation.

Ad buying giant Interpublic Group, which works with consumer brands such as Unilever and Coca Cola, earlier this week also recommended its clients pause advertising on the platform.

Musk has said he’s not a fan of advertising and is currently working to boost Twitter’s subscription revenue to boost its bottom line and be less dependent on ad sales, which account for 90% of Twitter’s overall revenue. But this shift won’t happen overnight, if it happens at all. Musk said he plans to launch an $8 per month subscription plan that will provide users with a verification mark, as well as several other perks, but the plans has faced sharp backlash.

In the meantime, Musk is working to stave off a possible advertiser exodus. Musk’s team spent Monday “meeting with the marketing and advertising community” in New York, according to Jason Calacanis, a member of Musk’s inner circle.

Musk also met earlier this week with a group of leaders of civil society organizations, including the ADL, Free Press and the NAACP, to address concerns about a rise in hate on the platform. Representatives who attended the meeting told CNN they were encouraged by Musk’s willingness to talk and his initial commitments not to change the company’s content policies ahead of the midterms, but called on him to take further steps to protect the platform.

Since meeting with Musk, representatives of some of the same organizations said, Twitter’s new owner has demonstrated “erratic” behavior that has “betrayed” the commitments he made privately to the groups.

Shortly before news broke last week that his $44 billion Twitter acquisition was completed, Musk wrote an open letter attempting to reassure advertisers that he does not want the social network to become a “free-for-all hellscape.”

“Fundamentally, Twitter aspires to be the most respected advertising platform in the world that strengthens your brand and grows your enterprise,” he wrote. “Let us build something extraordinary together.”

– CNN’s Brian Fung, Peter Valdes-Dapena and Jon Passantino contributed to this report.

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