Tag Archives: 31M

Vanessa Bryant: Jury awards plaintiffs $31M in lawsuit over Kobe Bryant crash photos

Bryant was awarded $16 million in damages and Chris Chester was awarded $15 million.

Immediately after the verdict was read, Bryant hugged her attorneys. As she continued to cry, Bryant then tearfully embraced her daughter Natalia in the front row. She left the courthouse without making a statement.

“While we disagree with the jury’s findings as to the County’s liability, we believe the monetary award shows that jurors didn’t believe the evidence supported the Plaintiffs’ request of $75 million for emotional distress,” said County attorney Mira Hashmall, who lead outside counsel for L.A. County. “We will be discussing next steps with our client. Meanwhile, we hope the Bryant and Chester families continue to heal from their tragic loss.”

The federal jury found both the Sheriff’s and Fire Departments lacked proper policies and training which caused the violation of rights. The only plaintiff claim not supported by jurors was in a finding that the county fire department was not liable for any long-standing widespread practice or custom of taking illicit photos. The sheriff’s department was found liable for the same issue.

At issue in the trial were photos taken by L.A. County deputies and firefighters that included not just wreckage from the helicopter, but the mangled bodies of those killed including NBA star Kobe Bryant, his daughter Gianna, Chester’s wife Sarah, his daughter Payton and five others.
The National Transportation Safety Board determined the helicopter pilot pushed the limits of bad weather flying rules before he crashed into a hillside in Calabasas, California.

Bryant and Chester argued that the photos of their loved ones caused emotional distress and violated their privacy. Each testified to living in fear the photos may surface, despite L.A. County’s assertion each picture had been destroyed.

Jurors listened to 11 days worth of graphic testimony. Witnesses during the trial included a deputy who said he showed graphic images from the scene while at a bar, another deputy who said he shared photos while playing a video game, a deputy who sent dozens of photos to someone he didn’t know, and a fire official who showed the images to other personnel during an awards ceremony cocktail hour.

In September 2020, California Gov. Gavin Newsom signed an invasion-of-privacy bill called the “Kobe Bryant Act” that makes it illegal for first responders to share photos of a dead person at a crime scene “for any purpose other than an official law enforcement purpose.” The misdemeanor crime is punishable by up to $1,000 per violation.

Coincidentally, Los Angeles has named Wednesday, August 24, as “Kobe Bryant Day” to honor the Los Angeles Lakers star’s two jersey numbers, 8 and 24, that he wore during his NBA career. The Lakers have retired both numbers.

Defense wanted to separate emotions from legality

Deliberations began Wednesday shortly after an attorney for Los Angeles County argued that the trial is a “pictures case with no pictures,” noting that the gruesome photos of human remains have never actually been seen by the public — or even the plaintiffs.

“No pictures is good. No pictures means no public dissemination … no risk of other people making mistakes,” county attorney Mira Hashmall said in closing arguments of the trial.

In an emotional rebuttal, Bryant’s attorney Luis Li argued Wednesday the actions of the county in taking such photos were reckless and inhumane and caused emotional distress.

“They poured salt into an unhealable wound and that’s why we’re all here today,” he said.

During closing arguments Wednesday, attorneys for Los Angeles County sought to separate Vanessa Bryant’s emotional testimony from the legal issues the jury must consider.

Hashmall argued the county’s actions to delete the photos resulted in them never being distributed publicly, and she argued further that first responders taking photos did not violate Bryant’s rights.

She urged the jury to consider the law, which only allows for a verdict against the county if it can be proven county policies were deficient enough to prevent the spread of the photos or if there is a longstanding custom of such behavior within the sheriff and fire departments.

“If the county didn’t take (the photo sharing) seriously, why is this whole case based on the county’s investigation?” she said.

Jurors also wrestled with what constitutes “the public” in this case. The plaintiffs argued any deputy without an investigatory reason to have the photos should be considered the public. One of the deputies shared photos containing human remains with another deputy as they were playing the video game “Call of Duty,” and another showed them to a bartender he considered a friend.

Hashmall agreed that was wrong, but asked the jury to consider whether it “shocked the conscience,” a legal threshold the jury must consider in rendering its verdict.

“Does it shock the conscience that he needed to talk?” Hashmall asked. She also noted that the deputy was disciplined for his actions. “That’s not a constitutional issue, that’s a county issue,” she said.

In their rebuttal, Bryant’s attorneys argued the photos could still exist because one of the deputies AirDropped them to a firefighter that hasn’t been identified. They also argued the county inadequately investigated the incident, which has allowed for photos of human remains to potentially surface.

The rebuttal evoked tears from Vanessa Bryant and Lakers general manager Rob Pelinka in the courtroom. Li, Bryant’s attorney, said the jury’s decision is “important to families throughout the United States who might suffer a tragedy someday.”

Referring to testimony given by veteran law enforcement officials including Sheriff Alex Villanueva, Li reminded the jury of a practice of first responders keeping “death books” since the Polaroid was around. Li said to the jury: “This has been going on for decades. Make it stop.”

Bryant cried audibly and grabbed tissues when Li stated that photos of family members’ bodies torn apart are private and should not be shared with deputies just “because they’re wearing a badge the next morning, to offer [the photos] to their wife.”

In describing how deputies had to have gone out of their way to find Gianna Bryant’s remains in a ravine to photograph her, Li asked, “Does that shock the conscience?”

Li said while there is no jury form to check a box for better training, better policies, or more discipline, there is only a box jurors can check for damages: “Whatever you put in that box will serve to shine a light on the legacy of Kobe and Gianna Bryant.”

Li concluded with applauding the two whistleblowers, one of whom sat in the courtroom. Li was emotional as he said: “But for those people, we may never have heard of this.”

CNN’s Cheri Mossburg contributed to this report.

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‘Elvis’ Opening To $31M In Fierce Battle With ‘Top Gun 2’ – Deadline

SATURDAY AM UPDATE: Refresh for more analysis and chart In an amazing feat for an adult-skewing, 2 hour and 39 minute running movie at the box office, Warner Bros’ Baz Luhrmann directed Elvis is heading toward an estimated $31.5M opening, looking to truly top the box office.

Outside of superhero tentpoles like Spider-Man: No Way Home at 2 hours and 28 minutes, lengthy movies have largely seen their openings capped during the pandemic, i.e. House of Gucci at 2 hours and 38 minutes did a 3-day of $14.4M while West Side Story at 2 hours, 36 minutes opened to $10.5M.

In addition, it’s an embarrassment of riches for most of the majors this weekend as at least four movies look to clear $20M+ apiece.

Elvis skewed heavily female at 58% with a massive 30% over 55 years old. Women and older adults have been the hard demos to pull out during the pandemic, and it’s clear in the wake of elder demo movies, such as Top Gun: Maverick cracking past the half billion point this weekend with $521.2M, everyone is feeling a lot of more comfortable about moviegoing. It’s always been said that it was the older demo tentpoles such as Top Gun 2 and No Time to Die that would pave the way for adults to come back, and to keep coming back, especially for a movie like Elvis. 

Paramount

Note, while some tracking services had Elvis at $30M, others took the under in projecting this stylized version of the King of Rock and Roll, believing that Top Gun: Maverick would lead the box office. That Tom Cruise movie isn’t far behind with a fifth weekend of $30M, -33%. Some believe that Paramount could have final bragging rights for No. 1.

Doubt loomed in regards to whether the truly older fanbase of the legendary singer would come out (Note if you’re 50, you’re still young for an Elvis Presley fan; he died when you were 5 years old); and that . There was a gap between the definite interest to see Elvis, and its unaided and total awareness.

In regards to the social media chatter ahead of opening, RelishMix noted, “Skeptics and worshipers of The King, feel that anyone who is a lover of Elvis usually tends to steer away from movies about him. Reason being, he is untouchable, no one can come close to representing him. But, that seeing clips make them want to see it, and hearing Priscilla Presley and Lisa Marie Presley’s reactions and approval have fans excited.”

RelishMix also observed that there were online “debates about the look of Austin Butler in the title role — most are sold on how his resemblance to Elvis; his hair, eyes, lips, gaze, voice and vibe draws viewers into their experiences and concerts they watched.”

Presales were hovering around where Paramount’s Rocketman were yesterday. That Elton John movie turned in a first day with previews of $9.1M for a $25.7M opening while Elvis posted a first day, including $3.5M in previews, of $12.7M.

While critics have waned to 79% certified fresh on Elvis, audience exits are great enough with an A- CinemaScore (higher than Luhrmann’s last big feature, 2013’s Great Gatsby which did a B) and a great 89% positive and 72% definite recommend in PostTrak exits. Elvis pulled in a crowd that was close to 80% over 25, 61% over 35 and close to half over 45. Both those over 50 (43%) and the 35+ crowd (60%) on CinemaScore gave Elvis a solid A. Diversity demos were 62% Caucasian, 20% Latino and Hispanic, 7% Black, and 11% Asian/other. Elvis triumphed in the South, where the movie notched five out of its ten runs. PLF Screens have driven 21% of the box office to date; those screens split among three other titles. Disney has all the Imax for Lightyear. 

Universal

Also beating expectations this weekend is Universal/Blumhouse’s horror movie The Black Phone, with a $23.2M take after a $10.2M Friday (which included $3M previews) in 4th place. Uni also owns 3rd with the third weekend of Amblin’s Jurassic World Dominion, which is posting $26.1M, -56%. The Rotten Tomatoes score on Black Phone remains healthy at 83% certified fresh with a B+ CinemaScore (very good for horror movies, which tend to get Cs), and great exits of 88% positive and a 67% recommend on PostTrak. The pic’s top ten theaters came from the coasts and the Southwest. A handful of PLF screens repped 5% of business to date.

The ticket sales are besting any mixed pre-weekend chatter seen by RelishMix, which was comprised of Blumhouse super-fans, die-hard Ethan Hawke followers, and those who believed “the whole movie is in the trailer.” “There were mentions about the date changes and comparisons to It, plus encouraging call-outs to writer Joe Hill and busy director Scott Derrickson, who helmed Doctor Strange and Sinister parts 1 and 2,” reported RelishMix.

Disney’s second weekend of Lightyear stands between $17M-$19M, in 5th place. If it clears $20M, it will be the first time in six years that five movies have cleared that benchmark at the weekend B.O. The last time was July 22-24, 2016, and that’s when Star Trek Beyond led with a $59.2M opening, Secret Life of Pets second with a third weekend of $29.6M, Lights Out opening with $21.7M in third, Ice Age: Collision Course debuting with $21.3M and the second weekend of Ghostbusters with $21M. All in, this weekend is amounting to an estimated $138.2M, which is off 32% when compared to the corresponding weekend 25 in 2019 (which happened to be Father’s Day weekend) and -9% off when compared to the weekend after Father’s Day. But four or five titles over $20M each — exhibitors and studios will certainly take it.

Also cracking the top 10 is the Hindi title Jug Jugg Jeeyo, booked at 318 theaters in 104 markets. The romantic comedy directed by Raj Mehta, follows an estranged couple, Kuku and Naina, who come to India from Canada, looking to tell their family about their impending divorce after their huge wedding. However, a bigger shock awaits them. OK results we here in NY, Chicago, San Francisco, and Toronto, for what looks to be a $235K Friday, and $604K opening.

1.) Elvis (WB) 3,906 theaters, Fri $12.7M, 3-day $31.5M/Wk 1

2.) Top Gun: Maverick (Par) 3,948 (-87) theaters, Fri $8.25M (-26%),  3-day $30M (-33%), Total $521.2M/Wk 5

3.) Jurassic World Dominion (Uni) 4,233 (-464) theaters, Fri $7.4M (-53%), 3-day $26.1M (-56%)/Total $302.4M/Wk 3

4.) The Black Phone (Uni) 3,150 theaters, Fri $10.2M, 3-day $23.2M/Wk 1

5.) Lightyear (Dis) 4,255 theaters, Fri $5.4M (-74%)/3-day $17-$19M (-64%), Total $90.1M/Wk 2

6.) Doctor Strange in the Multiverse of Madness (Dis) 1,855 (-610) theaters, Fri $521k (-53%), 3-day $1.76M (-60%), Total $409.1M/Wk 8

7.) Jug Jugg Jeeyo (Moviegoer) 318 theaters, Fri $235K, 3-day $604K, Wk 1

8.) Everything, Everywhere All at Once (A24) 524 (-155) theaters, Fri $144K (-44%), 3-day $531K (-44%), Total $66.1M/Wk 14

9.) Bob’s Burgers (20th/Dis) 590 (-760) theaters, Fri $156K (-55%), 3-day $511K (-56%), Total  $31M/Wk 5

10.) The Bad Guys (Uni) 1,033 (-461) theaters, Fri $130K (-56%), 3-day $440K (-56%), Total $95.4M /Wk 10

 

 



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Cathie Wood Sheds $14.5M In Spotify Amid Joe Rogan Controversy And Piles Up Another $31M In Robinhood – Bitcoin – United States Dollar ($BTC)

Cathie Wood-led Ark Investment Management on Friday further raised its exposure in Robinhood Markets Inc (NASDAQ:HOOD) on the day shares of the financial services company rallied nearly 10% and shed shares in streaming audio-on-demand platform Spotify Technology SA (NYSE:SPOT) amid the “The Joe Rogan Experience” controversy.

Ark Invest bought 2.45 million shares —estimated to be worth $31.15 million— in Robinhood.

The stock closed 9.65% higher at $12.73 a share on Friday and is down 31% year-to-date.

The asset management firm held 22 million shares — worth $255.8 million in Robinhood, prior to Friday’s trade. 

Ark Invest bought shares in Robinhood via all three of its active exchange traded funds through which it owns the stock — the Ark Innovation ETF (NYSE:ARKK), the Ark Next Generation Internet ETF (NYSE:ARKW) and the Ark Fintech Innovation ETF (NYSE:ARKF). 

See Also: Robinhood Q4 Earnings Highlights: Lower MAU And Crypto Revenue, Updates on Crypto Wallets And Plans To Extend Trading Hours

Robinhood reported fourth-quarter results after-hours on Thursday and provided lower-than-expected first quarter guidance. 

Shares rallied on the cryptocurrency-linked company’s new product plans including “Crypto Wallets,” which are currently in alpha testing. The company said a full launch is expected in the first quarter of fiscal 2022. 

Ark Invest has been buying shares in Robinhood since its lacklustre listing in July last year and has recently boosted buying the stock on the dip following the recent Bitcoin (CRYPTO: BTC)-led selloff in cryptocurrencies.

See Also: Cathie Wood Loads Up On These 3 Crypto-Exposed Stocks Amid Bitcoin Crash

Bitcoin prices are down 21% so far this year while Ethereum (CRYPTO: ETH) and Dogecoin (CRYPTO: DOGE) are down 32% and 20%, respectively.

Here are the other key Ark Invest trades on Friday:

  • Bought 84,002 shares — estimated to be worth $14.5 million based on Friday’s closing price — in Spotify. The stock closed 0.97% higher at $172.9 a share and is 29% so far this year. Spotify found itself in the headlines last week when musicians Neil Young and Joni Mitchell asked for the removal of their music from the platform to protest the COVID-19-related content of “The Joe Rogan Experience,” which they stated was spreading medical misinformation.
  • Sold 25,378 shares — estimated to be worth $2.97 million — in Docusign Inc (NASDAQ:DOCU). Shares closed 5.96% higher at $117.3 a share on Friday. The stock is down 25.3% year-to-date.

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150 people arrested, over $31M seized in international drug trafficking sting: Department of Justice

U.S. and European law enforcement officials have arrested 150 people and seized more than $31 million in an international drug trafficking investigation stemming from sales on the darknet, the Justice Department announced on Tuesday.

The arrests are connected to a 10-month investigation between federal law enforcement officials in the U.S. and Europol in Europe. Prosecutors allege those charged are responsible for tens of thousands of illegal sales in the U.S., the United Kingdom, Australia, Bulgaria, France, Germany, Italy, the Netherlands, and Switzerland. Investigators have seized over $31.6 million in cash and virtual currency and 45 guns, the Justice Department said. 

Investigators also recovered a slew of illegal drugs, including counterfeit medication and opioid pills, along with more than 152 kilograms of amphetamine, 21 kilograms of cocaine, and 32.5 kilograms of MDMA, according to prosecutors.

GARLAND SAYS DOJ ‘DOES NOT SUPPORT DEFUNDING THE POLICE,’ ASKED FOR $1B INCREASE IN FUNDS

Deputy Attorney General Lisa Monaco, with Assistant Attorney General Kenneth Polite Jr. of the Justice Department’s Criminal Division, speaks during a news at the Department of Justice in Washington, Tuesday, Oct. 26, 2021. Law enforcement officials in the U.S. and Europe have arrested 150 people and seized more than $31 million in an international drug trafficking investigation stemming from sales on the darknet. (AP Photo/Manuel Balce Ceneta)
((AP Photo/Manuel Balce Ceneta)

Of the arrested individuals, 65 people were in the U.S., 47 were in Germany, 24 were in the United Kingdom, four were in Italy, four were in the Netherlands, three were in France, two were in Switzerland, and one person was in Bulgaria.

Deputy Attorney General Lisa Monaco said investigators found that darknet vendors were running fake laboratories in their homes to create fake pills — designed to look like prescription pain pills — that are laced with fentanyl, methamphetamine, and other illegal drugs.

ARMY VETERAN FAKED PARALYSIS TO GET OVER $1M IN BENEFITS, USED MONEY TO BUY SPORTS CAR, PROSECUTORS SAY

The darknet is a part of the internet hosted within an encrypted network and accessible only through specialized anonymity-providing tools, most notably the Tor Browser.

The operation was specifically designed to target “drug distributors who use the darknet to traffic these illicit drugs and items like pill presses, which are fueling the ongoing opioid crisis plaguing our communities,” Monaco said.

The Justice Department said its investigation was ongoing and investigators were still working to identify other individuals behind darknet accounts.

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Monaco described that since the novel coronavirus pandemic began, “more people have turned to the darknet than ever before to buy drugs.”

“Before I close, I want to address those who remain on the darknet, those who are peddling illegal drugs and thinking they are safe behind layers of digital anonymity,” Monaco said. “My message to you is simple: There is no dark internet. We can and we will shine a light.”

Fox News’ Jake Gibson contributed to this report, as well as The Associated Press. 

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‘Shang-Chi’ Strong Second Weekend With $31M+; ‘Malignant’ Dying – Deadline

Refresh for more analysis and chart With great success, comes continued great chaos for the theatrical experience this past week. On the plus side, the domestic box office is continuing its rebound during the pandemic with the second weekend of Shang-Chi and the Legend of the Ten Rings earning $9.7M in its second Friday, -67%  for an estimated 3-day of $31.8M which is the fourth biggest second weekend for a September release after It ($60.1M), It Chapter Two ($39.6M), and Hotel Transylvania 2 ($33.1M). Disney responds after the Marvel pic’s record Labor Day frame opening last weekend of $94.6M, by announcing that the rest of its domestic release slate for the year will honor a theatrical window ranging from 30-45 days per pic. Great, right?

Disney’s ‘Eternals’, ‘West Side Story’, ‘Encanto’, ‘Last Duel’ & More To Hit Theaters Ahead Of Streaming Bow

But then Universal decides to take a solid franchise sequel they’ve been holding during the pandemic, Halloween Kills, and go day-and-date with it on Oct. 15. This coupled with news that Paramount Chairman & CEO and largely respecter of theatrical windows Jim Gianopulos is exiting the studio as ViacomCBS doubles down on streaming service Paramount+. Seriously, what the hell is going on? Does the town think we’re going to sit on our couches and watch our cell phones for eternity? The big screen is the curation of great product, don’t ya get that? How should we sift through a sea of titles on streaming menus if we don’t know what’s great yet?

‘Malignant’
Warner Bros

Warner Bros. which has turned the post-Labor Day frame into a blockbuster frame, staring with 2017’s It (with a $123.4M opening), and has continued to rule it with horror movies as It Chapter Two ($91M) and The Nun ($53.8M), will have to look forward to regaining its rule over this weekend next year with the New Line adaptation of Stephen King’s Salem’s Lot, because this weekend’s James Wan’s Daria Argento-inspired Malignant via New Line doesn’t quite cut it with a theatrical debut of $5.5M per Warner Bros. after a $2M Friday. The pic is primed to slot No. 2. While we can always rely on HBO Max for siphoning grosses, this title actually divided audiences with a C CinemaScore and even worse PostTrak exits at 59% positive and a 38% definite recommend despite most critics giving the pic a 77% fresh Rotten Tomatoes score. The movie had an ending with a big twist, so it was hard for WarnerMedia to market the movie, and if you do a deep dive in reviews, you find that the pic was gory. The Associated Press’ Lindsey Bahr says “If you must see Malignant, a theater might honestly be the best bet. That way at least you can laugh along in utter shock with your fellow theater-goers” while calling the Wan directed title a “thanklessly humorless and offensively sadistic film that fails to capture any sort of authentic emotion or make any meaningful statements about trauma.” Eeeks. Wan and Warner Bros have easily moved on from this blunder; he’s already in production on Aquaman and the Lost Kingdom. If you’re here at TIFF, you can’t watch the movie on your phone, because HBO Max isn’t available in the country. Either head out to Cineplex to see it or rent it on PVOD here. Malignant, I hear cost $40m before P&A, and was a co-production between Starlight and New Line.

Malignant pulled in 68% 18-34, the tried and true moviegoers coming out during the pandemic, leaning 57% male and 68% over 25. Diversity breakdown was  42% Caucasian, 25% Latino, 18% Black and15% Asian/other. Pic’s best ticket sales were in West and South with L.A. venues dominant filling out of the top ten runs with two from San Antonio.

Focus

Focus Features has the Paul Schrader directed noir The Card Counter which after launching in Venice is 86% Certified Fresh on Rotten Tomatoes. The pic, which is set to rank No. 7, is set to make $1.05M at 580 locations in 127 markets for a $1,8K theater average after a $420K Friday. The movie is on a 17-day window and had some OK runs in New York, LA, Phoenix, San Diego and Austin. While the arthouse isn’t screaming back, it’s a notable take for a limited Focus release currently in less than 1K theaters, just behind their their Anthony Bourdain documentary Roadrunner which opened to close to $2M in 927 theaters and finaled at $5.2M. Schrader’s Oscar nominated First Reformed during the summer of 2018 had a platform release opening in $97,5K in four theaters over Memorial Day weekend and ultimately finaling stateside at $3.4M.

Sony Affirm had the faith-based title from producers the Kendrick Brothers, Show Me the Father which made $275K on Friday on its way to a $750K take from 1,073 locations. No reviews yet, but those who watched it, enjoyed it with an 88% on PostTrak and a 67% recommend. Pic skewed 53% guys, 71% over 35 and 52% over 45 with 63% Caucasian, 15% Black, 17% Asian/other and 5% Latino showing up. Pic played in the faith-based tracks of the Mid-West and South with the strongest draw in the Southeast. The Rick Altizer directed movie features captivating stories interwoven with inspirational truths about the fatherhood of God.

The third movie in the Anna Todd ya series After We Fell hit 45 markets in Canada with a OK figures out of Quebec and Montreal coming in with an estimated $618K opening.

1.) Shang-Chi (Dis) 4,300 theaters Fri $9.7M (-67%), 3-day $31.8M (-58%), Total: $141.6M/Wk 2

2.) Malignant (NL) 3,485 theaters Fri $2M/3-day $5.5M/Wk 1

3.) Free Guy (20th) 3,650 theaters (-235)/Fri $1.47M (-30%)/3-day $5.2M (-41%)/Total $101.2M/Wk 5

4.) Candyman (Uni) 3,279 (-290) theaters/Fri $1.38M (-52%)/3-day $4.25M (-59%)/Total $47.4M/Wk 3

5.) Jungle Cruise (Dis) 2,800 (-275) theaters/Fri $571K (-36%)/3-day $2.2M (-45%)/Total $109.6M/Wk 7

6.) Paw Patrol (Par) 2,820 (-184) theaters/Fri $490K (-50%)/3-day $1.87M (-53%)/Total $34.2M/Wk 4

7.) Card Counter (Foc) 580 theaters/Fri $420K/3-day $1.05M/Wk 1

8.) Don’t Breathe 2 (Sony) 1,708 (-468) theaters, Fri $320K (-47%)/3-day $1.02M (-56%)/Total/$30.1M/ Wk 5

9.) Show Me the Father (Sony) 1,073 theaters/Fri $275K /3-day $750K/Wk 1

10.) After We Fell (VVS) 230 theaters/Fri $209K/3-day $618K/Wk 1



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